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Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony]...and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the Enûma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucian, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse.

Standing at the very beginning of European literature, the poems and verse fragments that have come down to us under Hesiod’s name tap the vast reservoir of oral tradition constituting Greek wisdom about the ways of gods and men.  The Theogony tells of the origins of the gods and the universe, and so of the world-order we know, while the Works and Days offers the first picture of the society and economy of archaic rural Greece.Robert Lamberton provides here an accessible introduction to these works of Hesiod.  He discusses the historical background of the poems and the problems of accurately dating them, analyzes the major and subsidiary works, and concludes by tracing the influence of Hesiodic poetry on later Greek and Roman poetry and on Western European literature until after the Renaissance.  Throughout, Lamberton restores a sense of the poetry of Hesiod in all the richness of its contradictions.  He shows that this body of poetry, which sings of the creation of the universe and the generations of the gods, insists on doing so from the perspective of the humblest of men―a wretched shepherd whom the Muses initiated on Mount Helikon.  The poetry speaks through this idiosyncratic, ironic, self-conscious voice, appropriating proverbial wisdom that is clearly the possession of a tradition rather than any individual and transforming it into a discourse that is as much an account of poetry as it is an account of the world.“An important and definitive book.  Lamberton combines the sophistication of cultural anthropology with a refined sense for the mechanics and aesthetics of archaic Greek literature and gives Hesiod a fresh and original reading.”―Gregory Nagy, Harvard University

This volume, which completes the new Loeb Classical Library edition of Hesiod, contains The Shield and extant fragments of other poems, including the Catalogue of Women, that were attributed to Hesiod in antiquity. None of these is now thought to be by Hesiod himself, but all have considerable literary and historical interest. The Catalogue of Women is a systematic presentation in five books of a large number of Greek legendary heroes and episodes, organized according to the genealogy of the heroes' mortal mothers. The Shield provides a Hesiodic counterpoint to the shield of Achilles in the Iliad, with Heracles as the protagonist. The volume concludes with a comprehensive index to the complete edition.

Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony]...and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the Enûma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucian, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse.

Hesiod belongs to the transitional period in Greek civilization between the oral tradition and the introduction of a written alphabet. His two major surviving works, the Theogony and the Works and Days, address the divine and the mundane, respectively. The Theogony traces the origins of the Greek gods and recounts the events surrounding the crowning of Zeus as their king. A manual of moral instruction in verse, the Works and Days was addressed to farmers and peasants.Introducing his celebrated translations of these two poems and of the Shield, a very ancient poem of disputed authorship, Apostolos Athanassakis positions Hesiod simultaneously as a philosopher-poet, a bard with deep roots in the culture of his native Boeotia, and the heir to a long tradition of Hellenic poetry. For this eagerly anticipated revised edition, Athanassakis has provided an expanded introduction on Hesiod and his work, subtly amended his faithful translations, significantly augmented the notes and index, and updated the bibliography. Already a classic, Hesiod: Theogony, Works and Days, Shield is now more valuable than ever for students of Greek mythology and literature.

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This invaluable new edition incorporates additional fragments contained in the appendix of the second edition, and includes some further discoveries, recent research on the relative placing of certain papyrus fragments, and an updated index of names.

Hesiod belongs to the transitional period in Greek civilization.

This volume, which completes the new Loeb Classical Library edition of Hesiod, contains The Shield and extant fragments of other poems, including the Catalogue of Women, that were attributed to Hesiod in antiquity. None of these is now thought to be by Hesiod himself, but all have considerable literary and historical interest. The Catalogue of Women is a systematic presentation in five books of a large number of Greek legendary heroes and episodes, organized according to the genealogy of the heroes' mortal mothers. The Shield provides a Hesiodic counterpoint to the shield of Achilles in the Iliad, with Heracles as the protagonist. The volume concludes with a comprehensive index to the complete edition.

The eighth-century B.C. Greek poet's account of the beginnings of the divine, physical, and human worlds and the birth of the Titans and the Olympian gods

Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception.In Theogony Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

Hesiod (Hesiodus), an epic poet apparently of the eighth century BC, was born in Asia Minor but moved to Boeotia in central Greece. He was regarded by later Greeks as a contemporary of Homer. Three works survive under Hesiod's name: (1) "Works and Days," addressed to his brother. In it he gives us the allegories of the two Strifes, and the myth of Pandora; stresses that every man must work; describes the accepted Five Ages of the world; delivers moral advice; surveys in splendid style a year's work on a farm; gives precepts on navigation; and propounds lucky and unlucky days. (2) "Theogony," a religious work about the rise of the gods and the universe from Chaos to the triumph of Zeus, and about the progeny of Zeus and of goddesses in union with mortal men. (3) "The Shield" (not by Hesiod), an extract from a "Catalogue of Women," the subject being Alcmena and her son Heracles and his contest with Cycnus, with a description of Heracles' shield. All three works are of great literary interest.

Epic poems by one who has been called the first Greek philosopher and theologian

Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception.In Theogony Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

This selection is aimed at those coming to Hesiod's works for the first time. It includes the Greek text of Theogony 1-232, 453-733 and Works and Days 1-307, along withintroduction and commentary.

This selection is aimed at those coming to Hesiod's works for the first time. It includes the Greek text of Theogony 1-232, 453-733 and Works and Days 1-307, along withintroduction and commentary.

This book investigates the history of the ancient Greek tradition of oral epic poetry which culminated in the Iliad and Odyssey. These masterpieces did not exhaust the tradition, and poems were composed in the same style for several generations afterwards. One group of such poems is the 'Homeric Hymns', ascribed to Homer in antiquity. In fact the origins of these Hymns are as mysterious as those of the Homeric epics themselves with little external evidence to assist. This book will be of interest to scholars concerned with Greek philology and dialects, Homeric epic and Greek literature of the Archaic period. It should also find readers amongst specialists in other oral poetries and those using computers in the Humanities.

This book investigates the history of the ancient Greek tradition of oral epic poetry which culminated in the Iliad and Odyssey. These masterpieces did not exhaust the tradition, and poems were composed in the same style for several generations afterwards. One group of such poems is the 'Homeric Hymns', ascribed to Homer in antiquity. In fact the origins of these Hymns are as mysterious as those of the Homeric epics themselves with little external evidence to assist. This book will be of interest to scholars concerned with Greek philology and dialects, Homeric epic and Greek literature of the Archaic period. It should also find readers amongst specialists in other oral poetries and those using computers in the Humanities.

Shipped from UK, please allow 10 to 21 business days for arrival. The language of Hesiod in its traditional context, hardcover, A good, clean & sound copy. Lacks d/w.

This volume brings together 29 junior and senior scholars to discuss aspects of Hesiod's poetry and its milieu and to explore questions of reception over two and half millennia from shortly after the poems' conception to Twitter hashtags. Rather than an exhaustive study of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod's stories of the gods and moralizing proscriptions of just human behavior.The volume opens with the "Hesiodic Question," to address questions of authorship, historicity, and the nature of composition of Hesiod's two major poems, the Theogony and Works and Days. Subsequent chapters on the archaeology and economic history of archaic Boiotia, Indo-European poetics, and Hesiodic style offer a critical picture of the sorts of questions that have been asked rather than an attempt to resolve debate. Other chapters discuss Hesiod's particular rendering of the supernatural and the performative nature of the Works and Days, as well as competing diachronic and synchronic temporalities and varying portrayals of female in the two poems. The rich story of reception ranges from Solon to comic books. These chapters continue to explore the nature of Hesiod's poetics, as different writers through time single out new aspects of his art less evident to earlier readers. Long before the advent of Christianity, classical writers leveled their criticism at Hesiod's version of polytheism. The relative importance of Hesiod's two major poems across time also tells us a tale of the age receiving the poems. In the past two centuries, artists and writers have come to embrace the Hesiodic stories for themselves for the insight they offer of the human condition but even as old allegory looks quaint to modern eyes new forms of allegory take form.