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The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one. The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas. Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

Regular $5,995 Now $4,196.50 Use code SBS30 for 30% off until 12/05/24

Heinrich Gill violins are made in Germany at the Heinrich Gill Workshop under the direction of Master Luthier Bernd Dimbath. The Heinrich Gill work...

Regular $3,700 Now $2,590 Use code SBS30 for 30% off until 12/05/24 Description: This 4/4 Heinrich Gill violin has a bright, focused, and...

This ready to hang, gallery-wrapped art piece features an image of Christ on his knees praying and looking up. Giclee (jee-clay) is an advanced printmaking process for creating high quality fine art reproductions. The attainable excellence that Giclee printmaking affords makes the reproduction virtually indistinguishable from the original piece. The result is wide acceptance of Giclee by galleries, museums, and private collectors. Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides and is secured a hidden, wooden frame. This method of stretching and preparing a canvas allows for a frameless presentation of the finished painting. Color: Multi.

Since 1952, the Heinrich Gill Workshop has been handcrafting violins in Bubenreuth, Germany. The violinmaker Bernd Dimbath purchased the company in...

This ready to hang, gallery-wrapped art piece features an image of Christ on his knees praying and looking up. Giclee (jee-clay) is an advanced printmaking process for creating high quality fine art reproductions. The attainable excellence that Giclee printmaking affords makes the reproduction virtually indistinguishable from the original piece. The result is wide acceptance of Giclee by galleries, museums, and private collectors. Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides and is secured a hidden, wooden frame. This method of stretching and preparing a canvas allows for a frameless presentation of the finished painting. Color: Multi.

This instrument currently Sells for over $3500, thus, this USED/Demo instrument represents a tremendous opportunity to obtain a handmade, pro-level...

I recently inherited a 2004 Heinrich Gill Cello (444 2004) and two bows from my Mom: a Klaus Becker bow (sold separately on Reverb) and a Garner W...

Here is an upper student level Ernst Heinrich Roth violin from the 60 s/70 s era. It is in fantastic condition, well set up with Caspari pegs and f...

Great tone and thump with this Roth 3/4! Features include a solid spruce top and maple back, sides and neck. It has an ebony fingerboard and tailpi...

An excellent violin! Sounds amazing! very warm tone. comes with case!

Ernst Heinrich Roth Violin, 4.4. Made in 1965. Reproduction of Stradivarius 1700Sold with original Roth pegs that work as precision pegs, and a wel...

This quite rare piece is very old, comes with ancient strings, has multiple cracks in the sound, hasn't been tuned for an eternity and is in a gene...

Novalis: Heinrich von Ofterdingen. Roman Nachdem ein Reisender dem zwanzigjährigen Minnesänger Heinrich von Ofterdingen von den geheimnisvollen Schätzen der Ferne und von einer Wunderblume erzählt, träumt Heinrich von einer blauen Blume, die zum tiefsinnigen Symbol der zarten Sehnsucht der Romantik werden sollte. Fragment. Entstanden 1799–1800. Erstdruck des 1. Teils: Berlin (Reimer) 1802. Erstdruck des 2. Teils und von Tiecks Bericht in: Schriften, Berlin 1802. Textgrundlage ist die Ausgabe: Novalis: Schriften. Die Werke Friedrich von Hardenbergs. Herausgegeben von Paul Kluckhohn und Richard Samuel, Band 1: 3., nach den Handschriften ergänzte, erw. und verb. Auflage, Band 2–4: 2. nach den Handschriften ergänzte, erw. und verb. Auflage, Stuttgart: Kohlhammer, 1960–1977. Gesetzt aus der Minion Pro, 11 pt.

Ernst Heinrich Roth (1877 1948) was a German luthier and master of a large and successful violin-making workshop in the East German town of Markneu...

Offers information on the life of Heinrich Mèuller, the chief of the Gestapo, and his role in World War II.

The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one. The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas. Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

53 Briefe dokumentieren Bullingers Tatigkeit als Lehrer in der Klosterschule Kappel (1523-1529) und als Pfarrer in seiner Heimatstadt Bremgarten (1529-1531) sowie seinen Amtsantritt als Nachfolger Zwinglis in Zurich. Unter den Korrespondenten finden sich Zwingli, Leo Jud, Johannes Oekolampad, Berchtold Haller, Ambrosius Blarer u.a. Ulrich Gabler, Jahrgang 1941, wurde in Villach (Karnten) geboren und studierte in Wien und Zurich Theologie. Er lehrte ab 1973 Kirchengeschichte in Zurich, Amsterdam und Basel. Der Zurcher Reformator Heinrich Bullinger (1504-1575), Nachfolger Huldrych Zwinglis, gehort zu den bedeutenden historischen Personlichkeiten des 16. Jahrhunderts. Durch seine breitgefacherte schriftstellerische Tatigkeit ubte er grossen Einfluss aus und hat vielerorts zur Durchfuhrung oder Konsolidierung der Reformation beigetragen.

This is the first scholarly biography of Heinrich BrÜning, chancellor of Germany from 1930 to 1932, and the last politican with a real chance to prevent the Nazi seizure of power. This book analyzes BrÜning's cabinet's economic and fiscal policies for coping with the Great Depression, the diplomatic campaign to redress Germany's grievances against the Treaty of Versailles, and his thoughtful strategy for creating a broad anti-fascist political coalition. Finally it seeks to explain why President Hindenburg and his reactionary advisers decided to topple BrÜning, with disastrous consequences.