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Featuring 30 of Heilmann's works from the late 70s to the present, including paintings, ceramic pictures, and a series of specially designed wooden chairs with colorfully woven seats. Throughout, Heilmann's particular way of dealing with abstract paintings becomes evident. Dedicated to Pat Hearn and Colin de Land.

Featuring 30 of Heilmann's works from the late 70s to the present, including paintings, ceramic pictures, and a series of specially designed wooden chairs with colorfully woven seats. Throughout, Heilmann's particular way of dealing with abstract paintings becomes evident. Dedicated to Pat Hearn and Colin de Land.

An illustrated study of Mary Heilmann's seductive 1979 abstract painting in hot pink and black, Save the Last Dance for Me."You want beauty? I'll give you beauty!"―Mary HeilmannMary Heilmann is one of the most important abstract painters of her generation. Her distinctively fluid, humorous, and bright canvases combine the modes of Abstract Expressionism with a vibrant Pop sensibility. Heilmannn's 1979 painting in hot pink and black, evocatively titled Save the Last Dance for Me, marked a shift in the artist's perspective. Heilmann describes it: "Now the work came from a different place. Instead of working out of modernist non-image formalism, I began to see that the choices in the work depended more on content for their meaning." This beautifully illustrated study of Save the Last Dance for Me explores the development of Heilmann's work, and the way it continues to engage us―psychologically, sensually, and socially.The three bright pink rectangles in Heilmann's painting seem to dance off the edge of the canvas, through a black field that seems dark as a nightclub after midnight―or perhaps the three are actually one pink rectangle, seen in a blissfully formal time lapse, moving across the dance floor/canvas. These definitively modernist geometric forms coexist with a sense of movement in real time. For many, abstraction may have been dancing its last dance in 1979, but Heilmann's bright pink rectangles boogie on.

Considered one of the greatest baseball players of all time, Ty Cobb cast a shadow over the game with his violent behavior on the field and off. His shadow was never darker than when it fell on his teammates. Sam Crawford, Harry Heilmann and Heinie Manush were three of the greatest players in baseball history, good enough to be in the National Baseball Hall of Fame. Each played in the Detroit outfield alongside Cobb, though their fame never reached the level of his. Little is remembered about this trio of Hall of Famers. Crawford, the all-time triples leader, Heilmann, the last right-handed batter to hit .400, and Manush, another batting champion, each made his own mark on the game, detailed for the first time in this triple biography.

Considered one of the greatest baseball players of all time, Ty Cobb cast a shadow over the game with his violent behavior on the field and off. His shadow was never darker than when it fell on his teammates. Sam Crawford, Harry Heilmann and Heinie Manush were three of the greatest players in baseball history, good enough to be in the National Baseball Hall of Fame. Each played in the Detroit outfield alongside Cobb, though their fame never reached the level of his. Little is remembered about this trio of Hall of Famers. Crawford, the all-time triples leader, Heilmann, the last right-handed batter to hit .400, and Manush, another batting champion, each made his own mark on the game, detailed for the first time in this triple biography.

279 Seiten. Mit zahlreichen, meist farbigen Abbildungen und graphischen Darstellungen. 28 cm. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Mit ausführlichem REGISTER. U.a. über Feldafing Gräfelfing Maria-Eich Planegg Solln Pullach Menterschwaige Nymphenburg Bogenhausen . - Diese grundlegende Publikation stellt alle Villenkolonien, deren Gründung auf Jakob Heilmann zurückgeht, vor und beschreibt deren Entstehen, ihr unternehmerisches, städtebauliches und gesellschaftliches Umfeld. Mit reichem Bildmaterial und vielen historischen Plänen zeigt es die Entwicklung auf der Basis der zeitgenössischen Quellen. Die meisten der damals geschaffenen Villen stehen unter Denkmalschutz. Sprache: Deutsch Gewicht in Gramm: 1300 Originalpappband mit Originalumschlag.

604 S. : zahlr. Ill. . . gb . .Spätromantik und Realismus.BAND V. Sprache: Deutsch Gewicht in Gramm: 1863

The following families are traced from early 1700s into mid-1800s: Baehli, Theil Bohn/Dilbone, Doll/Dull, Engel, Geri, Griesemer, Heilmann/Hahlman, Boeb, Herb/Harp, Herring, Hillegas, Kiggins, Pickel, Scharfenstein, Schuch, Stophlet, Wartenbe.

With this substantial volume, the much loved New York painter Mary Heilmann (born 1940) receives a monograph worthy of her influential ouevre. Perennially tagged an artist’s artist, Heilmann paints as though unencumbered by precedent or influence, brazenly delighting in bright color, strong gesture, all laced with a palpable sense of play, warmth and fun. Her inspiring knack for insouciant gestures embody what critic Dave Hickey, speaking of her work, called “the surfer’s ethic of finding the moment to fall and never trying too hard to save your life.” Cubist clutter, Constructivist rigor, Abstract Expressionist splatter and Color Field glow all play a part in her approach, which nonetheless is always immediately recognizable as her own. This volume, which accompanies her 2012–13 major touring European retrospective, is the largest appraisal of her work yet published.

For Oranges and Sardines, curated by Gary Garrels of Los Angeles' Hammer Museum, six contemporary abstract painters--Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl and Christopher Wool--present a recent painting alongside the work of other artists who have impacted their work. The conceit is clever, considering that artists are often an invaluable source of information on other artists. The result is a constellation of diverse works by the aforementioned six painters and their influences, who include Paul Klee, Felix Gonzalez-Torres, Francis Bacon, David Hockney, Willem de Kooning, Philip Guston, Eva Hesse, Pablo Picasso and Dieter Roth. This well-illustrated volume examines--through the eyes and minds of artists--how art can illuminate art. Featuring sharp design by Los Angeles-based Green Dragon Office, it includes in-depth interviews between Garrels and each of the six featured contemporary artists.

Lena Heilmann lost her sister, Danielle, to suicide in 2012. Experiencing the enormous weight of grief, she reached out to other sibling suicide loss survivors to find comfort, healing, and connection. Still With Us contains 23 stories of sibling suicide loss survivors who, after experiencing devastating losses, navigated through their grief and found a path forward.The essays in Still With Us are arranged chronologically to move the reader from the first years of grieving to decades of healing. The authors commemorate the love that they continue to have for their siblings by telling us stories of grief, support, and strength.All of these essays share a common message: No matter how much time passes, our siblings are still with us.

Mary Heilmann studied ceramics and poetry before moving to New York in 1968 and taking up painting. A pioneer of infusing abstract painting with influences from craft traditions and popular culture--especially rock music and California beach culture--Heilmann is one of the most important yet under-recognized artists working today.Mary Heilmann: Looking at Pictures explores the artist’s approach to abstraction from two distinct but interrelated perspectives: the formal and the personal. The autobiographical dimension of the artist’s work is clear in her pieces related to friendships, memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based on architectural planes.As well as a new essay by Briony Fer and writings on key works by the artist, the volume features over 100 beautiful full-color illustrations of paintings, works on paper, furniture and ceramics from Heilmann’s five-decade career.

Martin and Rebecca Eisenberg have been collecting contemporary art for more than 25 years; their collection features major works by artists including Kai Althoff, Jeremy Deller, Peter Doig, David Hammons, Mary Heilmann and many others.

For more than half a century, San Francisco Seals baseball was a fertile source of future major league players, with a legacy firmly grounded in the annals of Pacific Coast League baseball. Paul and Lloyd Waner, Ping Bodie, Earl Averill, William Kamm, Ferris Fain, Harry Heilmann, Smead Jolley, “Lefty” O’Doul, Frankie Crosetti, the DiMaggio brothers (Joe, Vince, and Dom), Larry Jansen, and others all launched their careers as Seals. From 1903 to 1957, the Seals were the toast of the town, offering tight pennant races and intense games with the Oakland Oaks―their cross-bay rivals―while playing at Recreation Park and Seals Stadium. In almost 6 decades, the Seals won 11 pennants and 4 Governor’s Cups. They survived the earthquake and fire of 1906, the Great Depression, and two world wars. Never forgotten will be Smead Jolley, who in 1928 had what many consider the best all-around season in PCL history by hitting .404 and winning the Triple Crown; Gus Suhr’s record-breaking 51 homeruns in 1929; Joe DiMaggio’s 61-game hitting streak during his 1933 rookie season; and pitcher Bob Joyce’s 31 victories and 35 complete games in 1945.