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This book provides an account of Hanna Segal's contributions to psychoanalytic theory and practice and gives a picture of her as a person. It covers mainly on clinical and theoretical aspects of psychoanalysis.

This book provides an account of Hanna Segal's contributions to psychoanalytic theory and practice and gives a picture of her as a person. It covers mainly on clinical and theoretical aspects of psychoanalysis.

Following the success of her bestseller The Book of Kale, Sharon Hanna is back, teaming up with gardening editor Carol Pope for The Book of Kale and Friends. There are good reasons why the Kale Revolution is growing this humble leafy green is one of the healthiest vegetables on earth, it thrives in winter and sweetens in the cold, it self-seeds, its flowers sustain bees, and it’s so easy to grow that anyone who tries will feel like a master gardener with almost no effort. In addition to more tips on kale cultivation, Sharon and Carol invite readers to branch out with 13 other superfood crops that are equally easy to grow, as well as nutritious and versatile in the kitchen, including arugula, basil, chives, cilantro, herb fennel, garlic, lovage, mint, oregano, parsley, rosemary, sage, and thyme. With abundant vegetarian, vegan, and gluten-free recipes, The Book of Kale and Friends has something to please every palate. Even the family pooch is invited to enjoy the healthy harvest with Kale Doggy Biscotti!

The sixth coloring book from Sweden’s coloring book sensation, Hanna Karlzon. Hanna Karlzon’s newest coloring book, translating directly from the Swedish Själsfränder as “Soul Mates” or “Kindred Spirits,” is a whimsical collection of stunning portraits. Each spread features a person and an animal who share a connection; coloring book enthusiasts will love her hybrid approach to portraiture and wildlife. Drawn in Hanna’s highly regarded detailed style, this hardbound coloring book of 96 pages pairs perfectly with her previous bestsellers. Hanna Karlzon has an art teaching degree from Umeå University, and has run her own business as a freelance designer since 2013. Her coloring book series includes Daydreams. Summer Nights, Magical Dawn, Seasons, Jewelry Box, and her most recent Spirit Animals. She lives in Umeå, Sweden.

In his approach to holistic health, Hanna describes systems of body reeducation, including the Functional Integration system which helps persons who are crippled or in acute muscular pain achieve a healthier use of their muscles through gentle physical manipulation

There are moments in each person's life that we take great care to remember: the pride of a young girl standing up for herself for the first time; the heartbreak of leaving one's country and family for a new beginning; the thrill of getting ready for the piano recital of a lifetime.In Sharon Dennis Wyeth's family these moments were marked with the passing on of the Granddaughter Necklace: not a fancy piece of jewelry, but a precious one, worn smooth by the touch of mothers and grandmothers, each with her own story to tell.With a historical sweep that reaches back to Ireland and to Africa, and an intimacy that resides in every family's treasured stories, Wyeth tells the tale of one family's journey from the old world to the new, from the past to the present, and from mother to daughter.Here's a book that we feel will be passed on from generation to generation too, read in laps and in groups, opening conversations about our own necklaces of memory.

Planning the party of the year at her mother's exclusive new hotel, Sharon is surprised when a mysterious person invites people she hardly knows to the party and begins to fear that her guests are being set up. Original.

More than any other person, Deke Sharon is responsible for the current success of pop a cappella. Founder of the House Jacks (the original "rock band without instruments"), Deke continues to influence through his work with The Sing-Off, Pitch Perfect, Pitch Perfect 2, and Vocalosity. Combine Deke's expertise with that of directors Ben Spalding and Brody McDonald, add a foreword by Ben Folds, throw in advice from contributors like Peter Hollens, and you have the most comprehensive volume ever created on the subject of contemporary a cappella singing. Sections include: Setting the Stage * Getting the Band Together * Arranging * Preparing * Technology * Making a Name * and more. 404 pages.

Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernism—writers for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no one’s voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. “To consent to being anonymous,” Weil wrote, “is to bear witness to the truth. But how is this compatible with social life and its labels?” Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility—from a “truth” that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve.

Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernism—writers for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no one’s voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. “To consent to being anonymous,” Weil wrote, “is to bear witness to the truth. But how is this compatible with social life and its labels?” Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility—from a “truth” that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve.