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What sets the Tiffen 77mm Hyper/FX Special Star Effect Filter apart is its ability to transform ordinary point light sources into mesmerizing star effects. This high-quality, durable filter is a product of Tiffen, a brand renowned in the photography industry for its innovative and effective photography equipment. The Tiffen 77mm Hyper/FX Special Star Effect Filter is designed to be placed in front of your camera lens, altering the light entering the camera and creating a unique star effect. This versatile filter can be used with a variety of light sources, whether original or reflected, adding a touch of glitter and sparkle to your images. Each filter in the Tiffen FX star filter series boasts a natural-looking, asymmetrical design and shape, contributing to the creation of remarkably creative patterns and effects. The Tiffen 77mm Hyper/FX Special Star Effect Filter, along with the Hollywood Star, North Star, and Vector Star filters, can be used in combination to further enhance your photography and bring your creative vision to life. Whether you're a professional photographer or a passionate hobbyist, the Tiffen 77mm Hyper/FX Special Star Effect Filter is a must-have addition to your photography gear, offering a unique way to add a touch of magic to your images.

Iconic Elgato hardware powered by Bitfocus software. Meet Stream Deck Studio, a hyper-customizable control surface for pro broadcast systems. Built to simplify complex workflows.A Game Changer for BroadcastingIt's Time to StreamlineCompatible with hundreds of devices from the industry's favorite vendors, Stream Deck Studio helps you breeze through the most demanding workflows. Powered by Buttons software, it's the new standard for broadcast control. Proudly brought to you by Elgato and Bitfocus.Note: Buttons subscription requiredOne Control Surface to Rule Them AllYour workflow, your way. Stream Deck Studio is hyper-customizable, so you can personalize every key and dial for maximum efficiency and intuitive operation. Built to slot right into standard 19" racks, it's your all-in-one broadcast controller.32 Customizable LCD Keys: Trigger & Monitor in Real TimePersonalize keys with icons and text for quick glance ability and deployment in any lighting conditions.Dual Multifunction Encoders: Work With SpeedNavigate and adjust settings fluidly using real-time RGB feedback for quick, precise controlUSB-C: Add a Compact Stream DeckConnect Stream Deck XL or any other bus-powered Stream Deck for additional control.NFC: Authorized Users OnlyA quick scan will load custom user profiles, providing tailored access to individual workflow requirements.USB-C PD 3.0: Alternative Power SourceYou can also power the unit using a USB-C PD 3.0 power supply (minimum 9 V, 3 A).RJ45 with PoE+: Plug Into Your NetworkIntegrate easily with IP-based systems using Power over Ethernet (PoE+) for both power and data through a single cable.USB-C: Reliable ConnectionConnect a computer to facilitate smooth control and configuration of your broadcast system.Removable Rack Brackets: Rack ReadyDrop Stream Deck Studio into a standard 19" rack. Two mounting depths ensure a perfect fit.SoftwareGreat with Companion - Best with ButtonsExpanding on Companion's success, Buttons delivers cutting-edge features in a user-friendly package. Driven by community insights, it works the way broadcasters think, not software engineers.Integrations for All Tech Old and NewButtons is compatible with the hardware you trust and treasure.Whether you're working with the latest gear or time-tested tech, there's no need to upgrade your equipment-just integrate it.Customization from Canvas to Control SurfaceButtons brings a familiar yet enhanced experience to Companion users. Its intuitive grid-based canvas mirrors the layout of Stream Deck Studio, hiding the complexity beneath, making workflow design feel natural. From organizing commands to using them, everything works on your terms.SectionsQuick access and easy navigationSections for Effortless OrganizationWhether you're managing multiple video feeds or handling complex audio setups, organizing commands into sections allows for quick...

SKB has revolutionized the industry with the first INJECTION molded guitar case! The 3i-4217-62 accommodates Jaguar and Jazzmaster guitars, and sim...

A best selling, comfortable drumstick designed for fast, light rock. An industry standard with excellent balance and power.FEATURESAll NEW Hyper-Fo...

A best selling, comfortable drumstick designed for fast, light rock. An industry standard with excellent balance and power.FEATURES All NEW Hyper-...

ACCU-ND: Industry Leading TechnologyTokina Cinema uses the proprietary ACCU-ND world class electrolytic coating to deposit rare earth metals onto the glass surface to create hyper neutral density filters that have industry-leading virtually zero color shift and IR suppression. The deposit method holds neutrality that is free of color shift over time.ACCU-ND technology has been used on major feature films, commercials, TV shows, and independent projects that demand the full color spectrum designed by the camera manufacturer without IR light contamination.Control The Light, Not The ColorModern digital cinema cameras create images with precision unlike any other tools in the history of cinematography. The manufacturers of digital cinema cameras build in very specific color science both physically at the sensor site and in the digital conversion process to delivery.In the quest for accurate color rendition, various amounts of visible and infrared (IR) light near and past the visible spectrum are allowed to pass onto the sensor depending on the manufacturer specifications. This is achieved with an Optical Low Pass Filter (OLPF). Often IR light can be imaged in black level when density is added using filters because the OLPF is tuned only for light entering the lens unfiltered. IRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.Suppress Infrared LightIRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.The chart above shows other brands of IRND passing visible light in a wavy pattern. This is artificially restricting the light and therefore color science the manufacturer intended before it hits the OLPF. IR cut filters also fail to suppress IR light past a set wavelength near the visible spectrum.The chart also shows the Tokina Cinema PRO IRND suppressing IR light completely in a flat line well beyond the visible spectrum. This allows for the OLPF designed by the manufacturer to pass visible light in the manner intended while surpassing all IR light out to 1200nm which is well past the visible spectrum.The Difference is ClearBelow are images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. It can be seen that the manufacturer intended color is unaffected when using the PRO IRND and only exposure changes.Square and Rectangular - Internal CoatingPRO IRND square and rectangular filters have the ACCU-ND coating precision bonded to the inside surfaces of the filter stack for maximum protection from scratches. PRO IRND filters can be polished after a scratch to return them to usability. The internal bonding is done specifically for 4x4, 4x5.65, and 6.6x6.6 sizes only due to the environmental factors of matte box use and filter changes.

ACCU-ND: Industry Leading TechnologyTokina Cinema uses the proprietary ACCU-ND world class electrolytic coating to deposit rare earth metals onto the glass surface to create hyper neutral density filters that have industry-leading virtually zero color shift and IR suppression. The deposit method holds neutrality that is free of color shift over time.ACCU-ND technology has been used on major feature films, commercials, TV shows, and independent projects that demand the full color spectrum designed by the camera manufacturer without IR light contamination.Control The Light, Not The ColorModern digital cinema cameras create images with precision unlike any other tools in the history of cinematography. The manufacturers of digital cinema cameras build in very specific color science both physically at the sensor site and in the digital conversion process to delivery.In the quest for accurate color rendition, various amounts of visible and infrared (IR) light near and past the visible spectrum are allowed to pass onto the sensor depending on the manufacturer specifications. This is achieved with an Optical Low Pass Filter (OLPF). Often IR light can be imaged in black level when density is added using filters because the OLPF is tuned only for light entering the lens unfiltered. IRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.Suppress Infrared LightIRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.The chart above shows other brands of IRND passing visible light in a wavy pattern. This is artificially restricting the light and therefore color science the manufacturer intended before it hits the OLPF. IR cut filters also fail to suppress IR light past a set wavelength near the visible spectrum.The chart also shows the Tokina Cinema PRO IRND suppressing IR light completely in a flat line well beyond the visible spectrum. This allows for the OLPF designed by the manufacturer to pass visible light in the manner intended while surpassing all IR light out to 1200nm which is well past the visible spectrum.The Difference is ClearBelow are images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. It can be seen that the manufacturer intended color is unaffected when using the PRO IRND and only exposure changes.Square and Rectangular - Internal CoatingPRO IRND square and rectangular filters have the ACCU-ND coating precision bonded to the inside surfaces of the filter stack for maximum protection from scratches. PRO IRND filters can be polished after a scratch to return them to usability. The internal bonding is done specifically for 4x4, 4x5.65, and 6.6x6.6 sizes only due to the environmental factors of matte box use and filter changes.

The TM2 is an Integrated Acoustic Coupler for In-Ear Monitors (IEMs) specifically designed for use in the professional sound industry. Ear sim...

Simrad Sim Net Cables are an essential component in any Sim Net configuration. Sim Net (Simrad Intelligent Marine Network) is a unique marine electronics network system. Over the last 5 years, it has proven to be one of the most reliable and easy to use networks in the marine industry. Sim Net is easy to install with thin cables and small plugs.

Simrad Sim Net Cables are an essential component in any Sim Net configuration. Sim Net (Simrad Intelligent Marine Network) is a unique marine electronics network system. Over the last 5 years, it has proven to be one of the most reliable and easy to use networks in the marine industry. Sim Net is easy to install with thin cables and small plugs.

In the melting pot of Alaskan colonization, a new people were born. The product of Russian marriages to indigenous people, this new generation was instrumental in the development of the fur, fish, and gold industries. Beginning with a name and an anecdotal birthplace, authors Bev Sims and Dianne Zitnik traced their family heritage back to the eighteenth century. Through historical records and church archives, they pieced together a rich account of survival, adventure, and wealth. They unveil the stories behind their family tree in Our Fur-Fathers of Southwest Alaska: Kalmakoff, Kameroff, Kamkoff, complete with glossary, footnotes, maps, and historical photographs. Contrary to a history textbook, Our Fur-Fathers of Southwest Alaska tells factual, yet personal, stories of historical figures and their families. From personality clashes and power plays to the ubiquitous evidence of Russian influence, Sims and Zitnik weave together the fascinating tale of intrigue, morality, and legacy that lives in their past.

In the melting pot of Alaskan colonization, a new people were born. The product of Russian marriages to indigenous people, this new generation was instrumental in the development of the fur, fish, and gold industries. Beginning with a name and an anecdotal birthplace, authors Bev Sims and Dianne Zitnik traced their family heritage back to the eighteenth century. Through historical records and church archives, they pieced together a rich account of survival, adventure, and wealth. They unveil the stories behind their family tree in Our Fur-Fathers of Southwest Alaska: Kalmakoff, Kameroff, Kamkoff, complete with glossary, footnotes, maps, and historical photographs. Contrary to a history textbook, Our Fur-Fathers of Southwest Alaska tells factual, yet personal, stories of historical figures and their families. From personality clashes and power plays to the ubiquitous evidence of Russian influence, Sims and Zitnik weave together the fascinating tale of intrigue, morality, and legacy that lives in their past.

The ability to bring new and innovative products to market rapidly is the prime critical competence for any successful consumer-driven company. All industries, especially automotive, are slashing product development lead times in the current hyper-competitive marketplace. This book is the first to thoroughly examine and analyze the truly effective product development methodology that has made Toyota the most forward-thinking company in the automotive industry. Winner of the 2007 Shingo Prize For Excellence In Manufacturing Research! In The Toyota Product Development System: Integrating People, Process, and Technology, James Morgan and Jeffrey Liker compare and contrast the world-class product development process of Toyota with that of a U.S. competitor. They use extensive examples from Toyota and the U.S. competitor to demonstrate value stream mapping as an extraordinarily powerful tool for continuous improvement. Through examples and case studies, this book illustrates specific techniques and proven practices for dealing with challenges associated with product development, such as synchronizing multiple disciplines, multiple function workload leveling, compound process variation, effective technology integration, and knowledge management. Readers of this book can focus on optimizing the entire product development value stream rather than focus on a specific tool or technology for local improvements.

In its march to becoming the world's first hyper-power, the United States has been as dependent on its soft power - the allure of American lifestyles and culture - as it has been on the hard power of military might. In Weapons of Mass Distraction, Matthew Fraser examines the role of American pop cultural industries in international affairs.Fraser focuses on the major areas of soft power - movies, television, pop music, and fast food - and traces the origins, history and current influence of these on U.S. foreign policy. He describes how the American film, television, and music industries enjoy a ubiquitous global presence that has made them indispensable to the U.S. government, which has often gone so far as to fund them directly, including the White House-sponsored radio station in the Middle East launched with the hopes of winning over Muslim youths with American pop songs. A Coca-Cola lobbyist once famously declared that "The best barometer of the relationship of the U.S. and any other country is the way Coca-Cola is treated." Fraser proves this claim isn't to be taken lightly. He charts the global spread of the fast food industry, the role of Coca-Cola and McDonald's in American foreign policy and the recent rise of their opponents: the anti-globalization movement.Do things really go better with Coca-Cola? Fraser's answer is a resounding yes. While American soft power remains a contentious issue, he believes it promotes values and beliefs that are ultimately good for the rest of the world. Still, what are the future implications of American soft power? Will national identities decline as the world order is transformed into a state of "electronic feudalism" where there is no central power? Weapons of Mass Distraction provides an engaging, enlightening, and provocative look at the future of American foreign policy and popular culture in the 21st century.