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Published in the new Methuen Classical Dramatists seriesWritten at the height of the Peloponnesian War, the three plays in this volume highlight the trivial causes and dire consequences of war and the fate of the innocent. In Andromache, Hektor's widow struggles to survive as the concubine of her husband's killer. Herakles' Children and Herakles show his two young families, without his powerful protection at the mercy of his enemies. Full of humanity and subtle characterisation, these new translations by Robert Cannon and Kenneth McLeish which are intended both for performer and student, Euripides is reaffirmed as a fresh and compelling dramatist.

Wily Odysseus. Bold Achilles. Brave Hektor. Beautiful Helen of Troy. For centuries, people around the world have been fascinated by these figures and their tragic war as recounted in Homer's Iliad, long admired and studied as one of the foremost epic poems of the ancient world. In The Iliad as Politics, Dean Hammer revisits this epic with a new perspective. In this first full-length treatment of the Iliad as a work of political thought, Hammer demonstrates how Homer's epic is also an ancient Greek discussion on political ethics. Hammer redefines political thought as the activity of addressing issues of collective identity and organization. Using this understanding of politics, he discusses how the characters in the Iliad, through their larger-than-life actions and interactions, embody community issues of authority, conflict, judgment, and the interrelationship between personal and collective identity. The characters' many quarrels, laments, reconciliations, and vows of loyalty and friendship all critically model the principles and controversies of underlying Greek political ethics of communal responsibility and relationship. Much of modern Western political thought focuses on classical Greek discussions of political philosophy. Hammer demonstrates that the Iliad constitutes another such ancient Greek political discussion.

Wily Odysseus. Bold Achilles. Brave Hektor. Beautiful Helen of Troy. For centuries, people around the world have been fascinated by these figures and their tragic war as recounted in Homer's Iliad, long admired and studied as one of the foremost epic poems of the ancient world. In The Iliad as Politics, Dean Hammer revisits this epic with a new perspective. In this first full-length treatment of the Iliad as a work of political thought, Hammer demonstrates how Homer's epic is also an ancient Greek discussion on political ethics. Hammer redefines political thought as the activity of addressing issues of collective identity and organization. Using this understanding of politics, he discusses how the characters in the Iliad, through their larger-than-life actions and interactions, embody community issues of authority, conflict, judgment, and the interrelationship between personal and collective identity. The characters' many quarrels, laments, reconciliations, and vows of loyalty and friendship all critically model the principles and controversies of underlying Greek political ethics of communal responsibility and relationship. Much of modern Western political thought focuses on classical Greek discussions of political philosophy. Hammer demonstrates that the Iliad constitutes another such ancient Greek political discussion.

Discusses Greek poetic traditions, analyzes the themes of the Iliad, and looks at the portrayal of Achilles, Hektor, and the gods.