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About the brand: Iconic silhouettes. Signature prints. Timeless femininity. Louis Reversible Midi Skirt in ribbon snake med/bamboo with reversible printed mesh fabrication and elastic waist Approximately 37in from waist to hem Model is 5'10 and is wearing a size small. Measurements may vary slightly by size. Slip-on styling 100% nylon Dry clean only Imported

About the brand: Iconic silhouettes. Signature prints. Timeless femininity. Louis Reversible Midi Skirt in ribbon snake med/bamboo with reversible printed mesh fabrication and elastic waist Approximately 37in from waist to hem Model is 5'10 and is wearing a size small. Measurements may vary slightly by size. Slip-on styling 100% nylon Dry clean only Imported

About the brand: Iconic silhouettes. Signature prints. Timeless femininity. Louis Reversible Midi Skirt in ribbon snake med/bamboo with reversible printed mesh fabrication and elastic waist Approximately 37in from waist to hem Model is 5'10 and is wearing a size small. Measurements may vary slightly by size. Slip-on styling 100% nylon Dry clean only Imported

Chris Von der Ahe emigrated from Germany to the United States in 1867, and settled in St. Louis, Missouri. Starting out as a clerk in a grocery store, he succeeded quickly in buying the grocery store and establishing a saloon in the back. Although Von der Ahe had no special interest in sports, he did notice that fans liked to drop by after a ball game and have a beer. This initial perception launched Von der Ahe on a rollercoaster ride through early American baseball, contributing to his story of luck, pluck, and bravado. Seeing a natural link between baseball and his saloon, Von der Ahe sponsored an American Association baseball team called the St. Louis Browns, the head of a lineage that includes the present-day St. Louis Cardinals. The American Association only lasted for ten years, but through this period Von der Ahe's Browns captured the pennant four years in a row. After a raucous pennant race in 1889 and a full-scale player revolt, the American Association sank into bankruptcy and dissolved. Such a financial disaster is only one of many bizarre and unique events discussed in this insightful and utterly readable biography of one of America's early baseball owners. Bearing uncanny similarity to the iron-willed personas of contemporary baseball owners, Von der Ahe was embroiled in legal battles and baseball disputes for nearly a decade that culminated in his own kidnapping and his stadium being burned to the ground. After being bought out in 1899, Von der Ahe disappeared and died in obscurity in 1913, without a baseball team. With bibliography.

Chris Von der Ahe emigrated from Germany to the United States in 1867 and settled in St. Louis, Missouri. Starting out as a clerk in a grocery store, he soon suceeded in buying the grocery store and establishing a saloon in the back. Although Von der Ahe had no special interest in sports, he did notice that fans like to drop by after a ball game and have a beer. Seeing a natural link between baseball and his saloon, Von der Ahe sponsored an American Association baseball team called the St. Louis Browns, head of a lineage that includes the present-day St. Louis Cardinals. Although the American Association lasted for only ten years, Von der Ahe’s Browns captured the pennant four years in a row. Possessing an iron-willed persona similar to contemporary baseball owners like Marge Schott and George Steinbrenner, Von der Ahe was embroiled in legal battles and baseball disputes throughout the 1880s and 1890s. These struggles culminated in Von der Ahe’s kidnapping and his stadium being burned to the ground. Such financial disasters are only some of the many bizarre events discussed in this insightful and evocative biography of one of America’s early baseball owners. This roller-coaster ride through early American baseball makes for a story of luck, pluck, and bravado.

Chris Von der Ahe emigrated from Germany to the United States in 1867 and settled in St. Louis, Missouri. Starting out as a clerk in a grocery store, he soon suceeded in buying the grocery store and establishing a saloon in the back. Although Von der Ahe had no special interest in sports, he did notice that fans like to drop by after a ball game and have a beer. Seeing a natural link between baseball and his saloon, Von der Ahe sponsored an American Association baseball team called the St. Louis Browns, head of a lineage that includes the present-day St. Louis Cardinals. Although the American Association lasted for only ten years, Von der Ahe’s Browns captured the pennant four years in a row. Possessing an iron-willed persona similar to contemporary baseball owners like Marge Schott and George Steinbrenner, Von der Ahe was embroiled in legal battles and baseball disputes throughout the 1880s and 1890s. These struggles culminated in Von der Ahe’s kidnapping and his stadium being burned to the ground. Such financial disasters are only some of the many bizarre events discussed in this insightful and evocative biography of one of America’s early baseball owners. This roller-coaster ride through early American baseball makes for a story of luck, pluck, and bravado.

Text is entirely in German. Text ist völlig auf Deutsch. 576p, musical examples throughout, no dust jacket. A heavy book, weighs approx. 4 lbs., 11 oz.

On 16 November 1671, Liselotte von der Pfalz, the nineteen-year-old daughter of the Elector of Palatine, was married to Philippe d'Orléans, "Monsieur," the only brother of Louis XIV. The marriage was not to be a happy one. Liselotte (known in France as Elisabeth Charlotte, Duchesse d'Orléans, or "Madame") was full of intellectual energy and moral rigor. Homesick for her native Germany, she felt temperamentally ill-suited to life at the French court. The homosexual Monsieur, deeply immersed in the pleasures and intrigues of the court, shared few of his wife's interests. Yet, for the next fifty years, Liselotte remained in France, never far from the center of one of the most glorious courts of Europe. And throughout this period, she wrote letters -- sometimes as many as forty week -- to her friends and relatives in Germany. It is from this extraordinary body of correspondence that A Woman's Life in the Court of the Sun King has been fashioned. As introduced and translated by Elborg Forster, the letters have become the remarkable personal narrative of Liselotte's transformation from an innocent, yet outspoken, girl into a formidable observer of great events and human folly.

On 16 November 1671, Liselotte von der Pfalz, the nineteen-year-old daughter of the Elector of Palatine, was married to Philippe d'Orléans, "Monsieur," the only brother of Louis XIV. The marriage was not to be a happy one. Liselotte (known in France as Elisabeth Charlotte, Duchesse d'Orléans, or "Madame") was full of intellectual energy and moral rigor. Homesick for her native Germany, she felt temperamentally ill-suited to life at the French court. The homosexual Monsieur, deeply immersed in the pleasures and intrigues of the court, shared few of his wife's interests. Yet, for the next fifty years, Liselotte remained in France, never far from the center of one of the most glorious courts of Europe. And throughout this period, she wrote letters -- sometimes as many as forty week -- to her friends and relatives in Germany. It is from this extraordinary body of correspondence that A Woman's Life in the Court of the Sun King has been fashioned. As introduced and translated by Elborg Forster, the letters have become the remarkable personal narrative of Liselotte's transformation from an innocent, yet outspoken, girl into a formidable observer of great events and human folly.

On 16 November 1671, Liselotte von der Pfalz, the nineteen-year-old daughter of the Elector of Palatine, was married to Philippe d'Orléans, "Monsieur," the only brother of Louis XIV. The marriage was not to be a happy one. Liselotte (known in France as Elisabeth Charlotte, Duchesse d'Orléans, or "Madame") was full of intellectual energy and moral rigor. Homesick for her native Germany, she felt temperamentally ill-suited to life at the French court. The homosexual Monsieur, deeply immersed in the pleasures and intrigues of the court, shared few of his wife's interests. Yet, for the next fifty years, Liselotte remained in France, never far from the center of one of the most glorious courts of Europe. And throughout this period, she wrote letters -- sometimes as many as forty week -- to her friends and relatives in Germany. It is from this extraordinary body of correspondence that A Woman's Life in the Court of the Sun King has been fashioned. As introduced and translated by Elborg Forster, the letters have become the remarkable personal narrative of Liselotte's transformation from an innocent, yet outspoken, girl into a formidable observer of great events and human folly.

Goethe's masterpiece translated by the eminent English poet and translator Louis MacNeice.

20,5 x 25 cm ca. 30 S. ; ; Quer. Helft mit Klammern. Sprache: Englisch, Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Obere Außenecke des Hinterdeckels ist an einer Stelle gering blank; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

First vinyl reissue of Alarm by the Peter Brtzmann Group, originally released on FMP in 1983. Harry Miller: bass; Louis Moholo: drums; Alexander von Schlippenbach: piano; Peter Brtzmann: saxophone; Frank Wright: saxophone; Willem Breuker: saxophone; Toshinori Kondo: trumpet; Alan Tomlinson: trombone; Hannes Bauer: trombone. Recorded during the 164th NDR Jazzworkshop, November 12, 1981, at the Funkhaus Hamburg. Produced by Peter Brtzmann and Jost Gebers. Cover design by Peter Brtzmann.

Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six―Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest―created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism.The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.

Book by Louis Bouyer, Hans Urs von Balthasar, C. S. Lewis

Book by Louis Bouyer, Hans Urs von Balthasar, C. S. Lewis

Until relatively recently, sophiology was almost entirely ignored by Western theologians. The modern West learned about sophiology from the Russians, the influence of which is palpable in the theological aesthetics of Hans Urs von Balthasar and in the Mariology of Louis Bouyer, to name only the most obvious examples. And yet, as this book shows, sophiology is at its core a Western phenomenon—and perhaps ironically, it was originally a Protestant phenomenon, as its fountainhead is the Silesian Lutheran cobbler Jakob Boehme. Indeed, Fr. Cselényi argues that Boehme’s sophiology provides Catholic (and Orthodox) theology with a courageous and vigorous Mariology, a gift that has been for the most part left unopened. During the 17th century, Boehme’s sophiology inspired the Philadelphian Society as well as German Pietism. In the 19th century his influence reached Russia and Solovyov—the first of the Russian sophiologists. Nevertheless, it is only in the last decade or so that sophiology as such has been taken up with any theological gravitas in the West. Throughout his book, in addition to offering insight into the work of “canonical” sophiologists such as Boehme and the Russians, the author also investigates previously unexplored avenues of sophiological insight in ontotheology, in phenomenology, in the Fathers, and in Scholasticism. “The Maternal Face of God? could not have appeared at a more important time, as throughout its pages Fr. Cselényi makes the compelling case for a theology that articulates a clear and refreshing understanding of the relationship of the Divine Feminine to the Trinity, and an ontology that affirms the goodness of Creation.”—MICHAEL MARTIN, author of The Submerged Reality: Sophiology and the Turn to a Poetic Metaphysics

Until relatively recently, sophiology was almost entirely ignored by Western theologians. The modern West learned about sophiology from the Russians, the influence of which is palpable in the theological aesthetics of Hans Urs von Balthasar and in the Mariology of Louis Bouyer, to name only the most obvious examples. And yet, as this book shows, sophiology is at its core a Western phenomenon—and perhaps ironically, it was originally a Protestant phenomenon, as its fountainhead is the Silesian Lutheran cobbler Jakob Boehme. Indeed, Fr. Cselényi argues that Boehme’s sophiology provides Catholic (and Orthodox) theology with a courageous and vigorous Mariology, a gift that has been for the most part left unopened. During the 17th century, Boehme’s sophiology inspired the Philadelphian Society as well as German Pietism. In the 19th century his influence reached Russia and Solovyov—the first of the Russian sophiologists. Nevertheless, it is only in the last decade or so that sophiology as such has been taken up with any theological gravitas in the West. Throughout his book, in addition to offering insight into the work of “canonical” sophiologists such as Boehme and the Russians, the author also investigates previously unexplored avenues of sophiological insight in ontotheology, in phenomenology, in the Fathers, and in Scholasticism. “The Maternal Face of God? could not have appeared at a more important time, as throughout its pages Fr. Cselényi makes the compelling case for a theology that articulates a clear and refreshing understanding of the relationship of the Divine Feminine to the Trinity, and an ontology that affirms the goodness of Creation.”—MICHAEL MARTIN, author of The Submerged Reality: Sophiology and the Turn to a Poetic Metaphysics

Alexandre Cabanel ist der klassischen Tradition um Jacques-Louis David verpflichtet. Der Durchbruch gelingt dem Salonmaler, als er sich mythologischen Stoffen und damit der Darstellung des Nackten widmet. Davon zeugt auch sein Hauptwerk 'Geburt der Venus' aus dem Jahre 1863, ein Gemälde von berückender Schönheit, das heute zu den Highlights des Pariser Musée d'Orsay zählt. Neben mächtigen Männern wie Napoleon III. und Ludwig II. von Bayern schätzten die Damen des Zweiten Kaiserreichs Cabanels virtuose Porträtkunst, deren gefällige Arrangements und noble Grazie ihnen entsprachen. Der vorliegende Band stellt den Maler in einer umfassenden Einleitung vor. Zudem präsentiert er 60 bedeutende Arbeiten aus Cabanels Schaffen in sieben Themenkreisen, darunter die Salonmalerei, Porträts und das Theater.

In this new telling of Mexico’s Second Empire and Louis Napoléon’s installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life.From 1861 to 1866, the French incorporated the armies of Austria, Belgium including forces from Crimea to Egypt to fight and subdue the regime of Mexico’s Benito Juárez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their opportunity to seize territory in North America. In 1867, with aid from the United States, this movement came to a disastrous end both for the royals and for France while ushering in a new era for Mexico.In a bid to oust Juárez, Mexican conservatives appealed to European leaders to select a monarch to run their country. Maximilian and Carlota’s reign, from 1864 to 1867, was marked from the start by extravagance and ambition and ended with the execution of Maximilian by firing squad, with Carlota on the brink of madness. This epoch moment in the arc of French colonial rule, which spans North American and European history at a critical juncture on both continents, shows how Napoleon III’s failure to save Maximilian disgusted Europeans and sealed his own fate.Maximilian and Carlota offers a vivid portrait of the unusual marriage of Maximilian and Carlota and of international high society and politics at this critical nineteenth-century juncture. This largely unknown era in the history of the Americas comes to life through this colorful telling of the couple’s tragic reign.