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A colleague's murder embroils Charles Bradshaw in literary mystery as a poem written in iambic pentameter provides a clue to a series of mysterious deaths, a poet-thief stalks the Bentley Hotel, and he poses as a poet to find the culprit harrassing a pompous literary critic

The Poetria nova, written by the Englishman Geoffrey of Vinsauf shortly after 1200, was the most influential medieval treatise on rhetorical poetics. Modeled on Horace's Ars poetica, it is an art of poetry (and prose) in 2121 hexameter verses. With its updated scholarship and improved format, this revised edition is a valuable resource for anyone interested in medieval literature or the history of rhetoric and writing instruction.

Theurgy is commonly taken to denote a complex of rites which are based on the so-called Chaldean Oracles, a collection of oracles in hexameters, which were probably composed during the late 2nd century AD. These rituals are mostly known through Neoplatonic sources, who engage in a passionate debate about their relevance to the salvation of the soul and thus to the philosopher's ultimate goal. Ilinca Tanaseanu-Dobler examines the development of the discourse on theurgy, attempting to reconstruct what was understood as theurgic ritual in the late antique sources. Withstanding the temptation to impose a unity on the disparate sources which span several centuries, she thus goes beyond the picture of a coherent, extra-philosophical tradition drawn by the Neoplatonists to sketch the variations in the rituals subsumed under 'theurgy' and their function, and shows how every author constructs his own 'theurgy'. This perspective leads to consider theurgy as an example of an 'artificial' ritual tradition, composed from already existing elements to create something claimed as sui generis. Theurgy offers the great opportunity to look at such a tradition from its beginning up to its end and to analyse the mechanisms of inventing and reinventing such a ritual tradition in process.

Architrenius, a satirical allegory in dactylic hexameters completed in 1184 by the Norman poet Johannes de Hauvilla, follows the journey of its eponymous protagonist, the “arch-weeper,” who stands in for an emerging class of educated professionals tempted by money and social standing. Architrenius’s quest for moral instruction leads through vivid tableaux of the vices of school, court, and church, from the House of Gluttony to the Palace of Ambition to the Mount of Presumption. Despite the allegorical nature of Architrenius, its focus is not primarily religious. Johannes de Hauvilla, who taught at an important cathedral school, probably Rouen, uses his stylistic virtuosity and the many resources of Latin poetry to condemn a secular world where wealth and preferment were all-consuming. His highly topical satire anticipates the comic visions of Jean de Meun, Boccaccio, and Chaucer.This edition of Architrenius brings together the most authoritative Latin text with a new English translation of an important medieval poem.

Set in the final days of the Trojan War, Homer’s poem recounts a formative moment in not only Greek culture, but in that of the West as a whole. W.C. Bryant’s verse translation has been acclaimed for over a century, rendering Homer’s hexameter into the epic metre of our own “manly and flexible tongue”. In Bryant’s sublime blank verse, Homer’s winged words take flight, never surpassed but in the Greek for grace and power.In his foreword, Ricardo Duchesne makes clear that Iliad is something more than an expression of a generic “human condition”—it is an expression of a distinctly and uniquely Indo-European aristocratic warrior ethos. Moreover, as he shows, Homer’s poem represents a watershed moment in the emergence of consciousness itself, laying the foundation for the astonishing cultural efflorescence of classical Greece.As part of Imperium Press’ Western Canon series, this definitive edition offers supplementary material placing this work at the centre of our aesthetic, intellectual, and spiritual life—where it belongs. This edition of Iliad includes a map, genealogies, a full glossary of every name in the text, and a bibliography with a view to traditionalist readings.

Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin’s acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record.Among topics analyzed in depth are the narrative structures of Homer’s epics, the Hesiodic Works and Days, and the Homeric Hymn to Apollo; the characterization of poetic and musical performers within the poems; the social context for verses ascribed to the legendary singer Orpheus; the significance of various rituals as stylized by poetic performances; and the interrelations, at the level of diction and theme, among the major genres of epic and hymn, as well as "genres of speaking" such as lament, praise, advice, and proverbial wisdom.

Published in Cambridge in 1864, H. A. J. Munro's two-volume critical edition of the Roman poet Lucretius' De Rerum Natura ('On the Nature of the Universe'), represents one of the finest contributions to classical scholarship of the nineteenth century. Lucretius' didactic poem, written in hexameters, is divided into six books and explains Epicurean cosmology. Munro's edition was conceived in response to that of the German philologist Karl Lachmann, who had published an edition of Lucretius in 1850. Munro began working on Lucretius in 1849 at which time he collated a range of manuscripts from European libraries. His first edition of the poem appeared in 1860. This revised edition followed in 1864 complete with an introduction, translation, and commentary. The first volume contains all six books of Lucretius' poem in Latin with an English translation.

One of the most important Presocratic philosophers was the Sicilian Empedocles.  He presented his work in the form of two hexameter poems, of which about 450 lines are extant, revealing a formidable range of interests, acute observation, and a firm grasp of fundamental issues in the study of man and nature.Empedocles’ theory of four elements was crucial to later developments in science and medicine.  He showed how forces of attraction and repulsion acted on the elements within a framework of cyclical time and limited space, and initiated or advanced major discoveries in astronomy, biology, and physiology.  More sophisticated concepts of divinity, personality, and mortality replaced traditional mythology, and these concepts were founded on the conviction that the individual has control over his own character and intellectual growth.The introduction discusses Empedocles’ life and interests, the content of the Physics and Katharmoi, and the relation of the two poems to each other.  A new Greek text with apparatus is followed by translation, commentary, and detailed concordance, to give a comprehensive edition of this key figure in the history of ideas.“With its careful and judicious editing of the fragments and its many fresh insights into Empedocles’ thought, this work will be indispensable to students of Presocratic philosophy.”―Alexander P.D. Mourelatos

Juvencus’ Evangeliorum libri IV, or "The Four Books of the Gospels," is a verse rendering of the gospel narrative written ca. 330 CE. Consisting of around 3200 hexameter lines, it is the first of the Latin "Biblical epics" to appear in antiquity, and the first classicizing, hexameter poem on a Christian topic to appear in the western tradition. As such, it is an important text in literary and cultural history. This is the first English translation of the entire poem. The lack of a full English translation has kept many scholars and students, particularly those outside of Classics, and many educated general readers from discovering it. With a thorough introduction to aid in the interpretation and appreciation of the text this clear and accessible English translation will enable a clearer understanding of the importance of Juvencus’ work to later Latin poetry and to the early Church.

Lucretius (Titus Lucretius Carus) lived ca. 99–ca. 55 BCE, but the details of his career are unknown. He is the author of the great didactic poem in hexameters, De Rerum Natura (On the Nature of Things). In six books compounded of solid reasoning, brilliant imagination, and noble poetry, he expounds the scientific theories of the Greek philosopher Epicurus, with the aim of dispelling fear of the gods and fear of death and so enabling man to attain peace of mind and happiness.In Book 1 he establishes the general principles of the atomic system, refutes the views of rival physicists, and proves the infinity of the universe and of its two ultimate constituents, matter and void. In Book 2 he explains atomic movement, the variety of atomic shapes, and argues that the atoms lack colour, sensation, and other secondary qualities. In Book 3 he expounds the nature and composition of mind and spirit, proves their mortality, and argues that there is nothing to fear in death. Book 4 explains the nature of sensation and thought, and ends with an impressive account of sexual love. Book 5 describes the nature and formation of our world, astronomical phenomena, the beginnings of life on earth, and the development of civilization. In Book 6 the poet explains various atmospheric and terrestrial phenomena, including thunder, lightning, earthquakes, volcanoes, the magnet, and plagues.The work is distinguished by the fervour and poetry of the author.

Lucretius (Titus Lucretius Carus) lived ca. 99–ca. 55 BCE, but the details of his career are unknown. He is the author of the great didactic poem in hexameters, De Rerum Natura (On the Nature of Things). In six books compounded of solid reasoning, brilliant imagination, and noble poetry, he expounds the scientific theories of the Greek philosopher Epicurus, with the aim of dispelling fear of the gods and fear of death and so enabling man to attain peace of mind and happiness.In Book 1 he establishes the general principles of the atomic system, refutes the views of rival physicists, and proves the infinity of the universe and of its two ultimate constituents, matter and void. In Book 2 he explains atomic movement, the variety of atomic shapes, and argues that the atoms lack colour, sensation, and other secondary qualities. In Book 3 he expounds the nature and composition of mind and spirit, proves their mortality, and argues that there is nothing to fear in death. Book 4 explains the nature of sensation and thought, and ends with an impressive account of sexual love. Book 5 describes the nature and formation of our world, astronomical phenomena, the beginnings of life on earth, and the development of civilization. In Book 6 the poet explains various atmospheric and terrestrial phenomena, including thunder, lightning, earthquakes, volcanoes, the magnet, and plagues.The work is distinguished by the fervour and poetry of the author.

Architrenius, a satirical allegory in dactylic hexameters completed in 1184 by the Norman poet Johannes de Hauvilla, follows the journey of its eponymous protagonist, the “arch-weeper,” who stands in for an emerging class of educated professionals tempted by money and social standing. Architrenius’s quest for moral instruction leads through vivid tableaux of the vices of school, court, and church, from the House of Gluttony to the Palace of Ambition to the Mount of Presumption. Despite the allegorical nature of Architrenius, its focus is not primarily religious. Johannes de Hauvilla, who taught at an important cathedral school, probably Rouen, uses his stylistic virtuosity and the many resources of Latin poetry to condemn a secular world where wealth and preferment were all-consuming. His highly topical satire anticipates the comic visions of Jean de Meun, Boccaccio, and Chaucer.This edition of Architrenius brings together the most authoritative Latin text with a new English translation of an important medieval poem.

Angelo Poliziano (1454-1494) was one of the great scholar-poets of the Renaissance and a leading figure in the circle of Lorenzo de'Medici "il Magnifico" in Florence. His "Silvae" are poetical introductions to his courses in literature at the University of Florence, written in Latin hexameters. They not only contain some of the finest Latin poetry of the Renaissance, but also afford unique insight into the poetical credo of a brilliant scholar as he considers the works of his Greek and Latin predecessors as well as of his contemporaries writing in Italian.

A berserk elephant gunned down in the heart of London, a machine for composing Latin hexameters, and the original rock band (1841)―these are but three of the sights that London curiosity–seekers from every walk of life paid to see from the Elizabethan era to the mid–Victorian period. Examining hundreds of the wonderfully varied exhibitions that culminated in the Crystal Palace of 1851, this generously illustrated book sheds light on a vast and colorful expanse of English social history that has thus far remained wholly unsurveyed.Drawing on a wealth of never-before-used information, Mr. Altick traces London exhibitions as they evolved from the display of relics in pre-Reformation churches, through the collections of eighteenth-century virtuosi, to the first science museums and public art galleries. He also narrates for the first time the history of the panorama and diorama as an influential genre of nineteenth-century popular art. At every point, the London shows are linked to the prevailing intellectual atmosphere and to trends in public taste.The material is fresh and fascinating; the range--from freaks to popular science, from the funeral effigies at Westminster Abbey to Madame Tussaud's waxworks--impressive. Like the exhibitions that best served the Victorian ideal of mass culture, The Shows of London is both entertaining and informative.

Part I continues publication of the New Testament papyri from Oxyrhynchus, with fragments from two codices of Corinthians. Part II offers otherwise unknown hexameter poetry, much of it on traditional mythological subjects; the most substantial fragment, 4850, combines Homeric language and pathetic rhetoric in a way typical of Late Epic. Part III contains substantial fragments of two rhetoric handbooks. All but two of the thirty-five documentary texts in Part IV relate to giro transfers of private grain-stocks within and between state granaries. The papyri in Part V relate mostly to the fourth and fifth centuries and are chosen for their contribution to the chronology of consulates and post-consulates and include matters on civil and military bearing.

The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War. --Wikipedia

Published in Cambridge in 1864, H. A. J. Munro's two-volume critical edition of the Roman poet Lucretius' De Rerum Natura ('On the Nature of the Universe'), represents one of the finest contributions to classical scholarship of the nineteenth century. Lucretius' didactic poem, written in hexameters, is divided into six books and explains Epicurean cosmology. Munro's edition was conceived in response to that of the German philologist Karl Lachmann, who had published an edition of Lucretius in 1850. Munro began working on Lucretius in 1849 at which time he collated a range of manuscripts from European libraries. His first edition of the poem appeared in 1860. This revised edition followed in 1864 complete with an introduction, translation, and commentary. Volume 2 contains Munro's explanatory notes and the index.

The Catalogue of Women, ascribed to Hesiod, one of the greatest figures of early hexameter poetry, maps the Greek world, its evolution and its heroic myths through the mortal women who bore children to the gods. In this collection a team of international scholars offers an attempt to explore the poem's meaning, significance and reception. Individual chapters examine the organization and structure of the poem, its social and political context, its relation to other early epic and Hesiodic poetry, its place in the development of a pan-Hellenic consciousness, and attitudes to women. The wider influence of the Catalogue is considered in chapters on Pindar and the lyric tradition, on Hellenistic poetry, and on the poem's reception at Rome. This collection provides a significant approach to the study of the Catalogue.

THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION Juvenal, Decimus Iunius Iuvenalis (ca. AD 60–140), master of satirical hexameter poetry, was born at Aquinum. He used his powers in the composition first of scathing satires on Roman life, with special reference to ineptitude in poetry (Satire 1); vices of fake philosophers (2); grievances of the worthy poor (3); and of clients (5); a council-meeting under Emperor Domitian (4); vicious women (6); prospects of letters and learning under a new emperor (7); virtue not birth as giving nobility (8); and the vice of homosexuals (9). Then subjects and tone change: we have the true object of prayer (10); spendthrift and frugal eating (11); a friend's escape from shipwreck; will-hunters (12); guilty conscience and desire for revenge (13); parents as examples (14); cannibalism in Egypt (15); privileges of soldiers (16, unfinished). Persius Flaccus, Aulus (AD 34–62), of Volaterrae was of equestrian rank; he went to Rome and was trained in grammar, rhetoric, and Stoic philosophy. In company with his mother, sister and aunt, and enjoying the friendship of Lucan and other famous people, he lived a sober life. He left six Satires in hexameters: after a prologue (in scazon metre) we have a Satire on the corruption of literature and morals (1); foolish methods of prayer (2); deliberately wrong living and lack of philosophy (3); the well-born insincere politician, and some of our own weaknesses (4); praise of Cornutus the Stoic; servility of men (5); and a chatty poem addressed to the poet Bassus (6).

The Iliad (or Song of Ilion) is an epic poem in dactylic hexameters, traditionally attributed to Homer. Set in the Trojan War, the ten-year siege of Ilium by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege. Along with the Odyssey, also attributed to Homer, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the eighth century BC.[1] The Iliad contains over 25,000 lines, and is written in a literary amalgam of several Greek dialects.