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Awarded the Nobel Prize for Literature in 1920, Knut Hamsun (1859–1952) was a towering figure of Norwegian letters. He was also a Nazi sympathizer and supporter of the German occupation of Norway during the Second World War. In 1943, Hamsun sent his Nobel medal to Third-Reich propaganda minister Joseph Goebbels as a token of his admiration and authored a reverential obituary for Hitler in May 1945. For decades, scholars have wrestled with the dichotomy between Hamsun’s merits as a writer and his infamous ties to Nazism.In her incisive study of Hamsun, Monika Zagar refuses to separate his political and cultural ideas from an analysis of his highly regarded writing. Her analysis reveals the ways in which messages of racism and sexism appear in plays, fiction, and none-too-subtle nonfiction produced by a prolific author over the course of his long career. In the process, Zagar illuminates Norway’s changing social relations and long history of interaction with other peoples.Focusing on selected masterpieces as well as writings hitherto largely ignored, Zagar demonstrates that Hamsun did not arrive at his notions of race and gender late in life. Rather, his ideas were rooted in a mindset that idealized Norwegian rural life, embraced racial hierarchy, and tightly defined the acceptable notion of women in society. Making the case that Hamsun’s support of Nazi political ideals was a natural outgrowth of his reactionary aversion to modernity, Knut Hamsun serves as a corrective to scholarship treating Hamsun’s Nazi ties as unpleasant but peripheral details in a life of literary achievement.

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Powerful personal narratives by the renowned author of Living Up the Street. These small essays are not unlike Dutch paintings of the sixteenth century. They are clear and precisely rendered, and are either thematically domestic scenes or pedestrian in their observations of the ordinary. There is a delirious joy in Soto's writings, and heartbreak. This collection features his much-lauded essays "The Jacket" and "Like Mexicans," along with new essays such as "Childhood Worries, or Why I Became a Writer," "Getting It Done," and the title essay in which Soto fashions himself to be Fresno's own Knut Hamsun, the Norwegian writer of the 1920s who lived on nothing more than his five senses. Poet and critic Christopher Buckley said of his poetry, "[Soto has] mastered his form, has found his voice, and has the life experiences to provide meaningful content." He could have been speaking of his prose as well. Soto is at home with the essay; he is able to paint moments that would otherwise seem dull and not worthy of comment. He picks up hitchhikers, sorts through the mystery of finding a wife, and pulls together his wits to solve the hunger of stray dogs. He is tender and outrageous; he is reflective on worldly matters and cagey with his family and friends. In all, his dazzling effects of language will keep the reader continually surprised.These portraits are set in his hometown, Fresno, and in his current residence, the San Francisco Bay area. They therefore mark his time and place, but honor the instincts of the master Knut Hamsun, who walked around his town, a spectacle of wonder. This volume includes forty-eight pieces: all of the personal narratives formerly collected in Small Faces, the best of Lesser Evils―both volumes long out-of-print―as well as five new essays.

472 pages. 9.21x5.98x1.50 inches. In Stock.

This is the first comprehensive study in English of the novels of Knut Hamsun, Nobel Laureate in literature for 1920, from the radically innovative Hunger (1890) to The Ring Is Closed (1936). The texts are discussed in depth, with analysis of recurrent themes, narrative modes, and generic idiosyncrasies, and are evaluated in terms of originality and artistic integrity. Reviews and other critical opinions are cited to broaden the evaluative spectrum and throw light on the novels’ receptions. Although the book is scholarly, its blend of commentary and summarizing description – of settings, characters and story lines – will also interest the general reader.

In this epic story of love and treason, Max von Sydow gives a career-crowning performance as Knut Hamsun, Norway's controversial Nobel Laureate. Hamsun is his country's most beloved writer.

Gathers together eighteen ghostly tales and poems by master storytellers ranging from H. G. Wells to Knut Hamsun

Hunger by Knut Hamsun is a strange, semi-delirious, gorgeous narrative of a young man who wanders the Norwegian urban milieu and spends most of his time starving and contemplating eccentric ways of obtaining food for a few coins. The occasional income he gets from his writing is barely adequate to keep him alive, and between the bouts of hunger he hallucinates and imagines -- and sometimes engages in -- sensuality in all its forms. Food and sex and vivid creative daydreams, in combination with a peculiar personal pride, keep him on the fringes, apart from others. And yet, his need for nourishment in every sense, physical and emotional, is overwhelming. Even though it was completed in 1890, Hunger is considered a psychological masterpiece of the early 20th century.

Contemptuous of contemporary novels and what he saw as stereotypical plots and empty characters, in 1890 Knut Hamsun wrote "Hunger", which is a searing excursion into the realm of the irrational. In a moment-by-moment internal monologue, Hamsun reveals the profound anguish of a struggling writer facing the possibility of death in a world indifferent to his existence.

Fascism and Modernist Literature in Norway illuminates the connections between literature and politics in interwar Europe. Focusing on the works of Nobel Prize-winning novelist Knut Hamsun and modernist poets Asmund Sveen and Rolf Jacobsen, all of whom collaborated with the Nazi regime during the occupation of Norway in World War II, and those of the anti-fascist novelist and critic Sigurd Hoel, Dean Krouk reveals key aspects of the modernist literary imagination in Norway.In their writings, Hamsun, Sveen, and Jacobsen expressed their discontent with twentieth-century European modernity, which they perceived as overly rationalized or nihilistic. Krouk explains how fascism offered these writers a seductive utopian vision that intersected with the countercultural and avant-garde aspects of their literary works, while Hoel's critical analysis of Nazism extended to a questioning of all patriarchal forms of authority. Krouk's readings of their works serve as a timely reminder to us all of the dangers of fascism.

"The Growth of the Soil" is the novel by Norwegian writer Knut Hamsun which won him the Nobel Prize in Literature in 1920. Stylistically it has a simplicity which reflects its subject matter and there prevails what Worster calls a "Miltonic monumental calm". Hamsun also has the qualities of a Norwegian Steinbeck in his tale of the tragedies and joys of everyday life. There are also 'Bergmanesque' elements in its blacker episodes: the two infanticides; Axel left to die in the snow by the jealous and resentful Brede, whom he has gone out of his way to help and support; and the actions and words of the poisonous, spiteful and grasping Oline. Yet these are relieved by an underlying humour and lightness and all characters seem to have their redeeming features. Tragedy and evil rarely lead to unmitigated disaster, often because of the inner strength and fortitude of the principal characters

Hunger by Knut Hamsun is a strange, semi-delirious, gorgeous narrative of a young man who wanders the Norwegian urban milieu and spends most of his time starving and contemplating eccentric ways of obtaining food for a few coins. The occasional income he gets from his writing is barely adequate to keep him alive, and between the bouts of hunger he hallucinates and imagines -- and sometimes engages in -- sensuality in all its forms. Food and sex and vivid creative daydreams, in combination with a peculiar personal pride, keep him on the fringes, apart from others. And yet, his need for nourishment in every sense, physical and emotional, is overwhelming. Even though it was completed in 1890, Hunger is considered a psychological masterpiece of the early 20th century.

Gathers together eighteen ghostly tales and poems by master storytellers ranging from H. G. Wells to Knut Hamsun

Peasant characters simply trying to live life in the Norwegian backcountry learn to face tragedy and evil, without experiencing absolute disaster, in Knut Hamsun’s Growth of the Soil. Thanks in part to a simplistic writing style and calm, almost detached third-person point-of-view, Hamsum blends misery and misfortune with tenderness, wisdom, and even humor. Readers come to learn from and identify with the fortitude, principals, and inner strength of these souls throughout their epic tale of early settler life.

"Mothwise" is a classic novel, written by a world famous Norwegian author Knut Hamsun, who was awarded the Nobel Prize in Literature in 1920.