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In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant... I simply want to present people with their ruins... I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Trenchant prose writings on poetry, poets, and cultural matters by one of the most important essayists of his generation. Edited with an Introduction by Robert Phillips. A lively and slashing critic...reading him one feels windows opening, clouds passing, sunlight, and a fresh breeze entering the room. ―Joseph Epstein

Trenchant prose writings on poetry, poets, and cultural matters by one of the most important essayists of his generation. Edited with an Introduction by Robert Phillips. A lively and slashing critic...reading him one feels windows opening, clouds passing, sunlight, and a fresh breeze entering the room. ―Joseph Epstein

“You might think that dancing doesn’t have a lot to do with social research, and doing social research is probably why you picked this book up in the first place. But trust me. Salsa dancing is a practice as well as a metaphor for a kind of research that will make your life easier and better.”Savvy, witty, and sensible, this unique book is both a handbook for defining and completing a research project, and an astute introduction to the neglected history and changeable philosophy of modern social science. In this volume, Kristin Luker guides novice researchers in: knowing the difference between an area of interest and a research topic; defining the relevant parts of a potentially infinite research literature; mastering sampling, operationalization, and generalization; understanding which research methods best answer your questions; beating writer’s block.Most important, she shows how friendships, non-academic interests, and even salsa dancing can make for a better researcher.“You know about setting the kitchen timer and writing for only an hour, or only 15 minutes if you are feeling particularly anxious. I wrote a fairly large part of this book feeling exactly like that. If I can write an entire book 15 minutes at a time, so can you.”

Book is in NEW condition. 0.71

Media scholar ( and Internet Enthusiast ) David Shenk examines the troubling effects of information proliferation on our bodies, our brains, our relationships, and our culture, then offers strikingly down-to-earth insights for coping with the deluge. With a skillful mixture of personal essay, firsthand reportage, and sharp analysis, Shenk illustrates the central paradox of our time: as our world gets more complex, our responses to it become increasingly simplistic. He draws convincing links between data smog and stress distraction, indecision, cultural fragmentation, social vulgarity, and more.But there's hope for a saner, more meaningful future, as Shenk offers a wealth of novel prescriptions—both personal and societal—for dispelling data smog.

A digital copy of "Energy Glut: Climate Change And The Politics Of Fatness" by Roberts. Download is immediately available upon purchase!

Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 0.71

A digital copy of "Energy Glut: Climate Change And The Politics Of Fatness" by Roberts. Download is immediately available upon purchase!

A digital copy of "Logic Without Gaps Or Gluts" by Burgis. Download is immediately available upon purchase!

Generation Q - young gays, lesbians, and bisexuals born around 1969's Stonewall riots - is a culture made up of vibrant, diverse people who live in the fragmented end of the twentieth century, surrounded by a glut of information, instant gratification, and at once terrifying and fantastic possibilities for the future. In the words of one contributor, they have inherited "a virus, wrecked communities, memorials, the NAMES quilt, clinical trials, and the AIDS industry as a viable and 'noble' career choice." Yet these young men and women also possess joy, visibility, power, astonishingly strong support networks, and previously unimaginable freedoms. They exist within contradictions, and this amazing collection of true stories captures their unique experiences.

Say's Law―the idea that "supply creates its own demand"―has been a basic concept in economics for almost two centuries. Thomas Sowell traces its evolution as it emerged from successive controversies, particularly two of the most bitter and long lasting in the history of the discipline, the "general glut controversy" that reached a peak in the 1820s, and the Keynesian Revolution of the 1930s. These controversies not only involved almost every noted economist of the time but had repercussions on basic economic theory, methodology, and sociopolitical theory. This book, the first comprehensive coverage of the subject, will be an indispensable addition to the history of economic thought. It is also relevant to all social sciences concerned with economic prosperity, with the nature of intellectual orthodoxy and insurgency, or with the complex relationships among ideology, concepts, and policies.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

We have a glut of text and trade books on American history. But what we don’t have is a compact, inexpensive, authoritative, and compulsively readable book that will offer to American readers a clear, informative, and inspiring narrative account of their own country. Such an account can shape and deepen their sense of the land they inhabit and, by making them understand that land’s roots, and share in its memories, will equip them for the privileges and responsibilities of citizenship in American society. It will provide them with an enduring sense of membership in one of the greatest enterprises in human history: the exciting, perilous, and consequential story of their own country. The existing texts simply fail to tell that story with energy and conviction. They are more likely to reflect the skeptical or partial outlook of specialized professional academic historians, an outlook that leads to a fragmented and fractured view of modern American society and fails to convey to American readers the greater arc of their own history. Or they disproportionately reflect the outlook of radical critics of American society, whose one-sided accounts lack the balance of a larger perspective and have had an enormous, and largely negative, effect upon the teaching of American history in American high schools and colleges. This state of affairs cannot continue for long without producing serious consequences. A great nation needs and deserves a great and coherent narrative, as an expression of its own self-understanding; and it needs to be able to convey that narrative to its young effectively. It perhaps goes without saying that such a narrative cannot be a fairy tale or a whitewash of the past; it will not be convincing if it is not truthful. But there is no necessary contradiction between an honest account of the American past and an inspiring one. This account seeks to provide both.

Estasi Gluts - LP 5060467883122

On their first vinyl effort, Asid's almost monomaniacal devotion to gutting hardcore of it's accretions of style and refinement and reveling in it's basest instincts of power and fury is on rude display. Pounding forward with a jackhammer beat, Asid burn through tough riffs birthed choking in a dirty glut of muggy fuzz that conjures up the sickened tone of something like Disclose's Nightmare Or Reality 12. Pathetic Flesh is an intense explosion of a record, chucking up the rudimentary stomp of

Limited vinyl LP pressing in gatefold jacket. 2017 release. Steelheart is the brainchild of Miljenko Matijevic whose powerful voice and multi-octave range is the heart and soul of the band. Although they were lumped in with the glut of long-haired hard rock bands emerging in the early '90s, the band was always more forward thinking than their peers and the 2017 version of the band has a contemporary and edgy feel, while still retaining the patented powerful vocals of Miljenko. On Through Worlds

How does one deal with the world's nightmarish montage of bad news -- the glut of information that incites feelings of futility and insanity? One way to cope is to plunge deeper into the madness, at least temporarily, for a dip into the healing pool of catharsis. Few people in music today provide a more immersive alternate reality on record to combat our own horrible one than Decimus (former No-Neck Blues Band guitarist and synth player Pat Murano). Musical categories dissolve in the mind as one

Say's Law―the idea that "supply creates its own demand"―has been a basic concept in economics for almost two centuries. Thomas Sowell traces its evolution as it emerged from successive controversies, particularly two of the most bitter and long lasting in the history of the discipline, the "general glut controversy" that reached a peak in the 1820s, and the Keynesian Revolution of the 1930s. These controversies not only involved almost every noted economist of the time but had repercussions on basic economic theory, methodology, and sociopolitical theory. This book, the first comprehensive coverage of the subject, will be an indispensable addition to the history of economic thought. It is also relevant to all social sciences concerned with economic prosperity, with the nature of intellectual orthodoxy and insurgency, or with the complex relationships among ideology, concepts, and policies.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.