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In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create--or so it seems--alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl--have they found Mom and a semblance of family, or are, they completely out of control and ready to explode?

On Salt Madonna `McGuire hauls home her accomplished, complex and surreal story with tremendous confidence and flair.' Deborah Levy, prize winning British novelist, short story writer and playwright 1980: the beginning of the Polish Crisis. Brought up in a small village, country-girl Ania arrives in the university city of Wroclaw to pursue her career as a sculptor. Here she falls in love with Dominik, an enigmatic writer at the centre of a group of bohemians and avant-garde artists who throw wild parties. When martial law is declared, their lives change overnight: military tanks appear on the street, curfews are introduced and the artists are driven underground. Together, Ania and Dominik fight back, pushing against the boundaries imposed by the authoritarian communist government. But at what cost? `A tender, moving tale of beauty amidst loss, you'll be utterly immersed in Ania's world. Home Is Nearby is an impressive debut by an exciting new voice.' Mark Brandi, author of Wimmera, Winner of the Crime Writers' Association Debut Dagger `A moving, powerful snapshot of Poland's turbulent history and of the migrant's experience of losing one future and piecing together another in a new country.' Katherine Brabon, author of The Memory Artist and winner of the Australian/Vogel's literary award

A luminescent treatise on writing, love, and loss, a witty response to George Orwell's influential essay "Why I Write" Things I Don't Want to Know is the first in Deborah Levy's essential three-part "living autobiography" on writing and womanhood.     Taking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.