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Der Siebenjährige Krieg (17561763) bildete in gewissem Sinne den ""Ersten Weltkrieg"" in der Geschichte. In seinem Verlauf vertrieb England Frankreich aus Nordamerika und Indien und legte damit den Grundstein für sein weltumspannendes Empire. Als weitere Folge des Krieges bildete sich der die deutsche Geschichte bis 1871 prägende Dualismus zwischen Österreich und Preußen heraus. Nachdem Friedrich der Große durch seine Allianz mit Großbritannien die französisch-österreichische Verständigung beschleunigt hatte, erklärte Frankreich den über zweihundertjährigen Kampf gegen Österreich für beendet und verbündete sich mit seinem ehemaligen Feind. Doch der Versuch König Ludwigs XV. von Frankreich, mit dieser Allianz den Frieden in Deutschland und Europa zu sichern, war zum Scheitern verurteilt. Der sich eingekreist wähnende Preußenkönig löste einen Krieg aus, der den Großmachtstatus Preußens festigte und den Frankreichs auf Dauer schwächte. Mit dieser Studie liegt erstmals seit über einem halben Jahrhundert wieder eine aus den Quellen geschöpfte Darstellung der französischen Deutschlandpolitik in der Epoche des Siebenjährigen Krieges vor, eine Arbeit, welche die lange von nationalistischen Urteilen geprägte Forschung grundlegend korrigiert.

"What Nature Suffers to Groe" explores the mutually transforming relationship between environment and human culture on the Georgia coastal plain between 1680 and 1920. Each of the successive communities on the coast―the philanthropic and imperialistic experiment of the Georgia Trustees, the plantation culture of rice and sea island cotton planters and their slaves, and the postbellum society of wage-earning freedmen, lumbermen, vacationing industrialists, truck farmers, river engineers, and New South promoters―developed unique relationships with the environment, which in turn created unique landscapes.The core landscape of this long history was the plantation landscape, which persisted long after its economic foundation had begun to erode. The heart of this study examines the connection between power relations and different perceptions and uses of the environment by masters and slaves on lowcountry plantations―and how these differing habits of land use created different but interlocking landscapes.Nature also has agency in this story; some landscapes worked and some did not. Mart A. Stewart argues that the creation of both individual and collective livelihoods was the consequence not only of economic and social interactions but also of changing environmental ones, and that even the best adaptations required constant negotiation between culture and nature. In response to a question of perennial interest to historians of the South, Stewart also argues that a "sense of place" grew out of these negotiations and that, at least on the coastal plain, the "South" as a place changed in meaning several times.

This unique study explores the mutually transforming relationship between environment and human culture on the Georgia coastal plain between 1680 and 1920. Each of the successive communities on the coast - the philanthropic and imperialistic experiment of the Georgia Trustees, the plantation culture of rice and sea island cotton planters and their slaves, and the postbellum society of wage-earning freedmen, lumbermen, vacationing industrialists, truck farmers, river engineers, and New South promoters - developed distinctive relationships with the environment, and these in turn developed distinctive landscapes.The core landscape of this long history was the plantation landscape, which persisted long after its economic foundation had begun to erode. This study examines the connection between power relations and different perceptions and uses of the environment by masters and slaves on lowcountry plantations and how these differing habits of land use created different but interlocking landscapes in lowcountry plantation districts.Nature also has agency in this story; some landscapes worked and some did not. Mart A. Stewart argues that the creation of both individual and collective livelihoods was the consequence not only of economic and social interactions, but also of changing environmental ones, and that even the best adaptations required constant negotiation between culture and nature. In these interactions, labor on the land - who did it, who controlled it, and its relationship to natural energy flows - was of central importance.In response to a question of perennial interest to historians of the South, Stewart also argues that a "sense of place" derived mainly from the negotiations humans carried on with nature, and that on the coastal plain, the "South" as a place changed in meaning several times.

This unique study explores the mutually transforming relationship between environment and human culture on the Georgia coastal plain between 1680 and 1920. Each of the successive communities on the coast - the philanthropic and imperialistic experiment of the Georgia Trustees, the plantation culture of rice and sea island cotton planters and their slaves, and the postbellum society of wage-earning freedmen, lumbermen, vacationing industrialists, truck farmers, river engineers, and New South promoters - developed distinctive relationships with the environment, and these in turn developed distinctive landscapes.The core landscape of this long history was the plantation landscape, which persisted long after its economic foundation had begun to erode. This study examines the connection between power relations and different perceptions and uses of the environment by masters and slaves on lowcountry plantations and how these differing habits of land use created different but interlocking landscapes in lowcountry plantation districts.Nature also has agency in this story; some landscapes worked and some did not. Mart A. Stewart argues that the creation of both individual and collective livelihoods was the consequence not only of economic and social interactions, but also of changing environmental ones, and that even the best adaptations required constant negotiation between culture and nature. In these interactions, labor on the land - who did it, who controlled it, and its relationship to natural energy flows - was of central importance.In response to a question of perennial interest to historians of the South, Stewart also argues that a "sense of place" derived mainly from the negotiations humans carried on with nature, and that on the coastal plain, the "South" as a place changed in meaning several times.

Die Kunst der russischen Meisterpianisten verrt das hohe Niveau der Klaviermethodik in Russland, die in lebendiger und zielgerichteter Weise den Schler frdert und in der internationalen Klavierpdagogik groe Anerkennung gefunden hat. Sie geht ganz bewusst von der Schulung der Klangvorstellung aus, stellt die Hrkontrolle neben den technischen Aspekt des Unterrichts und schafft damit die Mglichkeit, die wichtigsten Elemente des Klavierspiels in kurzer Zeit zu erlernen. Die zweibndige 'Russische Klavierschule' kann in etwa zwei bis drei Jahren bewltigt werden. Ein Standardwerk, das Spa macht und sicher zum Ziel fhrt. (Redaktion der deutschen Ausgabe: Julia Suslin.)

Die Kunst der russischen Meisterpianisten verrt das hohe Niveau der Klaviermethodik in Russland, die in lebendiger und zielgerichteter Weise den Schler frdert und in der internationalen Klavierpdagogik groe Anerkennung gefunden hat. Sie geht ganz bewusst von der Schulung der Klangvorstellung aus, stellt die Hrkontrolle neben den technischen Aspekt des Unterrichts und schafft damit die Mglichkeit, die wichtigsten Elemente des Klavierspiels in kurzer Zeit zu erlernen. Die zweibndige 'Russische Klavierschule' kann in etwa zwei bis drei Jahren bewltigt werden. Ein Standardwerk, das Spa macht und sicher zum Ziel fhrt. (Redaktion der deutschen Ausgabe: Julia Suslin.)