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“Butturini’s London depicts the poor and the working class who failed to make good in the 1960s, contrasting that with the tourist view" -Martin Parr In 1969 Gian Butturini was just over 30 years old and a successful graphic designer working in advertising. His journey as a photographer began at Victoria Station when he saw a young man staggering by with a syringe embedded in a vein. He began investigating 1960s London through the Nikon hanging from his neck.Butturini’s photographs of London are full of pain and sarcasm but also joy and lyricism―hippies and fashionable young women share space with the homeless, the pacifist demonstrations and the orators at Speakers’ Corner. Butturini’s London, in the photographer’s own words, “is true and bare ... I did not ask it to pose.” Gian Butturini: London is the new facsimile edition of Butturini’s cult 1969 photobook, which interspersed his black-and-white photographs with text by Allen Ginsberg. No less an authority than Martin Parr―who contributes a text to this new edition―has credited Butturini’s photobook with containing some of the best photographs ever taken of the British capital.Gian Butturini (born 1935) began his career in the early 1950s as a graphic designer in Milan. The publication of London in 1969 marked his transition to photography. After catching the end of the Swinging Sixties in London, Butturini continued to take photographs, documenting the Troubles in Northern Ireland, Fidel Castro’s Cuba and violence in Bosnia, among other key sights and events of the 20th century.

Venturi Donna by Gian Marco for Women EDP Perfume Splash .17 oz. New in Box

About the brand: Trendy occasion styles designed with a feminine ease. Gian Romper in black with V-neck and oversized bow at waist Approximately 33in from shoulder to hem Inseam approximately 2in Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. Center back zipper closure 92% polyester, 8% polyurethane Contrast: 86% rayon, 14% polyester Lining: 95% polyester, 5% elastane Dry clean only Imported

About the brand: Trendy occasion styles designed with a feminine ease. Gian Romper in black with V-neck and oversized bow at waist Approximately 33in from shoulder to hem Inseam approximately 2in Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. Center back zipper closure 92% polyester, 8% polyurethane Contrast: 86% rayon, 14% polyester Lining: 95% polyester, 5% elastane Dry clean only Imported

Jimmy Choo`s elevated Gian platform heels are crafted in silky satin with a 140mm block heel. - Square closed toe - Ankle strap with buckle fastening - This product uses satin - Composition: 28% silk and 72% certified viscose - Heel height measures: 140mm

Jimmy Choo`s elevated Gian platform heels are crafted in silky satin with a 140mm block heel. - Square closed toe - Ankle strap with buckle fastening - This product uses satin - Composition: 28% silk and 72% certified viscose - Heel height measures: 140mm

Jimmy Choo`s elevated Gian platform heels are crafted in silky satin with a 140mm block heel. - Square closed toe - Ankle strap with buckle fastening - This product uses satin - Composition: 28% silk and 72% certified viscose - Heel height measures: 140mm

About the brand: Trendy occasion styles designed with a feminine ease. Gian Romper in black with V-neck and oversized bow at waist Approximately 33in from shoulder to hem Inseam approximately 2in Model is 5'9 and is wearing a size small. Measurements may vary slightly by size. Center back zipper closure 92% polyester, 8% polyurethane Contrast: 86% rayon, 14% polyester Lining: 95% polyester, 5% elastane Dry clean only Imported

Jimmy Choo`s elevated Gian platform heels are crafted in silky satin with a 140mm block heel. - Square closed toe - Ankle strap with buckle fastening - This product uses satin - Composition: 28% silk and 72% certified viscose - Heel height measures: 140mm

Jimmy Choo`s elevated Gian platform heels are crafted in silky satin with a 140mm block heel. - Square closed toe - Ankle strap with buckle fastening - This product uses satin - Composition: 28% silk and 72% certified viscose - Heel height measures: 140mm

Jimmy Choo`s elevated Gian platform heels are crafted in silky satin with a 140mm block heel. - Square closed toe - Ankle strap with buckle fastening - This product uses satin - Composition: 28% silk and 72% certified viscose - Heel height measures: 140mm

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

“Butturini’s London depicts the poor and the working class who failed to make good in the 1960s, contrasting that with the tourist view" -Martin Parr In 1969 Gian Butturini was just over 30 years old and a successful graphic designer working in advertising. His journey as a photographer began at Victoria Station when he saw a young man staggering by with a syringe embedded in a vein. He began investigating 1960s London through the Nikon hanging from his neck.Butturini’s photographs of London are full of pain and sarcasm but also joy and lyricism―hippies and fashionable young women share space with the homeless, the pacifist demonstrations and the orators at Speakers’ Corner. Butturini’s London, in the photographer’s own words, “is true and bare ... I did not ask it to pose.” Gian Butturini: London is the new facsimile edition of Butturini’s cult 1969 photobook, which interspersed his black-and-white photographs with text by Allen Ginsberg. No less an authority than Martin Parr―who contributes a text to this new edition―has credited Butturini’s photobook with containing some of the best photographs ever taken of the British capital.Gian Butturini (born 1935) began his career in the early 1950s as a graphic designer in Milan. The publication of London in 1969 marked his transition to photography. After catching the end of the Swinging Sixties in London, Butturini continued to take photographs, documenting the Troubles in Northern Ireland, Fidel Castro’s Cuba and violence in Bosnia, among other key sights and events of the 20th century.

Neuware - Gian Vittorio Rossi (1577-1647) was an active participant in the intellectual and artistic community in Rome orbiting around Pope Urban VIII and the powerful Barberini family. His prolific literary output encompassed letters, dialogues, orations, biographies, poetry, and fiction. A superlative Latinist, Rossi unleashed his biting wit and deep knowledge of Classical literature against perceived societal wrongs. Set on the fictional island of Eudemia in the first century CE, Eudemiae libri decem is a satirical novel that criticizes Rossi's own society for its system of patronage and favors that he saw as rewarding wealth and opulence over skill and hard work. An understudied figure, Rossi's involvement with one of Rome's premier literary academies and his relationships with intellectuals in Italy and throughout Europe provide a unique insider view of seventeenth-century Rome.

Neuware -Gian und Giachen stapfen durch die weiße Bergwelt. Doch da ist noch einer. Der Schneehase Vincenz. Die beiden Steinböcke erschrecken sich ganz fürchterlich. Das können sie nicht auf sich sitzen lassen. Sie beschließen, es Vincenz heimzuzahlen und ihn ebenfalls in Angst und Schrecken zu versetzten. Aber das ist gar nicht so einfach, denn der Schneehase Vincenz scheint sich vor gar nichts zu fürchten.Das witzige Bilderbuchdebüt der beiden Kultböcke Gian und Giachen, hinreißend illustriert von Amélie Jackowski. 32 pp. Deutsch

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Gian Lorenzo Bernini (1598–1680), sculptor, architect, painter, and playwright, was the most influential artist of seventeenth-century Rome and, indeed, one of the leading creative forces in European art for most of that century. He is universally recognized as one of the creators of the vastly popular Roman Baroque style, which was quickly disseminated throughout all of Europe. His influence lasted well beyond his death, and the popularity of his numerous works—fountains, statues, churches, and public squares—is today as great as it was during his own lifetime, if not more so. Domenico Bernini (1657–1723) was the artist’s youngest child. Domenico’s full-length biography of his famous father represents one of the most important and most intimate primary sources for the artist’s life and work. In this edition, Franco Mormando presents the first critical translation in any language of the complete Italian text, together with annotated translations of two other significant but brief biographical sketches. Mormando provides a lengthy Introduction that closely examines the author and his career, his editorial agenda and critical reception, Baroque biography as a literary genre, the other extant primary sources, and the artistic vocabulary of early modern Europe, among other relevant topics. Extensive commentary accompanies and illuminates the text from a multiplicity of historical, linguistic, and cultural perspectives. This edition is, in effect, a one-volume encyclopedia on the artist’s life and work. As such, it stands alone within the immense bibliography of Bernini scholarship.

Gian Lorenzo Bernini (1598–1680), sculptor, architect, painter, and playwright, was the most influential artist of seventeenth-century Rome and, indeed, one of the leading creative forces in European art for most of that century. He is universally recognized as one of the creators of the vastly popular Roman Baroque style, which was quickly disseminated throughout all of Europe. His influence lasted well beyond his death, and the popularity of his numerous works—fountains, statues, churches, and public squares—is today as great as it was during his own lifetime, if not more so. Domenico Bernini (1657–1723) was the artist’s youngest child. Domenico’s full-length biography of his famous father represents one of the most important and most intimate primary sources for the artist’s life and work. In this edition, Franco Mormando presents the first critical translation in any language of the complete Italian text, together with annotated translations of two other significant but brief biographical sketches. Mormando provides a lengthy Introduction that closely examines the author and his career, his editorial agenda and critical reception, Baroque biography as a literary genre, the other extant primary sources, and the artistic vocabulary of early modern Europe, among other relevant topics. Extensive commentary accompanies and illuminates the text from a multiplicity of historical, linguistic, and cultural perspectives. This edition is, in effect, a one-volume encyclopedia on the artist’s life and work. As such, it stands alone within the immense bibliography of Bernini scholarship.

Bernini at St. Peter’s may be a unique case in history: a single artist in change of a grandiose monument in a continuous state ofcreativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuousthread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Bernini conceived of St. Peter’s as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony.The book is in large format and richly illustrated with 272 colour illustrations. It represents a fitting tribute to the artist and his monument, St. Peter's BasilicaTable of ContentsPreambleSt. Peter's as summa ecclesiarumThe apse and crossingThe high altarBaldachins and ciboriaThe baldacchino (1624-35)Paired tombsThe tomb of Urban VIII (1627-47)The crossing piers (1627-41)The nave: continuity"Feed my sheep" (pasce oves meas) (1633-46)The tomb of Matilda of Tuscany (1633-44)The nave decoration (1645-9)Ingress – egressThe piazza and colonnades (1656-67)CommemorationThe cathedra petri (1657-66)The equestrian monument of Constantine and the Scala Regia (1662-70)The tomb of Alexander VII (1671-8)Passage to the Holy CityThe Ponte Sant’Angelo and Castel Sant’Angelo (1667-71)ConsummationThe Sacrament Altar (1673-5)The church, the city, and the artistRoma alessandrina: urban unity, public welfare, and universal Christian charityThe blood of Christ (1669-70)BibliographyIndex.

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