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This fully illustrated, 352 page exhibition catalogue, edited by Huigen Leeflang and Ger Luijten, accompanied the first major retrospective devoted to the Netherlandish virtuoso Hendrick Goltzius-one of the most versatile and accomplished figures in the history of art. "Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings," an international loan exhibition of more than 160 works, spanned the artist's entire career and demonstrated his legendary mastery of a remarkably wide range of media, subject matter, and styles-from extravagantly complex mythological scenes in prints, to sensitively observed studies from nature, to sumptuously colored oil paintings on canvas and copper. Internationally acclaimed in his day as the leading artistic personality of the Netherlands, Goltzius's reputation was soon eclipsed by the achievements of the seventeenth-century painters of Holland's Golden Age. It is only in the last half-century that his pivotal importance as the supreme exponent of Netherlandish mannerism has been appreciated fully. It is less widely recognized that he was a pioneer in the rise of Dutch realism and classicism. Roughly half of the exhibition was devoted to Goltzius's important activities as printmaker, and included images such as the celebrated The Wedding of Cupid and Psyche, in which the mannerist love of artifice and exaggeration is most fully expressed. The group of sixty-nine drawings in the exhibition featured a number of his famous large-scale pen works-including the spectacular, seven-by-five-foot Venus, Ceres, and Bacchus-as well as postage-stamp-size portraits in metalpoint and some of the first realistic renderings of the Dutch landscape. The group of thirteen oil paintings-a medium Goltzius took up only late in his career-was the largest ever assembled, and included the magnificent Danaë, notable for its jewel-like colors and unabashed observation of the female nude.

High shaved block heel. Closed square toe. Semi-structured upper. Sits below knee. Tonal inner zipper closure. Closed heel counter. Synthetic upper, lining and outsole. Heel height 10cm. Size 6 is EU. 37. Girl, don't settle for ordinary boots - they aren't going to cut it this winter. Step up your style game and make a serious statement with the BILLINI Hendrick Boot. With a high shaved block heel and closed square toe, you can wear these beauties all day long! Whether you're off to work, on a night out, or just out and about, these boots will ensure that you have all eyes on you. 

Please note: Size selections are UK. For US conversions, please reference the size chart. Color/pattern: multicolor Approximately 113cm from shoulder to hem Please note: Size selections are UK. For US conversions, please reference the size chart. Center back zipper Shell: 97% cotton, 2% viscose /rayon, 1% metallized fiber cami slip: 100% cotton Machine wash Imported

Please note: Size selections are UK. For US conversions, please reference the size chart. Color/pattern: multicolor Approximately 113cm from shoulder to hem Please note: Size selections are UK. For US conversions, please reference the size chart. Center back zipper Shell: 97% cotton, 2% viscose /rayon, 1% metallized fiber cami slip: 100% cotton Machine wash Imported

Please note: Size selections are UK. For US conversions, please reference the size chart. Color/pattern: multicolor Approximately 113cm from shoulder to hem Please note: Size selections are UK. For US conversions, please reference the size chart. Center back zipper Shell: 97% cotton, 2% viscose /rayon, 1% metallized fiber cami slip: 100% cotton Machine wash Imported

Hendrick Avercamp (1585–1634) was the first artist to specialize in painting winter landscapes that feature people enjoying themselves on the ice. Scenes of skating, sleigh rides, and outdoor games on frozen canals and waterways bring to life the energetic pastimes and day-to-day bustle of the Golden Age. He made the “ice scene” a genre in its own right. Within these winter scenes there is also a social narrative: unencumbered by status, all classes formed one community on the ice, where they went about their daily business and celebrated the delights of the winter conditions.For the first time in many years this virtuoso artist receives the attention he deserves. The authors explore every aspect of Avercamp’s work, from the weather conditions prevalent at the time to details of the clothes worn by the figures in his crowded scenes. Avercamp was also an outstanding draftsman who made individual figure studies that he utilized not only in his painted work but also in compositional drawings.

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In September 1755, the most famous Indian in the world―a Mohawk leader known in English as King Hendrick―died in the Battle of Lake George. He was fighting the French in defense of British claims to North America, and his death marked the end of an era in Anglo-Iroquois relations. He was not the first Mohawk of that name to attract international attention. Half a century earlier, another Hendrick worked with powerful leaders in the frontier town of Albany. He cemented his transatlantic fame when he traveled to London as one of the “four Indian kings.”Until recently the two Hendricks were thought to be the same person. Eric Hinderaker sets the record straight, reconstructing the lives of these two men in a compelling narrative that reveals the complexities of the Anglo-Iroquois alliance, a cornerstone of Britain’s imperial vision. The two Hendricks became famous because, as Mohawks, they were members of the Iroquois confederacy and colonial leaders believed the Iroquois held the balance of power in the Northeast. As warriors, the two Hendricks aided Britain against the French; as Christians, they adopted the trappings of civility; as sachems, they stressed cooperation rather than bloody confrontation with New York and Great Britain.Yet the alliance was never more than a mixed blessing for the two Hendricks and the Iroquois. Hinderaker offers a poignant personal story that restores the lost individuality of the two Hendricks while illuminating the tumultuous imperial struggle for North America.

In September 1755, the most famous Indian in the world―a Mohawk leader known in English as King Hendrick―died in the Battle of Lake George. He was fighting the French in defense of British claims to North America, and his death marked the end of an era in Anglo-Iroquois relations. He was not the first Mohawk of that name to attract international attention. Half a century earlier, another Hendrick worked with powerful leaders in the frontier town of Albany. He cemented his transatlantic fame when he traveled to London as one of the “four Indian kings.”Until recently the two Hendricks were thought to be the same person. Eric Hinderaker sets the record straight, reconstructing the lives of these two men in a compelling narrative that reveals the complexities of the Anglo-Iroquois alliance, a cornerstone of Britain’s imperial vision. The two Hendricks became famous because, as Mohawks, they were members of the Iroquois confederacy and colonial leaders believed the Iroquois held the balance of power in the Northeast. As warriors, the two Hendricks aided Britain against the French; as Christians, they adopted the trappings of civility; as sachems, they stressed cooperation rather than bloody confrontation with New York and Great Britain.Yet the alliance was never more than a mixed blessing for the two Hendricks and the Iroquois. Hinderaker offers a poignant personal story that restores the lost individuality of the two Hendricks while illuminating the tumultuous imperial struggle for North America.

In September 1755, the most famous Indian in the world―a Mohawk leader known in English as King Hendrick―died in the Battle of Lake George. He was fighting the French in defense of British claims to North America, and his death marked the end of an era in Anglo-Iroquois relations. He was not the first Mohawk of that name to attract international attention. Half a century earlier, another Hendrick worked with powerful leaders in the frontier town of Albany. He cemented his transatlantic fame when he traveled to London as one of the “four Indian kings.”Until recently the two Hendricks were thought to be the same person. Eric Hinderaker sets the record straight, reconstructing the lives of these two men in a compelling narrative that reveals the complexities of the Anglo-Iroquois alliance, a cornerstone of Britain’s imperial vision. The two Hendricks became famous because, as Mohawks, they were members of the Iroquois confederacy and colonial leaders believed the Iroquois held the balance of power in the Northeast. As warriors, the two Hendricks aided Britain against the French; as Christians, they adopted the trappings of civility; as sachems, they stressed cooperation rather than bloody confrontation with New York and Great Britain.Yet the alliance was never more than a mixed blessing for the two Hendricks and the Iroquois. Hinderaker offers a poignant personal story that restores the lost individuality of the two Hendricks while illuminating the tumultuous imperial struggle for North America.

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(XVII, 2) 218 p. Bound in the publisher's burgundy cloth with pictorial dustjacket (Fine copy.)

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 2.04

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Paintings of plants and fruit by Barkley L. Hendricks, famed for his postmodern portraiture of Black AmericansThis first installment in Skira and Jack Shainman Gallery's five-volume publication project on Barkley L. Hendricks (1945–2017) presents for the first time the artist's works on paper. These images―of flowers and plants, bananas, a watermelon, more abstract imagery―sometimes contain puns, or sometimes suggest the inner mechanics of Hendricks's mind and process, but retain the minute attention he paid his subjects, whether human, vegetable, or mineral.Skira and Jack Shainman Gallery's five-volume publication project consists of four hardcover volumes, each providing an in-depth exploration of a corpus of works integral to the artist's output―works on paper, landscape paintings, basketball paintings and photography―in addition to a comprehensive 300-page overview. Each volume includes an essay by a leading international scholar.

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Barkley L. Hendricks: Birth of the Cool accompanies the first career retrospective of the renowned American artist Barkley L. Hendricks, curated by Trevor Schoonmaker at the Nasher Museum of Art at Duke University from February 7, 2008 through July 13, 2008. Hendricks was born in 1945 in Philadelphia. His unique work contains elements of both American realism and postmodernism, occupying a space between the portraitists Chuck Close and Alex Katz and the pioneering black conceptualists David Hammons and Adrian Piper. Hendricks is best known for his life-sized portraits of people of color from the urban northeast. His bold portrayal of his subject's attitude and style elevates the common person to celebrity status. Cool, empowering, and sometimes confrontational, Hendricks' artistic privileging of a culturally complex black body has paved the way for today's younger generation of artists.This richly illustrated book contains 100 color images of paintings created from 1964 to the present. It focuses primarily on the artist's full-figure portraits, as well as lesser known early works and the artist's more recent portal-like landscape paintings. The catalog includes the most comprehensive biography and bibliography on Hendricks to date, a timeline of the artist's life, and an interview with the artist by Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem. It also includes essays by Barkley L. Hendricks, Duke University art historian Richard J. Powell, exhibition curator Trevor Schoonmaker, and Franklin Sirmans, Curator of Modern and Contemporary Art at the Menil Collection.Publication of the Nasher Museum of Art at Duke University

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Barkley L. Hendricks: Birth of the Cool accompanies the first career retrospective of the renowned American artist Barkley L. Hendricks. Hendricks was born in 1945 in Philadelphia. His unique work contains elements of both American realism and postmodernism, occupying a space between the portraitists Chuck Close and Alex Katz and the pioneering black conceptualists David Hammons and Adrian Piper. Hendricks is best known for his life-sized portraits of people of color from the urban northeast. His bold portrayal of his subject's attitude and style elevates the common person to celebrity status. Cool, empowering, and sometimes confrontational, Hendricks' artistic privileging of a culturally complex black body has paved the way for today's younger generation of artists. This richly illustrated book contains 100 color images of paintings created from 1964 to the present. It focuses primarily on the artist’s full-figure portraits, as well as lesser known early works and the artist's more recent portal-like landscape paintings. The catalog includes the most comprehensive bibliography on Hendricks to date, a timeline of the artist's life, and an interview with the artist by Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem. It also includes essays by Barkley L. Hendricks, Duke University art historian Richard J. Powell, exhibition curator Trevor Schoonmaker, and Franklin Sirmans, Curator of Modern and Contemporary Art at the Menil Collection. Publication of the Nasher Museum of Art at Duke University

You may find Hardrock and Faye Hendricks anywhere in the United States, Mexico, Canada, and Alaska. If you do, stop in to say "Hi." They've learned how to travel, and in this book Faye has captured the real excitement and treasures to be fond in their kind of life. If you think you'd like to travel the open road, moving as the seasons and events may prompt you, read this book. Faye and Hardrock tell it like it is as they share many experiences with you.