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The Precision Disrupter is a generative Eurorack sequencer that relies on controlled randomization to create melodic & rhythmic patterns with e...

A search for a grammar of music with the aid of generative linguistics. A classic in music theory since its publication in 1981, this work models music understanding from the perspective of cognitive science. The point of departure is a search for a grammar of music with the aid of generative linguistics. The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsiously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notatation as well as in the substance of rhythmic and reductional theory.

The various contributors make clear the relevance of Giussani's thought to the North American and Western cultural and religious context. They point to an important element in all of Giussani's work - his proposal that the Christian Event is the answer to the deepest and most pressing questions in today's world. With his clear and vigorous awareness of the cultural, philosophical, and theological issues central to the contemporary debate, Giussani succeeds in making the truth of the Catholic tradition both reasonable and relevant. Contributors include Lorenzo Albacete (Pontifical Catholic University of Puerto Rico), Jorge Mario Bergoglio (Cardinal Archbishop of Buenos Aires), Remi Brague (Université La Sorbonne, Paris), Carlo Caffarra (Archbishop of Ferrara-Comacchio), Ralph Del Colle (Marquette University), Ravan Farhâdi (United Nations), Giorgio Feliciani (Catholic University of Sacred Heart, Milan), Neil Gillman (Jewish Theological Seminary, NY), David J. Horowitz (DHMA Inc, NY), Rodney Howsare (DeSales University), Nikolaus Lobkowicz (Catholic University of Eichstätt), Gilbert C. Meilaender (Valparaiso University, Chile), John O’Connor (Cardinal Archbishop of New York), Marc Ouellet (Pontifical Council for Promoting Christian Unity),Javier Prades (Theological Faculty, San Damaso, Madrid), David L. Schindler (John Paul II Institute, Washington, DC), Angelo Scola (Pontifical Lateran University, Rome), J. Francis Stafford (Pontifical Council for the Laity), Shingen Takagi (Koyasan University, Japan), and Michale Waldstein (Internationales Theologisches Institut für Studien zu Ehe und Familie, Gaming, Austria).

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Paperback. Generative Art for Python instructs beginner level to advanced programming using Python programming language. Contained in the book are many examples that integrate both graphics and sound, plus core programming concepts such as conditions, functions, loops and arrays. On the beginner and intermediate levels, graphics concepts such as manipulating images, animation, texture mapping and video techniques are covered. Advance level concepts include sound effects and audio, 3D geometry and animation, and interactive games. James R. Parker enables artistic expression through computer programming by implementing best practices in art and design. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

A search for a grammar of music with the aid of generative linguistics.This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.

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This book provides a critical review of the development of generative grammar, both transformational and non-transformational, from the early 1960s to the present, and presents contemporary results in the context of an overall evaluation of recent research in the field.Geoffrey Horrocks compares Chomsky's approach to the study of grammar, culminating in Government and Binding theory, with two other theories which are deliberate reactions to this framework: Generalised Phrase Structure Grammar and Lexical-Functional Grammar. Whilst proponents of all three models regard themselves as generative grammarians, and share many of the same objectives, the differences between them nevertheless account for much of the recent debate in this subject. By presenting these different theories in the context of the issues that unite and divide them, the book highlights the problems which arise in any attempt to establish an adequate theory of grammatical representation.

The authors present a grand tour of Generative Programming that is bound to become a classic. They ... focus on the generally unappreciated connection between Domain Specific Languages and Generative Programming as a motivation for future development. Their wide-ranging and practical methods for Domain Analysis and Domain Engineering describe the first steps that developers can take right now ... and are valuable both when existing systems are used or in preparation for emerging new generative technologies. - Charles Simonyi, Chief Architect at Microsoft Research and the inventor of Intentional Programming The book develops strong themes around unifying principles that tie the pieces together, most notably domain engineering and metaprogramming. Its crucial to understand that this book is not just some refreshing diversion, nor just an exposition of some noteworthy niche techniques: It is a harbinger of a broader enlightenment that opens the door to a new age. - From the Foreword by James Coplien, a Distinguished Member of Technical Staff at Lucent Technologiesm Bell Laboratories Generative Programming (GP) offers great promise to application developers. It makes the idea of mo

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Stephen Gilligan's Generative Trance offers a framework for developing a more creative consciousness and lays out the step-by-step processes by which this can be done. William James used to say that 'the unconscious mind is the horse and the conscious mind is the rider: it's the relationship between the two that is most important.' In Generative Trance renowned trainer Stephen Gilligan shows you how to harness this relationship for a much more powerful and effective therapeutic intervention, and reveals how life can be lived as a great journey of consciousness. Emphasizing that reality and identity are constructed by ourselves, Gilligan explains how generative trance is crucial in creating new realities and possibilities for clients. It is a view that differs markedly from the traditional hypnosis ideas of a client losing control, as well as from Ericksonian approaches that feature a benevolent hypnotist who bypasses the conscious mind to work with a client's unconscious mind. Instead, generative trance stresses a 'disciplined flow' process in which a person's conscious and unconscious minds cooperate to weave a higher consciousness capable of transformational change.

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