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»Blüthenstaub«, the title of the famous collection of fragments by Novalis, stands here for the entire oeuvre of the Romantic German poet Friedrich von Hardenberg (1772-1801). The volume documents the second congress of the International Novalis Society, which was devoted to the reception and impact of Novalis' work not only on literary posterity but also on the other arts. The main focus is on the reception accorded to Novalis in German Romanticism, in other countries (Britain, USA, Italy, Poland, Russia), and in modern literature, supplemented by studies of musical settings of his work and his reception in Catholicism, anthroposophic thinking, etc. The 200-year history of his impact, traced here in its full implications for the first time, shows that to an impressive and hitherto unknown extent, Novalis' works have been the object of a wide range of productive acquisition and critical engagement both within German-speaking countries and abroad. The literary seeds have fallen on fertile ground indeed.

»Blüthenstaub«, the title of the famous collection of fragments by Novalis, stands here for the entire oeuvre of the Romantic German poet Friedrich von Hardenberg (1772-1801). The volume documents the second congress of the International Novalis Society, which was devoted to the reception and impact of Novalis' work not only on literary posterity but also on the other arts. The main focus is on the reception accorded to Novalis in German Romanticism, in other countries (Britain, USA, Italy, Poland, Russia), and in modern literature, supplemented by studies of musical settings of his work and his reception in Catholicism, anthroposophic thinking, etc. The 200-year history of his impact, traced here in its full implications for the first time, shows that to an impressive and hitherto unknown extent, Novalis' works have been the object of a wide range of productive acquisition and critical engagement both within German-speaking countries and abroad. The literary seeds have fallen on fertile ground indeed.

Since its posthumous publication in 1892, German, French, British and American critics have regarded the novel Heinrich von Ofterdingen by Friedrich von Hardenberg (Novalis) as the epitome of German Romanticism. A critical history of Heinrich von Ofterdingen thus provides an exemplary opportunity to analyze changing patterns of German and international literary criticism over the past two hundred years, particularly with respect to the changing definitions of Romanticism. Critical response to the Klingsohr tale in the novel is a constant point of reference in this study, providing a record of successive approaches to the work.

This volume presents the first complete translation of Fichte Studies, a critique of Fichtean philosophy by the young philosopher-poet Friedrich von Hardenberg. Under the pen-name Novalis, von Hardenberg became the most well-known and beloved of the early German Romantic writers. Those interested in the fate of German philosophy and literature immediately following Kant will find that this collection of notes and aphorisms consists of original contributions on the nature of self-consciousness, the relationship of art to philosophy, and the nature of philosophical inquiry.

This volume presents the first complete translation of Fichte Studies, a critique of Fichtean philosophy by the young philosopher-poet Friedrich von Hardenberg. Under the pen-name Novalis, von Hardenberg became the most well-known and beloved of the early German Romantic writers. Those interested in the fate of German philosophy and literature immediately following Kant will find that this collection of notes and aphorisms consists of original contributions on the nature of self-consciousness, the relationship of art to philosophy, and the nature of philosophical inquiry.

First published in 1955, this volume contains three works by Friedrich von Hardenberg (1772-1801), the German Romantic philosopher and poet whose pseudonym Novalis was an ancient family name. The works, each given in the original German, include the only existing sections of Novalis's unfinished novel, Die Lehrlinge zu Sais; a selection of ideas published as a literary fragment in 1798 under the title Blütenstaub; and Die Christenheit oder Europa, an essay in cultural history. Of these, only Blütenstaub was published before Novalis's death in 1801 at the age of 28. This volume also contains a preface in English by Brian A. Rowley, which contextualizes the three works and offers a cursory description of Novalis's life.

Hymns to the Night & Spiritual Songs, by German author, poet, mystic and mineralogist Novalis (or Georg Philipp Friedrich Freiherr von Hardenberg), were originally published in English in 1842 & 1873 respectively, as translated by Scots author, poet and minister George MacDonald.Hymns to the Night (or Hymnen an die Nacht) and Spiritual Songs (Geistliche Lieder), were both originally published in German in 1800 towards the end of Novalis' life. Hymns to the the Night, are six prose poems sprinkled with verse. Within which Novalis celebrates night, or death, being an entry point to a higher life within the presence of God. Anticipating the mystical union with his love Sophie von Kühn, and the cosmos simultaneously. Spiritual Songs are fifteen verse poems, that contemplate a deep spirituality, and romantic mysticism of the self, whilst it looks upon the pain of incarnation and mundane existence as it falters towards a higher life.

First published in 1955, this volume contains three works by Friedrich von Hardenberg (1772-1801), the German Romantic philosopher and poet whose pseudonym Novalis was an ancient family name. The works, each given in the original German, include the only existing sections of Novalis's unfinished novel, Die Lehrlinge zu Sais; a selection of ideas published as a literary fragment in 1798 under the title Blütenstaub; and Die Christenheit oder Europa, an essay in cultural history. Of these, only Blütenstaub was published before Novalis's death in 1801 at the age of 28. This volume also contains a preface in English by Brian A. Rowley, which contextualizes the three works and offers a cursory description of Novalis's life.

This first scholarly edition in English of the philosophical writings of Novalis (Friedrich von Hardenberg), the German Romantic poet, philosopher, and mining engineer, includes two collections of fragments published in 1798, Miscellaneous Observations and Faith and Love, the controversial essay Christendom or Europe, and substantial selections from his unpublished notebooks.Novalis: Philosophical Writings is the first extensive scholarly translation in English from the philosophical work of the late eighteenth-century German Romantic writer Novalis (Friedrich von Hardenberg). His original and innovative thought explores many questions that are current today, such as truth and objectivity, reason and the imagination, language and mind, and revolution and the state.The translation includes two collections of fragments published by Novalis in 1798, Miscellaneous Observations and Faith and Love, and the controversial essay Christendom or Europe. In addition there are substantial selections from his unpublished notebooks, including Logological Fragments, the General Draft for an encyclopedia, the Monologue on language, and the essay on Goethe as scientist.