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This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times. The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book. Utopian writings run the gamut from fictional narratives to theoretical treatises, from political manifestos to constitutions for a new society. The Manuels have structured five centuries of utopian invention by identifying successive constellations, groups of thinkers joined by common social and moral concerns. Within this framework they analyze individual writings, in the context of the author's life and of the socio-economic, religious, and political exigencies of his time. Concentrating on innovative works, they highlight disjunctures as well as continuities in utopian thought from the Renaissance through the twentieth century. Witty and erudite, challenging in its interpretations and provocative in the questions it poses, the Manuels' anatomy of utopia is an adventure in ideas.

Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.05

This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times.The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book.Utopian writings run the gamut from fictional narratives to theoretical treatises, from political manifestos to constitutions for a new society. The Manuels have structured five centuries of utopian invention by identifying successive constellations, groups of thinkers joined by common social and moral concerns. Within this framework they analyze individual writings, in the context of the author's life and of the socio-economic, religious, and political exigencies of his time. Concentrating on innovative works, they highlight disjunctures as well as continuities in utopian thought from the Renaissance through the twentieth century.Witty and erudite, challenging in its interpretations and provocative in the questions it poses, the Manuels' anatomy of utopia is an adventure in ideas.

This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times.The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book.Utopian writings run the gamut from fictional narratives to theoretical treatises, from political manifestos to constitutions for a new society. The Manuels have structured five centuries of utopian invention by identifying successive constellations, groups of thinkers joined by common social and moral concerns. Within this framework they analyze individual writings, in the context of the author's life and of the socio-economic, religious, and political exigencies of his time. Concentrating on innovative works, they highlight disjunctures as well as continuities in utopian thought from the Renaissance through the twentieth century.Witty and erudite, challenging in its interpretations and provocative in the questions it poses, the Manuels' anatomy of utopia is an adventure in ideas.

Examines the life and thought of the spiritual writer who fought in the Spanish Civil War, journeyed to Germany during the ascent of the Nazis, and worked to establish an immediate link between Christian and Greek thought

This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times. The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book. Utopian writings run the gamut from fictional narratives to theoretical treatises, from political manifestos to constitutions for a new society. The Manuels have structured five centuries of utopian invention by identifying successive constellations, groups of thinkers joined by common social and moral concerns. Within this framework they analyze individual writings, in the context of the author's life and of the socio-economic, religious, and political exigencies of his time. Concentrating on innovative works, they highlight disjunctures as well as continuities in utopian thought from the Renaissance through the twentieth century. Witty and erudite, challenging in its interpretations and provocative in the questions it poses, the Manuels' anatomy of utopia is an adventure in ideas.

This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times.The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book.Utopian writings run the gamut from fictional narratives to theoretical treatises, from political manifestos to constitutions for a new society. The Manuels have structured five centuries of utopian invention by identifying successive constellations, groups of thinkers joined by common social and moral concerns. Within this framework they analyze individual writings, in the context of the author's life and of the socio-economic, religious, and political exigencies of his time. Concentrating on innovative works, they highlight disjunctures as well as continuities in utopian thought from the Renaissance through the twentieth century.Witty and erudite, challenging in its interpretations and provocative in the questions it poses, the Manuels' anatomy of utopia is an adventure in ideas.

This book provides a new understanding of a man who played a significant part in the Iranian revolution and an analysis of a current of political Islam that has influenced movements throughout the Middle East.This full-length political biography looks at Ali Shari`ati's life and thought in the context of the complex and contradictory cultural, social, and political conditions of the Iranian society that shaped him.

In the late nineteenth century, a spectre haunted Europe and the United States: the spectre of utopia. This book re-examines the rise of utopian thought at the fin de siècle, situating it in the social and political contradictions of the time and exploring the ways in which it articulated a deepening sense that the capitalist system might not be insuperable after all. The study pays particular attention to Edward Bellamy’s seminal utopian fiction, Looking Backward (1888), embedding it in a number of unfamiliar contexts, and reading its richest passages against the grain, but it also offers detailed discussions of William Morris, H.G. Wells and Oscar Wilde. Both historical and theoretical in its approach, this book constitutes a substantial contribution to our understanding of the utopian imaginary, and an original analysis of the counter-culture in which it thrived at the fin de siècle.

The Prairie State became a crucial testing ground for the grand American thought experiment on how a society should be constructed. Between 1839 and 1901, six different utopian communities chose Illinois as the laboratory and sanctuary to elevate their ideals into reality. The Mormons and the Icarians selected Nauvoo. The Janssonists picked Bishop Hill. The Fourierists settled on the north edge of Loami. The employees of the Pullman Railroad Car Company naturally resided in Pullman, and the Dowietes put down roots in Zion. Three were religious and the others secular. All possessed charismatic leaders and dramatic stories that drew attention from across the globe. Randy Soland examines the relationship between these havens and their legacies.

Ali Shariati is, for many, the ideological father of the Iranian revolution. A charismatic leader and teacher, his radical blend of Islam and Marxism mobilized a whole generation of young Iranians. Now available in paperback, this full-length political biography looks at Ali Shariati's life and thought in the context of the complex and contradictory cultural, social and political conditions of the Iranian society that shaped him.

Ali Shariati is, for many, the ideological father of the Iranian revolution. A charismatic leader and teacher, his radical blend of Islam and Marxism mobilized a whole generation of young Iranians. Now available in paperback, this full-length political biography looks at Ali Shariati's life and thought in the context of the complex and contradictory cultural, social and political conditions of the Iranian society that shaped him.

With this remarkable study, historian Keira V. Williams shows how fictional matriarchies―produced for specific audiences in successive eras and across multiple media―constitute prescriptive, solution-oriented thought experiments directed at contemporary social issues. In the process, Amazons in America uncovers a rich tradition of matriarchal popular culture in the United States. Beginning with late-nineteenth-century anthropological studies, which theorized a universal prehistoric matriarchy, Williams explores how representations of women-centered societies reveal changing ideas of gender and power over the course of the twentieth century and into the present day. She examines a deep archive of cultural artifacts, both familiar and obscure, including L. Frank Baum’s The Wizard of Oz series, Progressive-era fiction like Charlotte Perkins Gilman’s utopian novel Herland, the original 1940s Wonder Woman comics, midcentury films featuring nuclear families, and feminist science fiction novels from the 1970s that invented prehistoric and futuristic matriarchal societies. While such texts have, at times, served as sites of feminist theory, Williams unpacks their cyclical nature and, in doing so, pinpoints some of the premises that have historically hindered gender equality in the United States. Williams also delves into popular works from the twenty-first century, such as Tyler Perry’s Madea franchise and DC Comics/Warner Bros.’ globally successful film Wonder Woman, which attest to the ongoing presence of matriarchal ideas and their capacity for combating patriarchy and white nationalism with visions of rebellion and liberation. Amazons in America provides an indispensable critique of how anxieties and fantasies about women in power are culturally expressed, ultimately informing a broader discussion about how to nurture a stable, equitable society.

While great interest has been shown recently in the nature of utopian thought and its significance in western development, much of the discussion has been marked by imprecision and generality. This book opens with an attempt to give clarity, substance and precision to the definition of utopia by isolating its characteristics in contrast with those of other forms of ideal society. The value of these distinctions is shown in a detailed re-examination of the sixteenth-century European writers who developed the re-emergent form of utopia. As a whole, the book brings the discussion of utopian thought closer to the mainstream concerns of the history of political ideas, and provides a major study for all those working in the fields of sixteenth- and seventeenth-century political and social thought.

In the late nineteenth century, a spectre haunted Europe and the United States: the spectre of utopia. This book re-examines the rise of utopian thought at the fin de siècle, situating it in the social and political contradictions of the time and exploring the ways in which it articulated a deepening sense that the capitalist system might not be insuperable after all. The study pays particular attention to Edward Bellamy’s seminal utopian fiction, Looking Backward (1888), embedding it in a number of unfamiliar contexts, and reading its richest passages against the grain, but it also offers detailed discussions of William Morris, H.G. Wells and Oscar Wilde. Both historical and theoretical in its approach, this book constitutes a substantial contribution to our understanding of the utopian imaginary, and an original analysis of the counter-culture in which it thrived at the fin de siècle.

The Principle of Hope is one of the great works of the human spirit. It is a critical history of the utopian vision and a profound exploration of the possible reality of utopia. Even as the world has rejected the doctrine on which Bloch sought to base his utopia, his work still challenges us to think more insightfully about our own visions of a better world. The Principle of Hope is published in three volumes: Volume 1 lays the foundations of the philosophy of process and introduces the idea of the Not-Yet-Conscious - the anticipatory element that Bloch sees as central to human thought. It also contains a remarkable account of the aesthetic interpretations of utopian "wishful images" in fairy tales, popular fiction, travel, theater, dance, and the cinema. Volume 2 presents "the outlines of a better world." It examines the utopian systems that progressive thinkers have developed in the fields of medicine, painting, opera, poetry, and ultimately, philosophy. It is nothing less than an encyclopedic account of utopian thought from the Greeks to the present. Volume 3 offers a prescription for ways in which humans can reach their proper "homeland," where social justice is coupled with an openness to change and to the future.

Modern studies of classical utopian thought are usually restricted to the Republic and Laws of Plato, producing the impression that Greek speculation about ideal states was invariably authoritarian and hierarchical. This book, however, sets Plato in the context of the whole ancient tradition of philosophical utopia. It distinguishes two types of Greek utopia, relating both to the social and the political background of Greece between the fifth and third centuries B.C. There was a lower utopianism, meant for literal implementation, which arose from the Greek colonizing movement, and a higher theoretical form which arose from the practical utopias. Dawson focuses on the higher utopianism, whose main theme was total communism in property and family. He attempts to reconstruct the lost utopian works of the Stoics, arguing that their ideal state was universal and egalitarian, in deliberate contrast to the hierarchical and militaristic utopia of Plato; and that both theories were intended to bring about long-range social reform, though neither was meant for direct implementation. Dawson offers an explanation for the disappearance of the utopian tradition in the later Hellenistic age. A final chapter traces the survival of communistic ideas in early Christianity.

Modern studies of classical utopian thought are usually restricted to the Republic and Laws of Plato, producing the impression that Greek speculation about ideal states was invariably authoritarian and hierarchical. This book, however, sets Plato in the context of the whole ancient tradition of philosophical utopia. It distinguishes two types of Greek utopia, relating both to the social and the political background of Greece between the fifth and third centuries B.C. There was a lower utopianism, meant for literal implementation, which arose from the Greek colonizing movement, and a higher theoretical form which arose from the practical utopias. Dawson focuses on the higher utopianism, whose main theme was total communism in property and family. He attempts to reconstruct the lost utopian works of the Stoics, arguing that their ideal state was universal and egalitarian, in deliberate contrast to the hierarchical and militaristic utopia of Plato; and that both theories were intended to bring about long-range social reform, though neither was meant for direct implementation. Dawson offers an explanation for the disappearance of the utopian tradition in the later Hellenistic age. A final chapter traces the survival of communistic ideas in early Christianity.

The author, a philosopher and psychoanalyst, argues for a reintegration of Freud's investigation of the unconscious with the political and philosophical insights of the Frankfurt tradition of critical theory. His central thesis is that there is an essential affinity between the utopian impulse and the perverse impulse, and that both reflect a desire to bypass the reality principle that Freud claimed defined the human condition. Annotation copyright Book News, Inc. Portland, Or.

The Principle of Hope is one of the great works of the human spirit. It is a critical history of the utopian vision and a profound exploration of the possible reality of utopia. Even as the world has rejected the doctrine on which Bloch sought to base his utopia, his work still challenges us to think more insightfully about our own visions of a better world. The Principle of Hope is published in three volumes: Volume 1 lays the foundations of the philosophy of process and introduces the idea of the Not-Yet-Conscious―the anticipatory element that Bloch sees as central to human thought. It also contains a remarkable account of the aesthetic interpretations of utopian "wishful images" in fairy tales, popular fiction, travel, theater, dance, and the cinema. Volume 2 presents "the outlines of a better world." It examines the utopian systems that progressive thinkers have developed in the fields of medicine, painting, opera, poetry, and ultimately, philosophy. It is nothing less than an encyclopedic account of utopian thought from the Greeks to the present. Volume 3 offers a prescription for ways in which humans can reach their proper "homeland," where social justice is coupled with an openness to change and to the future.