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A complete Feb., 1972 Guitar Player Magazine with Chet Atkins on the cover, articles with John Lee Hooker, Jimmy Bryant, David Gilmore and Stu Cook...

(2-CD set) This set documents an entire performance by the Sun Ra Arkestra in Chicago on Sept. 25, 1978, and represents volume 2 from the Wait awhile Sun Ra Archive. It features 18 compositions mixing untitled improvisations with Sun Ra's pieces and jazz standards. John Gilmore, Marshall Allen, June Tyson, Michael Ray, Danny Ray Thompson, Eloe Omoe, etc., are all in great form performing to the approval of the audience.

Looking to prove their widely decried theories on cryogenics, researchers Dexter (Bela Lugosi) and Gilmore (John Carradine) returned from the Arctic with the frozen form of a caveman (Frank Moran)...and succeeded in reviving him. With the primitives capacity for reason gone, however, Dexter concluded that a brain transplant would be a proper fix...and that the donors willingness wouldnt be an issue. Second-bill shockfest from Monogram co-stars Teala Loring, Tod Andrews; George Zucco, despite

4 LP box set version. The great Sun Ra Arkestra, live at Jazzgalerie Nickelsdorf, Austria on March 11th, 1984. This is a recording of the entire - nearly three hour - performance. Personnel for this show was Sun Ra (piano, synth, vocals); John Gilmore (tenor saxophone, clarinet, evi, vocals); Marshall Allen (alto saxophone, flute, kora, percussion); Danny Ray Thompson (baritone saxophone, flute, percussion); Eloe Omoe (Leroy Taylor) (alto saxophone, bass clarinet, percussion); James Jackson (bas

Sun Ra's second album was a Delmark release recorded in 1957, although it was originally intended for the Transition label, which did not survive long enough to release it. Personnel: Sun Ra, piano, electric piano; Art Hoyle & Dave Young, trumpets; John Gilmore, tenor sax; Pat Patrick, alto & baritone sax; Jim Herndon, tympani, timbali; Julian Priester, trombone; Charles Davis, baritone sax; Victor Sproles, bass; William Cochran, drums; Clyde Williams, vocals. (Previously deleted:4/1/02. Origina

A powerful chronicler of the American Nightmare through his gripping examinations of near-mythic Southern California murders (the Black Dahlia, Tate-La Bianca), John Gilmore now draws upon his personal experiences to turn his sights on our morbid obsession with Celebrity and the ruinous price it extracts from those who would pursue it. With caustic clarity and 20/20 hindsight, Gilmore unstintingly recounts his relationships with the likes of Janis Joplin, Jack Nicholson, Dennis Hopper, Jane Fonda, Jean Seberg and Lenny Bruce on the way up and at the peaks of their notoriety. In baring his role in James Dean's attempts to push the bounds of sexual experimentation, Gilmore explores the actor's legendary fascination with speed and death. With hip, vivid prose, Gilmore describes his illuminating and often haunting first-hand encounters with Hank Williams, Ed Wood, Jr., Briggite Bardot, Sal Mineo, Eartha Kitt, Charles Manson, Jayne Mansfield, Vampira, Steve McQueen and many other denizens of the 20th century's dubious Pantheon.

Explores philosophical ideas through an examination of popular film.Doing Philosophy at the Movies finds the roots of profound philosophical ideas in the relatively ordinary context of popular, mostly Hollywood, movies. Richard A. Gilmore suggests that narratives of popular films like Hitchcock’s Vertigo, John Ford’s The Searchers, Woody Allen’s Crimes and Misdemeanors, the Coen Brothers’ Fargo, and Danny Boyle’s Trainspotting mirror certain epiphanies in the works of great philosophers. Via Plato, Aristotle, Kant, Nietzsche, Wittgenstein, and Zðizûek, Gilmore addresses such themes as the nature of philosophy, the possibility of redemption through love, catharsis, the sublime, and the human problem of death. Gilmore argues that seeing these movies through the lens of certain philosophical ideas can show how deeply relevant both philosophy and the movies can be.

Book by Gilmore, John, Kenner, Ron

"In this entertaining and still-stimulating collection, the ways in which the various authors dealt with their work emerge with radical variety, just as different individuals treat their more basic instincts." —David Cotner, LA WeeklyContributions by Stephen J. Gertz, Jay A. Gertzman, John Gilmore, Michael Hemmingson, Lydia Lunch, Lynn Munroe, and Robert Silverberg.Sin-A-Rama celebrates the near-forgotten world of erotic paperbacks from the 1960s when sex acts were described with code words, writers used pseudonyms, and publishers hid behind mail drop addresses.Sleaze paperbacks sold by the million, and their unorthodox content provoked FBI investigations, court battles, and prison sentences for the crime of "obscenity." Earl Kemp, the notorious Greenleaf Books editor, provides an insider's perspective. In "My Life as a Pornographer," science fiction legend Robert Silverberg divulges how he and other authors learned their sleaze craft.The bizarre glories of cover artists Robert Bonfils, Gene Bilbrew, Eric Stanton, Bill Ward and others are seen throughout in lurid color. A useful appendix reveals the actual names behind the pseudonyms, revealing both the established and fly-by-night sleaze paperback operators.The new expanded edition includes B. Astrid Daley's profiles on "Occult Sleaze," "Swinging Sleaze," and the tawdry taboo stuff that sleaze literature fell into during the 1970s.

"In this entertaining and still-stimulating collection, the ways in which the various authors dealt with their work emerge with radical variety, just as different individuals treat their more basic instincts." —David Cotner, LA WeeklyContributions by Stephen J. Gertz, Jay A. Gertzman, John Gilmore, Michael Hemmingson, Lydia Lunch, Lynn Munroe, and Robert Silverberg.Sin-A-Rama celebrates the near-forgotten world of erotic paperbacks from the 1960s when sex acts were described with code words, writers used pseudonyms, and publishers hid behind mail drop addresses.Sleaze paperbacks sold by the million, and their unorthodox content provoked FBI investigations, court battles, and prison sentences for the crime of "obscenity." Earl Kemp, the notorious Greenleaf Books editor, provides an insider's perspective. In "My Life as a Pornographer," science fiction legend Robert Silverberg divulges how he and other authors learned their sleaze craft.The bizarre glories of cover artists Robert Bonfils, Gene Bilbrew, Eric Stanton, Bill Ward and others are seen throughout in lurid color. A useful appendix reveals the actual names behind the pseudonyms, revealing both the established and fly-by-night sleaze paperback operators.The new expanded edition includes B. Astrid Daley's profiles on "Occult Sleaze," "Swinging Sleaze," and the tawdry taboo stuff that sleaze literature fell into during the 1970s.

What is satire? How can we define it? Is it a weapon for radical change or fundamentally conservative? Is satire funny or cruel? Does it always need a target or victim? Combining thematic, theoretical and historical approaches, John T. Gilmore introduces and investigates the tradition of satire from classical models through to the present day. In a lucid and engaging style, Gilmore explores: the moral politics of satire whether satire is universal, historically or geographically limited how satire translates across genres and media the boundaries of free speech and legitimacy. Using examples from ancient Egypt to Charlie Hebdo, from European traditions of formal verse satire to imaginary voyages and alternative universes, newspaper cartoons and YouTube clips, from the Caribbean to China, this comprehensive volume should be of interest to students and scholars of literature, media and cultural studies as well as politics and philosophy.

Inside Marilyn Monroe is an intense, personal memoir spanning more than a decade (1952-1962) by the then-actor John Gilmore, detailing his acquaintanceship with the most important movie star in the world, Marilyn Monroe. From Hollywood to New York, from New York back to Hollywood, the casual hello-goodbye friendship building to a point where Monroe and Gilmore were about to make a picture together but tragedy struck in Marilyn's life. Gilmore turned from acting to devote himself to writing and his memoir gathers Marilyn's personal life through many associates and stars known to Marilyn and Gilmore. Revealed is a treasure-trove of facets of Marilyn's life previously unknown. Gilmore's memoir shuns the conspiracy theories as he instead focuses on Marilyn as she really was, not as the media-created, cardboard sexpot, but the living and breathing "wonder" that she was. This haunting, highly personal memoir contains many photographs never before published and are made public for the first time.

This singular book follows a mad, tumultuous landscape without remorse or pity, the high and low life of Hollywood/LA. Gilmore obsesses on a relentless panorama of sex, violence and death in five new chronicles of So Cal sickness: *the sex-and-drug soaked Wonderland murders featuring porn legend John Holmes *Sexpot Starlet Barbara Payton's hellbent descent into the gutters of Tinseltown *the Hollywood Hooker who landed in San Quentin's gas chamber, the Ice Blonde Murderess Barbara Graham For those already steeped in the canon of John Gilmore's work, this is the long-awaited true-crime capstone to a celebrated collection of works, a blood-and-semen-soaked noir trail of all-night diners, nightclubs and cheap motels.

2013 release. An expanded reissue of Sun Ra's Continuation, originally released in 1970. A special two CD reissue of the hyper-rare El Saturn Records album, recorded in 1963, early in the Arkestra's New York period, paired with a full disc of extra material. Loaded with John Gilmore, one of the greatest and rarest slabs of Sun Ra vinyl, on CD for the first time. Recorded on March 10, 1963 at the Choreographer's Workshop in New York City. Remastered from the original tapes by Michael D. Anderson;