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27,5 x 22,5 cm. 237 Seiten mit 457 s/w, 26 farbigen Abb. und 38 Marken. *Katalog zur Ausstellung. Vollständiges Verzeichnis aller Entwerfer für Bruckmann mit Biographien und vollständigem Katalog aller Bestecke. ISBN 9783930811908 Sprache: Deutsch Gewicht in Gramm: 1200 Pappband (wie neu, noch original verschweißt).

INFO- a studio grade dynamic mic made in Berlin and later in Heilbronn. - this design features A very thick metal body, consisting of two parts, wi...

M88 BEYERDYNAMIC Handheld HyperCardioid Moving-Coil Microphone Continuously handmade since 1963 at the company headquarters in Heilbronn, G...

Continuously handmade since 1963 at the company headquarters in Heilbronn, Germany, the M 88 s excellent technical features make it a living legend...

M-Series Video Dynamic microphone classic The M 88 has been manufactured by hand at the beyerdynamic company location in Heilbronn for decade...

beyerdynamic M 88 Hypercardioid Dynamic MicrophoneContinuously handmade since 1963 at the company headquarters in Heilbronn, Germany, the beyerdyna...

Introducing the DT 700 PRO X, Beyerdynamic unveils circumaural studio headphones poised to revolutionize the landscape for the renowned Heilbronn-b...

beyerdynamic DT 700 PRO X Closed HeadphonesThe closed beyerdynamic DT 700 PRO X are set to usher in a new era for the long-established, Heilbronn-b...

Published in Association with the German Historical Institute, Washington, D.C. Adolf Cluss was born in 1825 into a middle-class family of master stonemasons, engineers and entrepreneurs in Heilbronn, Germany. A colleague and correspondent of Karl Marx, and a participant in the unsuccessful German revolution of 1848, he emigrated to the United States. Until 1858 he remained a member in the German Communist Party although by then he had established himself in both German-American life and in the professional and intellectual milieu of Washington where he was soon considered the most important architect. Thanks to Cluss’s imagination, technical skills, and vision of a new cityscape, Washington became a showcase for the nation through the handsome public buildings and private structures that expressed national confidence and international interest in improving the health, safety, and beautification of cities. Cluss’s work as an architect, civil engineer and urban planner in Washington represents a long neglected chapter in the development of the capital city during the social and physical rebuilding that followed the Civil War. Major scholars in the field place Cluss’s life and career in a historical context. Their essays are enhanced by many previously unpublished illustrations drawn from years of research. A photo essay at the center of the book vividly illustrates Washington in Cluss’s time, Cluss’s contribution to Washington, and the fate of Cluss’s buildings and city.

Published in Association with the German Historical Institute, Washington, D.C. Adolf Cluss was born in 1825 into a middle-class family of master stonemasons, engineers and entrepreneurs in Heilbronn, Germany. A colleague and correspondent of Karl Marx, and a participant in the unsuccessful German revolution of 1848, he emigrated to the United States. Until 1858 he remained a member in the German Communist Party although by then he had established himself in both German-American life and in the professional and intellectual milieu of Washington where he was soon considered the most important architect. Thanks to Cluss’s imagination, technical skills, and vision of a new cityscape, Washington became a showcase for the nation through the handsome public buildings and private structures that expressed national confidence and international interest in improving the health, safety, and beautification of cities. Cluss’s work as an architect, civil engineer and urban planner in Washington represents a long neglected chapter in the development of the capital city during the social and physical rebuilding that followed the Civil War. Major scholars in the field place Cluss’s life and career in a historical context. Their essays are enhanced by many previously unpublished illustrations drawn from years of research. A photo essay at the center of the book vividly illustrates Washington in Cluss’s time, Cluss’s contribution to Washington, and the fate of Cluss’s buildings and city.