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Monografie predstavuje fotografickou tvorbu a dramaticke osudy pozustalosti slavneho italskeho etnografa a malire (1861 - 1901). Unikatni snimky jihoamerickych indianu predstavuji dokumentarni, vedeckohistoricke hodnoty i vrchol portretni umelecke fotografie 19. stoleti. Sklenene negativy byly nalezeny v pozustalosti A. V. Frice, ktery je dovezl do Evropy po autorove nasilne smrti. Prilohou publikace je CD-ROM s uplnou obrazovou casti knihy.

The Guido coffee table in oak finish is a stunning example of minimalist design and natural beauty, perfect for enhancing the ambiance of your living space. Crafted from high-quality wood, this coffee table features a warm oak finish that highlights the natural grain and texture of the wood, bringing a sense of warmth and elegance to any room. The Guido coffee table boasts a clean, modern silhouette with a rectangular tabletop that provides ample space for displaying your favorite decor items, holding your morning coffee, or hosting casual gatherings. The smooth surface and finely beveled edges reflect a commitment to craftsmanship and attention to detail, making this table not only functional but also a statement piece in your home. The table's sturdy legs are elegantly tapered, offering both stability and a refined look that complements the overall design. The oak finish enhances the table's versatility, allowing it to blend seamlessly with a variety of interior styles, from Scandinavian and mid-century modern to contemporary and rustic. Whether placed in a living room, lounge area, or office, the Guido coffee table serves as a stylish and practical addition to your space. Its timeless design and natural finish make it a versatile piece that can adapt to your changing decor while providing a reliable surface for everyday use.

Discover elegance with the Guido Black Studs Blazer, a studded jacket that combines elegance with a bold touch. Crafted in super crepe fabric, this black blazer offers refined and modern style. Match-tone ticket pockets add functionality without compromising aesthetics. The smoking collar, adorned with small special silver studs along the lapel, provides a distinctive and sophisticated detail, culminating in a central button closure in the same silver tone. Matte silver metal buttons, exclusive with The Extreme Collection logo, add a touch of luxury. The inner lining of recycled polyester, printed with the brand's logo, reflects our commitment to sustainability and craftsmanship. Finished by our artisans in Spain. 64% POLYESTER 34% VISCOSE 2% ELASTANE

Discover elegance with the Guido Black Studs Blazer, a studded jacket that combines elegance with a bold touch. Crafted in super crepe fabric, this black blazer offers refined and modern style. Match-tone ticket pockets add functionality without compromising aesthetics. The smoking collar, adorned with small special silver studs along the lapel, provides a distinctive and sophisticated detail, culminating in a central button closure in the same silver tone. Matte silver metal buttons, exclusive with The Extreme Collection logo, add a touch of luxury. The inner lining of recycled polyester, printed with the brand's logo, reflects our commitment to sustainability and craftsmanship. Finished by our artisans in Spain. 64% POLYESTER 34% VISCOSE 2% ELASTANE

Discover elegance with the Guido Black Studs Blazer, a studded jacket that combines elegance with a bold touch. Crafted in super crepe fabric, this black blazer offers refined and modern style. Match-tone ticket pockets add functionality without compromising aesthetics. The smoking collar, adorned with small special silver studs along the lapel, provides a distinctive and sophisticated detail, culminating in a central button closure in the same silver tone. Matte silver metal buttons, exclusive with The Extreme Collection logo, add a touch of luxury. The inner lining of recycled polyester, printed with the brand's logo, reflects our commitment to sustainability and craftsmanship. Finished by our artisans in Spain. 64% POLYESTER 34% VISCOSE 2% ELASTANE

Discover elegance with the Guido Black Studs Blazer, a studded jacket that combines elegance with a bold touch. Crafted in super crepe fabric, this black blazer offers refined and modern style. Match-tone ticket pockets add functionality without compromising aesthetics. The smoking collar, adorned with small special silver studs along the lapel, provides a distinctive and sophisticated detail, culminating in a central button closure in the same silver tone. Matte silver metal buttons, exclusive with The Extreme Collection logo, add a touch of luxury. The inner lining of recycled polyester, printed with the brand's logo, reflects our commitment to sustainability and craftsmanship. Finished by our artisans in Spain. 64% POLYESTER 34% VISCOSE 2% ELASTANE

Premium Thick-Wrap Canvas entitled The Archangel Michael defeating Satan. Saint Michel Archange terrassant Satan; Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Discover elegance with the Guido Black Studs Blazer, a studded jacket that combines elegance with a bold touch. Crafted in super crepe fabric, this black blazer offers refined and modern style. Match-tone ticket pockets add functionality without compromising aesthetics. The smoking collar, adorned with small special silver studs along the lapel, provides a distinctive and sophisticated detail, culminating in a central button closure in the same silver tone. Matte silver metal buttons, exclusive with The Extreme Collection logo, add a touch of luxury. The inner lining of recycled polyester, printed with the brand's logo, reflects our commitment to sustainability and craftsmanship. Finished by our artisans in Spain. 64% POLYESTER 34% VISCOSE 2% ELASTANE

Discover elegance with the Guido Black Studs Blazer, a studded jacket that combines elegance with a bold touch. Crafted in super crepe fabric, this black blazer offers refined and modern style. Match-tone ticket pockets add functionality without compromising aesthetics. The smoking collar, adorned with small special silver studs along the lapel, provides a distinctive and sophisticated detail, culminating in a central button closure in the same silver tone. Matte silver metal buttons, exclusive with The Extreme Collection logo, add a touch of luxury. The inner lining of recycled polyester, printed with the brand's logo, reflects our commitment to sustainability and craftsmanship. Finished by our artisans in Spain. 64% POLYESTER 34% VISCOSE 2% ELASTANE

Catalogo della mostra di Bologna, Los Angeles e Fort Worth 1988 - 1989. Con 67 tavole a colori. Contributi critici di Andrea Emiliani, Charles Dempsey e Ezio Raimondi. Testo in inglese . 8vo pp. 368 Rilegato pelle, sovracoperta (leather binding, dust jacket) Ottimo (Fine)

First printing. 4to. 334 pp. Gray cloth. Near Fine in Near Fine dust jacket. Two small bumps to edges of front board. Subtle shelfwear to jacket.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.55

HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me prega (A lady asks me) is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental intellectual debates during the time of Dante, but also because of its influence on generations of poets and philosophers. In this study, Maria Luisa Ardizzone sets Donna me prega in an entirely new light - first, by examining its role in Cavalcanti's poetic practice, and second, by placing it in the context of ancient and medieval science and philosophy. The book deals with issues that are part of the intellectual history of Europe in the thirteenth century. Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it partecipates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book.For Cavalcanti, as for Dante, Aristotle was a master. But unlike Dante, who followed a more orthodox interpretation of Aristotle's text, Cavalcanti preferred the Aristotelianism which derived from the Arabic commentator Averroes, whose approach was responsible for introducing a radical rereading of Aristotle incompatible with basic tenets of the Christian faith. In this alternative view, human desires and difficulties were resolved not through theology but through biology, natural philosophy, and medicine. While other scholars have noted Cavalcanti's Averroism, Ardizzone is the first to analyse it in light of sciences such as optics or logic, focusing on new issues of intellectual debate of Cavalcanti's time, as, for instance, the medieval theory of matter.

Just How Much Is Enough?Guido spends his days shuttling tourists along the waterways of Venice in a small gondola. The kindhearted young rat enjoys the simple pleasures of his world–until his eyes are opened to the possibilities of all that could be accomplished with a larger, faster vessel. As Guido is persuaded to acquire bigger and better boats, life becomes increasingly complicated. Just how far will he go in his search for true satisfaction?You and your child will giggle your way through this enchanting story of a small rat with a big heart, who learns the hard way that it’s the little joys of life that matter most.

By way of a day job, Guido Mocafico takes pictures for Wallpaper, The Face and French and American Vogue. For years he's also been photographing creepy-crawlies, including spiders, snakes and jellyfish. What animal has inspired as much dread, as many legends, as much revulsion and terror as the snake? Among the 2,700 known species, few are dangerous, let alone lethal, to humans, but prejudices run deep. Cobras, mambas, vipers and their cousins swing languidly from Amazonian canopies, hibernate through harsh Arctic winters, and eat entire cows in one gulp; humans quiver in their boots. Even as some species face the possibility of extinction before we fully understand them, new ones are still being discovered. Mocafico's explorations of their aesthetic properties bring out the singular power and beauty--and ability to unnerve--of the animal that human societies have called demon, divinity, sacred protector and ancestor.

Catalogo della mostra di Bologna, Los Angeles e Fort Worth 1988 - 1989. Con 67 tavole a colori. Contributi critici di Andrea Emiliani, Charles Dempsey e Ezio Raimondi. Testo in inglese . 8vo pp. 368 Rilegato pelle, sovracoperta (leather binding, dust jacket) Ottimo (Fine)

4°. 28 cm x 23 cm. 328 Seiten. Farbig illustrierter Original-Pappband. 1. Auflage. Mit zahlreichen, zum Teil ganzseitigen Farbabbildungen. Publikation anlässlich der gleichnamigen Ausstellung im Städel Museum, Frankfurt am Main, vom 23. November 2022 bis 5. März 2023. Neuwertiges Exemplar. Sprache: deutsch.

Italian-born, Los Angeles–based photographer Guido Argentini (born 1966) is best known for his erotic photographs of female nudes, having published several books on this subject. In his latest volume, Eros, Argentini broadens the scope of his idea of eroticism in photography, presenting a series of diptychs that combine oneiric images of women, with landscapes and still life: a woman's vibrant blue eyes rhyming with the blue of the sky; a woman's red dress echoing the red velvet seats in an old Italian theater. The result is a series of suggestive images imbued with emotion and narrative. Traveling from antique palaces in Italy to Tokyo's urban landscapes and the deserts of Arizona, viewers are invited to imagine their own narratives.

Italian-born, Los Angeles–based photographer Guido Argentini (born 1966) is best known for his erotic photographs of female nudes, having published several books on this subject. In his latest volume, Eros, Argentini broadens the scope of his idea of eroticism in photography, presenting a series of diptychs that combine oneiric images of women, with landscapes and still life: a woman's vibrant blue eyes rhyming with the blue of the sky; a woman's red dress echoing the red velvet seats in an old Italian theater. The result is a series of suggestive images imbued with emotion and narrative. Traveling from antique palaces in Italy to Tokyo's urban landscapes and the deserts of Arizona, viewers are invited to imagine their own narratives.