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The second title in the Revisions series features two of France's noted contemporary theorists writing about painter Gerard Fromanger Deleuze analyzes the relationship between the painter and his model as eroticized merchandise within consumer society, and Foucault reexamines the painting-versus-photography debate from Ingres to the era of hyperrealism. Adrian Rifkin's introduction puts the critics in context and connects them to Fromanger's paintings today. Dimension: 7 x 9 inches, 48 color reproductions.

Nombreuses photographies en couleurs et n./b. hors-texte. « Gilles Léger et les trois frères Stastny lèvent enfin le voile et mettent le point final à ce qui fut, bien plus qu'une épopée sportive, un véritable roman d'aventures où espionnage, suspense et drame forment un passionnant cocktail. Découvrez les destins croisés d'un visionnaire et d'un trio d'athlètes slovaques d'exception en revivant l'une des époques les plus fascinantes du hockey, à l'aube de la rivalité Canadiens / Nordiques et au crépuscule du régime communiste. L'histoire de Gilles Léger se confond avec celle de son plus bel accomplissement, la fuite des frères Stastny de la Tchécoslovaquie, un événement qui allait changer la destinée des Nordiques de Québec et le visage de la LNH elle-même.»

The notion of the minor, developed by Gilles Deleuze and Fâelix Guattari in 'Kafka, towards a minor literature' (1975), is introduced and connected applied here for the very first time to the field of photography theory. Deleuze and Guattari defined minor literature in terms of "deterritorialization", "politicization" and "collectivization". By transferring 'the minor' to the medium of photography, this book enlarges the idea of 'the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can make the dominant codes of representation stammer and how it can produce new effects and address people yet to come. The authors consider 'the minor' as a valuable tool to help photography research move beyond, or in between, binary and hierarchized ways of thinking (of high and low art, for example, or centre and periphery). As such, it aims to contribute to a rethinking of photography as multiplicity and variation.

The notion of the minor, developed by Gilles Deleuze and Fâelix Guattari in 'Kafka, towards a minor literature' (1975), is introduced and connected applied here for the very first time to the field of photography theory. Deleuze and Guattari defined minor literature in terms of "deterritorialization", "politicization" and "collectivization". By transferring 'the minor' to the medium of photography, this book enlarges the idea of 'the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can make the dominant codes of representation stammer and how it can produce new effects and address people yet to come. The authors consider 'the minor' as a valuable tool to help photography research move beyond, or in between, binary and hierarchized ways of thinking (of high and low art, for example, or centre and periphery). As such, it aims to contribute to a rethinking of photography as multiplicity and variation.

Wang Quingsong may be China's answer to David LaChappelle or Pierre et Gilles. His grand, staged photographs have been featured in exhibitions at the International Center of Photography, San Diego Musuem of Art and the Contemporary Art Center, Montreal. Qingsong's recent tableau photographs are allegories based on masterpieces--both Eastern and Western. Qingsong's modern re-productions are replete with all the kitsch and irony of today's Chinese society, in which the old world frequently mingles with the new--with varied results.

Avec prè,s de 500 pages et plus de 1000 photographies signées Gilles de Chabaneix, cet ouvrage est une source d'inspiration unique, à, la fois sophistiquée et accessible. De quoi combler toutes les attentes dans cet époustouflant tour du monde où, l'on découvre tous types d'intérieurs, des plus simples aux

The Way We Live Alfresco combines Stafford Cliff's unerring eye with the remarkable photography of Gilles de Chabaneix to present a marvelous portrayal of the delights of living alfresco. An indispensable reference for getting the best of living outdoors, this book is organized into five specific sections: Outside the Home, Transitional Spaces, Rooms Outside, Bringing the Outside In, and Living Outside.Each fully illustrated section brings the reader to the heart of what it means to live and dine alfresco-in the open, but closely in touch with the good things of life. From buildings specifically created away from the main home, to the decorative use of natural objects such as stones and leaves inside the home, this book will provide an endless source of inspiration for those seeking to bring comfort and style to their outdoor living.With 300 full-color photographs that take advantage of every opportunity to make cross-cultural comparisons and connections, The Way We Live Alfresco is sure to dazzle every reader with the beauties of the alfresco lifestyle.

Avec prè,s de 500 pages et plus de 1000 photographies signées Gilles de Chabaneix, cet ouvrage est une source d'inspiration unique, à, la fois sophistiquée et accessible. De quoi combler toutes les attentes dans cet époustouflant tour du monde où, l'on découvre tous types d'intérieurs, des plus simples aux