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Theresa Hak Kyung Cha came of age as an artist in the San Francisco Bay Area of the 1970s, a decade of enormous artistic, cultural, social, and political transformation. Despite her untimely and tragic death, she created an extraordinarily rich and complex body of work that reflected the profound developments of her time and place--including the radical changes in art--and her own cultural alienation. The Dream of the Audience, a touring exhibition organized by the Berkeley Art Museum, showcases the full range of work by this influential yet underrepresented Korean American artist, who worked in media ranging from performance, video, and film to artists' books, mail art, and works on paper and cloth. This book, designed to accompany the exhibition, is an essential reference to Cha's work. It contains three essays that provide an in-depth context to her visual art and the fullest analysis of her work to date. This volume's comprehensive view of Cha's oeuvre illuminates the recurring themes and formal approaches that distinguish her art. Constance M. Lewallen traces the influences on Cha's development while she was a student at the University of California, Berkeley, and places her work in the context of the artistic and social climate of the San Francisco Bay Area. Lawrence R. Rinder analyzes the theoretical underpinnings of the artist's multileveled and interrelated work. Trinh T. Minh-ha's essay is a poetic evocation of Cha's work as it relates to her ancestry and the suffering of the Korean people under the Japanese colonial policy of deracination. Together the essays show how her rich and original art is informed by a dizzying array of influences--from French film theory to Korean history.

Theresa Hak Kyung Cha came of age as an artist in the San Francisco Bay Area of the 1970s, a decade of enormous artistic, cultural, social, and political transformation. Despite her untimely and tragic death, she created an extraordinarily rich and complex body of work that reflected the profound developments of her time and place--including the radical changes in art--and her own cultural alienation. The Dream of the Audience, a touring exhibition organized by the Berkeley Art Museum, showcases the full range of work by this influential yet underrepresented Korean American artist, who worked in media ranging from performance, video, and film to artists' books, mail art, and works on paper and cloth. This book, designed to accompany the exhibition, is an essential reference to Cha's work. It contains three essays that provide an in-depth context to her visual art and the fullest analysis of her work to date. This volume's comprehensive view of Cha's oeuvre illuminates the recurring themes and formal approaches that distinguish her art. Constance M. Lewallen traces the influences on Cha's development while she was a student at the University of California, Berkeley, and places her work in the context of the artistic and social climate of the San Francisco Bay Area. Lawrence R. Rinder analyzes the theoretical underpinnings of the artist's multileveled and interrelated work. Trinh T. Minh-ha's essay is a poetic evocation of Cha's work as it relates to her ancestry and the suffering of the Korean people under the Japanese colonial policy of deracination. Together the essays show how her rich and original art is informed by a dizzying array of influences--from French film theory to Korean history.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.29

It is generally compatible with stabilizer with column diameter ranged from 44-52mm, such as DJI Ronin S /Baek Woon-Hak, etc.(Moza and Accsoon excluded).Built-in NATO rail on opposite sides allows you to mount accessories via an NATO-compatible clamp for quick release use, or directly through the1/4" & 3/8" thread holes, such as attaching a handgrip, Rosette adapter, articulating arm or extension arm, etc. The padded nylon strap delivers convenience and comfort for neck / shoulder use.

Dictee is the best-known work of the versatile and important artist Theresa Hak Kyung Cha (1951–1982). A classic work of autobiography that transcends the self, Dictee is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The element that unites these women is suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.

Dictée is the best-known work of the versatile and important Korean American artist Theresa Hak Kyung Cha. A classic work of autobiography that transcends the self, Dictée is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha’s mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.

Paperback. In her radical exploration of cultural and personal identity, the writer and artist Theresa Hak Kyung Cha sought the roots of language before it is born on the tip of the tongue. Her first book, the highly original postmodern text Dictee, is now an internationally studied work of autobiography. This volume, spanning the period between 1976 and 1982, brings together Chas previously uncollected writings and text-based pieces with images. Exilee and Temps Morts are two related poem sequences that explore themes of language, memory, displacement, and alienationissues that continue to resonate with artists today. Back in print with a new cover, this stunning selection of Chas works gives readers a fuller view of a major figure in late twentieth-century art. Copublished by Berkeley Art Museum and Pacific Film Archive Shipping may be from multiple locations in the US or from the UK, depending on stock availability.