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A basic guide for beginners interested in understanding the way Gregorian Chant music is written, how the rhythms are sung and using Solfeggio to learn and master chant melodies. An excellent guide for new schola and choir members.

Presents complete musical selections from fifty compositions significant both historically and artistically

The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration."Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.

The Gregorian Missal is intended for the faithful who participate in Mass sung in Gregorian chant. The Gregorian Missal contains all of the chants for Sunday Mass in Latin as well as the various prayers from the Mass in Latin and English. The missal also contains the ordinary of the Mass in Latin and English and all of the ordinary chants (Kyrie, Sanctus, etc.) for the Mass. Texts for various special masses (for the dead, for the pope, etc.) are also included. Does not include the Sunday Readings. This Missal is for the Novus Ordo Latin Mass, not the 1962 Tridentine Mass.  Imprimatur: Georgius Gilson, Cenomanensis episcopus, November 16, 1989

The Gregorian Missal is intended for the faithful who participate in Mass sung in Gregorian chant. The Gregorian Missal contains all of the chants for Sunday Mass in Latin as well as the various prayers from the Mass in Latin and English. The missal also contains the ordinary of the Mass in Latin and English and all of the ordinary chants (Kyrie, Sanctus, etc.) for the Mass. Texts for various special masses (for the dead, for the pope, etc.) are also included. Does not include the Sunday Readings. This Missal is for the Novus Ordo Latin Mass, not the 1962 Tridentine Mass.  Imprimatur: Georgius Gilson, Cenomanensis episcopus, November 16, 1989

Studying Gregorian chant presents many problems to the researcher because its most important stages of development were not recorded in writing. From the sixth to the tenth century, this form of music existed only in song as medieval musicians relied on their memories and voices to pass each verse from one generation to the next.Peter Jeffery offers an innovative new approach for understanding how these melodies were created, memorized, performed, and modified. Drawing on a variety of disciplines, including anthropology and ethnomusicology, he identifies characteristics of Gregorian chant that closely resemble other oral traditions in non-Western cultures and demonstrates ways music historians can take into account the social, cultural, and anthropological contexts of chant's development.

Chants Of The Church: Selected Gregorian Chants (Paperback or Softback) 0.55

This is a tried and true beginner’s guide to the singing and understanding of Gregorian chant. Developed at The Community of Jesus, an ecumenical community that chants the Divine Offices in Latin each day, The Song of Prayer shows how Gregorian chant takes Christians back to a time when there was unity among the churches. Readers will learn the basics of Gregorian chant, with some preliminary instruction in Latin, chant notation, its history and development, and theology. An instructional (and beautiful) 45-minute CD accompanies the book.

A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century. In Gregorian Chant and the Carolingians, which represents the culmination of his research, Levy seeks to change long-held perceptions about certain crucial stages of the evolution and dissemination of the old corpus of plainchant--most notably the assumption that such a large and complex repertory could have become and remained fixed for over a century while still an oral tradition. Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly differentiating between actual evidence, hypotheses, and received ideas. How many traditions of oral chant existed before the tenth century? Among the variations noted in written chant, can one point to a single version as being older or more authentic than the others? What precursors might there have been to the notational system used in all the surviving manuscripts, where the notational system seems fully formed and mature? In answering questions that have long vexed many scholars of Gregorian chant's early history, Levy offers fresh explanations of such topics as the origin of Latin neumes, the shifting relationships between memory and early notations, and the puzzling differences among the first surviving neume-species from the tenth century, which have until now impeded a critical restoration of the Carolingian musical forms.

This interesting book is for all who enjoy Christian music in church or the concert hall. It introduces us to the history and practice of Christian music, discussing what music is, what it means, Christian music in the past and the music of today. Illustrated.

Buy with confidence! Book is in new, never-used condition 0.38

Willi Apel's classic study of Gregorian chant is now in paperback. This extensive survey describes the evolutionary processes of its long history as well as its definition and terminology, the structure of the liturgy, the texts, the notation, the rhythm, the tonality, and the methods and forms of psalmody.

Just three years ago a commercially released CD of Gregorian chant by the monks of Silos became an international bestseller. Such has been the popularity and interest in this serene, meditative and mind-stilling song that most music stores now have racks dedicated to Gregorian, medieval and plainchant. Publications in the field have grown proportionately, but as yet there is no single-volume, general guide to Gregorian chant. Professor Crocker's comprehensive introduction intelligently fills this gap. Accessible to a wide readership, this work is targeted at interested listeners and those who purchase CDs, as well as the practising musician or student. There is no assumption of a technical understanding of music. Blending the conclusions of modern research with a contemporary, popular appreciation of the song, Crocker's aim is merely to promote greater knowledge and enjoyment of Gregorian chant.

Noirin Ni Riain, singer and musician, has made many recordings, including Caoineadh na Maighdine with the monks of Glenstal, and is the author of books and articles on the religious song tradition in Ireland. In this collection, sixty-five of the finest Gregorian chants, spanning many centuries, were selected for ease of performance and are ideal for meditation alone or in church. Words and music of chants handwritten by Dom Kevin Healy.

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A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century. In Gregorian Chant and the Carolingians, which represents the culmination of his research, Levy seeks to change long-held perceptions about certain crucial stages of the evolution and dissemination of the old corpus of plainchant--most notably the assumption that such a large and complex repertory could have become and remained fixed for over a century while still an oral tradition. Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly differentiating between actual evidence, hypotheses, and received ideas. How many traditions of oral chant existed before the tenth century? Among the variations noted in written chant, can one point to a single version as being older or more authentic than the others? What precursors might there have been to the notational system used in all the surviving manuscripts, where the notational system seems fully formed and mature? In answering questions that have long vexed many scholars of Gregorian chant's early history, Levy offers fresh explanations of such topics as the origin of Latin neumes, the shifting relationships between memory and early notations, and the puzzling differences among the first surviving neume-species from the tenth century, which have until now impeded a critical restoration of the Carolingian musical forms.

The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration."Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.

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To order Ward Method Books and Materials, please call toll-free Hopkins Fulfillment Service at 1-800-537-5487.

The fundamentals of reading and interpreting Gregorian chant for the person with no prior experience; a handbook for anyone who desires to acquire a practical, working understanding of chant notation, rhythm, modes, liturgical use (past and present), interpretation, and conducting, as well as Latin pronunciation.