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Bound in tan cloth with dark brown lettering on front cover and spine, clean and unmarked FINE condition

507 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 1165

Master the common tenses of the Hausa language. Each verb is conjugated in the present, past and future tenses. An example sentence is also included for each verb. Every verb and example is translated into English for easy side-by-side comparison. Modern Hausa spelling conventions are used throughout and so makes for a very readable study companion.

Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.05

Unread book in perfect condition.

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Mu Zanta Da Harshen Hausa (2008) is designed to develop the linguistic and communicative skills of learners of Hausa. This will help them to have a balanced, functional knowledge of linguistic structures and a sound vocabulary, as well as the ability to use their skills appropriately in real life situations. The book also encourages students to be systematically involved in activities requiring the communicative use of all four language skills: speaking, listening, writing and reading. Culture and language are integrated in the book in a way to enable students to achieve both linguistic competence and cultural awareness.

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Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the musicians behind the fiddle, the meaning of the instrument, and its use in these three cultures. This detailed work helps the reader understand and appreciate three little-known musical cultures in West Africa and the fiddle's influence upon them.

bilingual edition. 26 pages. 11.00x8.50x0.07 inches. This item is printed on demand.

The Hadiza mini dress is a show stopper and features a one shoulder cape style and comes in a burgundy gold metallic jacquard fabric with front pockets. Fully liked with tie dye fabric. Hadiza is a girl's name from the Hausa tribe of Nigeria meaning One with no desire. *Runs small. Size up Composition: 86% Poly, 14% Metallic Thread Ethically Made in Kenya using fair trade practices Dry Clean Only

The Hadiza mini dress is a show stopper and features a one shoulder cape style and comes in a burgundy gold metallic jacquard fabric with front pockets. Fully liked with tie dye fabric. Hadiza is a girl's name from the Hausa tribe of Nigeria meaning One with no desire. *Runs small. Size up Composition: 86% Poly, 14% Metallic Thread Ethically Made in Kenya using fair trade practices Dry Clean Only

Kauna which translates to 'Love" in the Nigerian language Hausa was designed as the ideal mini for your night outs and cocktail events. The Kauna Mini was created and cut in our signature Imad Eduso style, ensuring that your shape is accentuated in the right places to inspire confidence but maintain comfort. The graphic neckline and the exaggerated ruffle sleeves are perfect for bringing in the drama whilst the cinched waist and structured skirt enhances your figure. It's the perfect colour to stand out in and have a great time with your girls! Silk Satin Poof Mini Dress with Off Shoulder Graphic Zig-Zag Neckline Poof Midi Dress Off Shoulder Ruffle Sleeves Graphic Zig-Zag Neckline Fabric is Silk Satin Dry Clean Only.

Kauna which translates to 'Love" in the Nigerian language Hausa was designed as the ideal mini for your night outs and cocktail events. The Kauna Mini was created and cut in our signature Imad Eduso style, ensuring that your shape is accentuated in the right places to inspire confidence but maintain comfort. The graphic neckline and the exaggerated ruffle sleeves are perfect for bringing in the drama whilst the cinched waist and structured skirt enhances your figure. It's the perfect colour to stand out in and have a great time with your girls! Silk Satin Poof Mini Dress with Off Shoulder Graphic Zig-Zag Neckline Poof Midi Dress Off Shoulder Ruffle Sleeves Graphic Zig-Zag Neckline Fabric is Silk Satin Dry Clean Only.

Kauna which translates to 'Love" in the Nigerian language Hausa was designed as the ideal mini for your night outs and cocktail events. The Kauna Mini was created and cut in our signature Imad Eduso style, ensuring that your shape is accentuated in the right places to inspire confidence but maintain comfort. The graphic neckline and the exaggerated ruffle sleeves are perfect for bringing in the drama whilst the cinched waist and structured skirt enhances your figure. It's the perfect colour to stand out in and have a great time with your girls! Silk Satin Poof Mini Dress with Off Shoulder Graphic Zig-Zag Neckline Poof Midi Dress Off Shoulder Ruffle Sleeves Graphic Zig-Zag Neckline Fabric is Silk Satin Dry Clean Only.

Folk Music of the Sahel: Niger consists of field recordings collected in the Republic of Niger during the course of six expeditions undertaken by Hisham Mayet between 2004 and 2014. This first volume in Sublime Frequencies' new Folk Music of the Sahel series comprises a subjective but spectacular overview of Hausa, Zarma, Fulani, Songhai and Tuareg music culled from Mayet's rich archives. On this lavish double album, Mayet methodically reveals the dazzling range and power of Nigerian music, from

Excerpt from Affairs of West AfricaV. The discovery OF northern nigeria VI. The discovery OF northern nigeria - (cont) VII. The hausas and their emporium VIII. The hausas and their emporium IX. The national industry OF southern nigeria X. The administration OF northern nigeria XI. The finances OF nigeria XII. Mohammedans, slave-raiding and domestic servi tude XIII. The principal products OF nigeria XIV. Rubber-collecting IN nigeria XV. The fulani IN nigeria XVI. The fulani IN west african history XVII. Origin or the fulani.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A rich and engrossing account of 'sexual outlaws' in the Hausa-speaking region of northern Nigeria, where Islamic law requires strict separation of the sexes and different rules of behavior for women and men in virtually every facet of life. The first ethnographic study of sexual minorities in Africa, and one of very few works on sexual minorities in the Islamic world Engagingly written, combining innovative, ethnographic narrative with analyses of sociolinguistic transcripts, historical texts, and popular media, including video, film, newspapers, and song-poetry Analyzes the social experiences and expressive culture of ‘yan daudu (feminine men in Nigerian Hausaland) in relation to local, national, and global debates over gender and sexuality at the turn of the twenty-first century Winner of the 2009 Ruth Benedict Prize in the category of "Outstanding Monograph"

Daughter of a Hausa farmer and Koranic teacher, Baba became Mary Smith’s friend in 1949, when M. G. and Mary Smith were engaged in fieldwork in Nigeria. In daily sessions for several weeks Baba dictated her life story, which Mrs. Smith has translated from the Hausa. The old woman’s memories reached back to the days of slave raids and interstate warfare before the British occupation, and she has left a fascinating and valuable record of Hausa life in the late nineteenth century and the first half of the twentieth. Baba describes Hausa male-oriented society from a woman’s point of view, narrating not only her own life history but stories of other women who were close to her. She tells of Hausa domestic life, farming, and slavery, and explains the Hausa institutions of bond friendship, adoption, polygynous marriage, and kinship, showing how, in a society that permits easy and frequent divorce, children are not exclusively dependent on their biological parents for emotional support. First published in 1945 and now reissued with a new foreword by Hilda Kuper, this autobiography of a shrewd, humorous, and courageous personality remains a classic in the field of African studies and a uniquely valuable account of a Muslim society in West Africa.

A selection of eighty-one folktales from the many cultures that exist south of the Sahara, African Folktales includes tales of the Hausa and the Ashanti, the Bantu, the Bushmen, and the Zulu. The narratives, which range from the mythical tale to the humorous anecdote, are divided into four categories:I. The Universe and Its BeginningsII. The Animal and His WorldIII. The Realm of ManIV. Man and His Fate