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Kissen Lush Lipstick Crayon 2,7g Anna-Maria

For a remarkable look, add the Anna earrings to your collection. These eye catching earrings feature Swarovski pear crystals and black faceted stones set together in an elaborately designed drop. These earrings are a perfect way to show off your unique style. DETAILS Agate faceted beads Crystal rondelles Crystal pear shape pendants Gold plated square earrings posts COLOURS Black Gold Please note that jewellery requires delicate handling. Keep each piece in its own box, to avoid scratching and wear out. Clean it with a soft cloth. Avoid contact with perfumes, soap, creams, sea or pool water or any other chemicals.

Hermes swim briefs with the designer's new "Engraving" pattern, is all about luxury, comfort and style. Made using the house’s signature knit technique, the knit swim briefs fitted with an elasticated waistband and is ready for a dive in the blue waters. Stylish and eye catcher ready for unforgettable holidays. Hand Wash Only To get the best from your Hermes swim brief, we advise that you hand wash it. Lotion, sunscreen, oil and chlorine can cause discolouration of this item; this is not a manufacturing defect. Please follow care instructions to keep your swimwear in the best condition Can be worn in chlorinated or salt water Takes longer to dry than regular swimsuit Material 70% Cotton, 30% Polyester; lining: 90% polyester, 10% elastane

(Anna Maria Taigi 1769 - 1837) St. Alphonsus writes: “a single bad book will be sufficient to cause the destruction of a monastery.” Pope Pius XII wrote in 1947 at the beatification of Blessed Maria Goretti: “There rises to Our lips the cry of the Saviour: 'Woe to the world because of scandals!' (Matthew 18:7).  Woe to those who consciously and deliberately spread corruption-in novels, newspapers, magazines, theaters, films, in a world of immodesty!” We at St. Pius X Press are calling for a crusade of good books. We want to restore 1,000 old Catholic books to the market. We ask for your assistance and prayers. This book is a photographic reprint of the original. The original has been inspected and many imperfections in the existing copy have been corrected. At Saint Pius X Press our goal is to remain faithful to the original in both photographic reproductions and in textual reproductions that are reprinted. Photographic reproductions are given a page by page inspection, whereas textual reproductions are proofread to correct any errors in reproduction.

SIGNED BY AUTHOR. Limited first edition. A delightful children's book for all ages. The wonders of the island are illustrated in soft water colors. The rhyming text is an homage to the 1947 "Goodnight Moon". The creator is an islander who has drawn inspiration from observing the thousands of children who visit Anna Maria such as a young boy who asked his grandfather if he could play at the beach rather than return to Disney World! A subtle ecological message is woven through this island story. Within these forty pages, you will find fun, education, and a great conversation starter among those who share it.

In this compelling study of two seventeenth-century female mystics, Bo Karen Lee examines the writings of Anna Maria van Schurman and Madame Jeanne Guyon, who, despite different religious formations, came to similar conclusions about the experience of God in contemplative prayer. Van Schurman was born into a Dutch Calvinist family and became a superb scriptural commentator before undergoing a dramatic religious conversion and joining the Labadist community, a Pietistic movement. Guyon was a French layperson whose thought would be identified with Quietism―a spiritual path that was looked upon with suspicion both by the French Catholic Church and by Rome. Lee analyzes and compares the themes of self-denial and self-annihilation in the writings of these two mystics. In van Schurman's case, the focus is on the distinction between scholastic knowledge of God and the intima notitia Dei accessible only by radical self-denial. In Guyon's case, it is on the union with God that is accessible only through a painful self-annihilation. For both authors, Lee demonstrates that the desire for enjoyment of God plays an important role as the engine of the soul's progress away from self-centeredness. The appendices offer facing Latin and English translations of two letters by van Schurman and a selection from her Eukleria.

Working within the censorious dictatorship of 1970s and ’80s Brazil, Italian-born Anna Maria Maiolino (born 1942), who moved to Brazil in her late teens, has produced works steeped in defiant political energy. Maiolino was a colleague of artists such as Lygia Clark and Hélio Oiticica, and later was affiliated to American conceptualism. Accordingly, she has embraced diverse mediums and genres, from clay and ink to video, installation and performance; also, she often incorporates aspects of Brazilian folk culture. Catherine de Zegher and Griselda Pollock have numbered among her champions.At 370 pages, Anna Maria Maiolino: O Amor Se Faz Revolucionário is the most substantial study of this important artist yet published. Featuring a die-cut cover and tipped-on cover image, it charts the rich variety of Maiolino’s work as it navigates a path through Brazilian art history and many of the major postwar movements, a path made decidedly personal through Maiolino’s experiences as a migrant, mother and global citizen.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

SIGNED BY AUTHOR. Limited first edition. A delightful children's book for all ages. The wonders of the island are illustrated in soft water colors. The rhyming text is an homage to the 1947 "Goodnight Moon". The creator is an islander who has drawn inspiration from observing the thousands of children who visit Anna Maria such as a young boy who asked his grandfather if he could play at the beach rather than return to Disney World! A subtle ecological message is woven through this island story. Within these forty pages, you will find fun, education, and a great conversation starter among those who share it.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

After years of obscurity, Anna Maria Ortese (1914–1998) is emerging as one of the most important Italian authors of the twentieth-century, taking her place alongside such luminaries as Italo Calvino, Primo Levi, and Elsa Morante. Anna Maria Ortese: Celestial Geographies features a selection of essays by established Ortese scholars that trace her remarkable creative trajectory.Bringing a wide range of critical perspectives to Ortese’s work, the contributors to this collection map the author’s complex textual geography, with its overlapping literary genres, forms, and conceptual categories, and the rhetorical and narrative strategies that pervade Ortese’s many types of writing. The essays are complemented by material translated here for the first time: Ortese’s unpublished letters to her mentor, the writer Massimo Bontempelli; and an extended interview with Ortese by fellow Italian novelist Dacia Maraini.

Book is in NEW condition. 1.09

By the time she was 12, she was considered one of the finest pianists in Europe, but today few people know her name. Maria Mozart, like her famous brother Wolfgang, was a musical prodigy. The talented siblings toured Europe, playing before kings and empresses, were showered with gifts and favors, and lived in a whirlwind life of music and travel. They were best friends, collaborators, and confidantes. As they grew older, Wolfgang was encouraged to pursue his musical ambitions, while Maria was told she must stop performing and, ultimately, marry. But she was determined to continue playing the piano every day, for the love of music . . . .

A dream fantasy of two children reflexing on a day well spend on Anna Maria Island.

(Anna Maria Taigi 1769 - 1837) St. Alphonsus writes: “a single bad book will be sufficient to cause the destruction of a monastery.” Pope Pius XII wrote in 1947 at the beatification of Blessed Maria Goretti: “There rises to Our lips the cry of the Saviour: 'Woe to the world because of scandals!' (Matthew 18:7).  Woe to those who consciously and deliberately spread corruption-in novels, newspapers, magazines, theaters, films, in a world of immodesty!” We at St. Pius X Press are calling for a crusade of good books. We want to restore 1,000 old Catholic books to the market. We ask for your assistance and prayers. This book is a photographic reprint of the original. The original has been inspected and many imperfections in the existing copy have been corrected. At Saint Pius X Press our goal is to remain faithful to the original in both photographic reproductions and in textual reproductions that are reprinted. Photographic reproductions are given a page by page inspection, whereas textual reproductions are proofread to correct any errors in reproduction.

This book, by leading scholars, represents some of the main work in progress in biolinguistics. It offers fresh perspectives on language evolution and variation, new developments in theoretical linguistics, and insights on the relations between variation in language and variation in biology. The authors address the Darwinian questions on the origin and evolution of language from a minimalist perspective, and provide elegant solutions to the evolutionary gap between human language and communication in all other organisms. They consider language variation in the context of current biological approaches to species diversity -- the "evo-devo revolution" -- which bring to light deep homologies between organisms. In dispensing with the classical notion of syntactic parameters, the authors argue that language variation, like biodiversity, is the result of experience and thus not a part of the language faculty in the narrow sense. They also examine the nature of this core language faculty, the primary categories with which it is concerned, the operations it performs, the syntactic constraints it poses on semantic interpretation and the role of phases in bridging the gap between brain and syntax. Written in language accessible to a wide audience, The Biolinguistic Enterprise will appeal to scholars and students of linguistics, cognitive science, biology, and natural language processing.

Accompanying the first major American museum retrospective of Anna Maria Maiolino’s work, this book surveys a prodigious career that has spanned numerous decades, genres, and themes. Born in Calabria, Italy, in 1942, Anna Maria Maiolino is one of the leading artists of her generation. Her work reflects the major cultural and political realities of postwar Europe and South America as well as issues of patriarchy, feminism, and immigration. This book presents her prints, drawings, sculpture, photography, video, and performance pieces. From her early woodcuts, which spoke directly to the tense political atmosphere of her adopted country of Brazil, to her introspective works on paper—every aspect of Maiolino’s incredibly diverse and accomplished career is presented in exquisite illustrations and with a series of informed and provocative essays.

New 2015 release! Limited First Edition. Over one hundred fresh images of the new top US island destination. History and overview as well. Awesome high quality coffee table book sprinkled with panoramas and overflowing with the beauty of this pristine Florida treasure. Author has included many award-winning nature images of the hemisphere's fascinating birds that nest on the island. Also, images of the shells found on the beaches are identified. The authors has captioned the beauty and charm of Anna Maria where time moves slowly and "doing nothing is enough". This book is a wonderful remembrance if you have travelled here and a delicious invitation to visit, if you haven't. Florida's #1 wedding destination is covered as well. Many of the island homes are presented in the soft pastel hues of this paradise.

Working within the censorious dictatorship of 1970s and ’80s Brazil, Italian-born Anna Maria Maiolino (born 1942), who moved to Brazil in her late teens, has produced works steeped in defiant political energy. Maiolino was a colleague of artists such as Lygia Clark and Hélio Oiticica, and later was affiliated to American conceptualism. Accordingly, she has embraced diverse mediums and genres, from clay and ink to video, installation and performance; also, she often incorporates aspects of Brazilian folk culture. Catherine de Zegher and Griselda Pollock have numbered among her champions.At 370 pages, Anna Maria Maiolino: O Amor Se Faz Revolucionário is the most substantial study of this important artist yet published. Featuring a die-cut cover and tipped-on cover image, it charts the rich variety of Maiolino’s work as it navigates a path through Brazilian art history and many of the major postwar movements, a path made decidedly personal through Maiolino’s experiences as a migrant, mother and global citizen.

Anna Maria Island was once inhabited by Native Americans, but as the beauty became known to its first homesteader, George L. Bean, the island's destiny was to be a beacon to paradise. In spite of mangrove forests and throngs of mosquitoes, people came by boat to enjoy the white sand beaches and the turquoise waters of the Gulf of Mexico, with their cool onshore breezes and blazing sunsets. The Islander newspaper of the 1950s heralded, "Where life is good and the fishing is great." Anglers came from afar to test their skills against tarpon, the world's greatest game fish, and to hunt goliath grouper in the depths of Tampa Bay. Two modern bridges connected the island to the mainland in 1957, and with that the seven-mile-long island was on its way to becoming the jewel of Manatee County.