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Excerpt from The Marches of Hindustan, the Record of a Journey in Thibet, Trans-Himalayan India, Chinese Turkestan, Russian Turkestan and PersiaIt is vital to our Empire to keep India. We can keep it if our people realise its importance, and are willing to make the efi'ort. To this end it is necessary that the subject should be discussed and understood, not only by politicians and administrators, but by those who have the ultimate voice in the government of the State. It is into this discussion that I humbly venture to intrude an account of my journey in Central Asia. To the student of aflairs my contribution will be of little value, for it is no more than the observations of a traveller who has endeavoured to describe what he has seen and understood of the countries and problems which have confronted him by the way.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Travels in the Himalayan Provinces of Hindustan and the Panjab; In Ladakh and Kashmir; In Peshawar, Kabul, Kunduz, and Bokhara, Vol. 1 of 2The practical illustration of Geographical Science has at no period been prosecuted in this country with more unremitting diligence than in the pre sent day. Travellers and tourists of all descrip tions follow hard upon every change in the social condition or political relations of those countries with which we have long been familiar, whilst those of more adventurous spirit, or more ambi tious pretensions, undertake to make known to us the character of man, and the features of nature, in the least frequented and least civilized parts of the earth.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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In December 1525 Babur, the great grandson of the Mongol conqueror Tamberlaine, crossed the Indus river into the Punjab with a modest army and some cannon. At the battle ot Panipat five months later he routed the mammoth army of the Afghan ruler of Hindustan. Mughal rule in India had begun. It was to continue for over three centuries, shaping India for all time. Babur won further victories but after his death the Mughals were thrown out of India. It required a new invasion in 1554, brilliantly consolidated by Babur's grandson Akbar, to restore their rule. The reign of Akbar, from 1556 to 1605, is one of the great ages of Indian history. An unorthodox Muslim himself, Akbar favoured religious toleration, and the architecture of his new capital at Fatehpur Sikri reflected both Islamic and Hindu traditions. Under the next conqueror, Jenhangir, and his son, Shah Jehan, who built the Taj Mahal, the Mughal Empire reached a pinnacle of prosperity and wealth. But the light of Mughal civilisation was beginning to fade, even though the last of the great emperors, the cunning but dour Aurangzeb, who ruled from 1656 to 1707, added most of southern India to the empire. Full of dramatic episodes and colourful detail, The Mughal Empire tells the story of one of the world's great empires.

In December 1525 Babur, the great grandson of the Mongol conqueror Tamberlaine, crossed the Indus river into the Punjab with a modest army and some cannon. At the battle ot Panipat five months later he routed the mammoth army of the Afghan ruler of Hindustan. Mughal rule in India had begun. It was to continue for over three centuries, shaping India for all time. Babur won further victories but after his death the Mughals were thrown out of India. It required a new invasion in 1554, brilliantly consolidated by Babur's grandson Akbar, to restore their rule. The reign of Akbar, from 1556 to 1605, is one of the great ages of Indian history. An unorthodox Muslim himself, Akbar favoured religious toleration, and the architecture of his new capital at Fatehpur Sikri reflected both Islamic and Hindu traditions. Under the next conqueror, Jenhangir, and his son, Shah Jehan, who built the Taj Mahal, the Mughal Empire reached a pinnacle of prosperity and wealth. But the light of Mughal civilisation was beginning to fade, even though the last of the great emperors, the cunning but dour Aurangzeb, who ruled from 1656 to 1707, added most of southern India to the empire. Full of dramatic episodes and colourful detail, The Mughal Empire tells the story of one of the world's great empires.

When Zahir, the great-grandson of the Mongol conqueror Tamerlane, crossed the Indus river into the Punjab in 1525 with a modest army and some cannon, and then defeated the huge army of the Afghan ruler of Hindustan, Mughal rule in India had begun. It would continue for over three centuries, until 1857, and decisively shape India for all time. It is a colourful and dramatic story, full of incident and extraordinary characters: Zahir himself, the intrepid pioneer; Akbar, the greatest and most enigmatic of the Mughals; the aesthetes Jenhangir and his son Shah Jehan, who built the Taj Mahal; and the dour but determined Aurangzeb.

This work provides a detailed survey of the Victoria and Albert's renowned collection of painting from the great age of the Mughals, covering the reigns of three emperors: Akbar, Jahangir and Shah Jahan. The book traces the evolution of the art of the Mughals. Their land, which they called Hindustan, was a conquered one, their language was Persian; they employed Hindu and Muslim artists and commissioned books and paintings with themes drawn from these cultural and religious traditions, and from Europe. This complex framework produced some of the finest court paintings ever seen in the Indian subcontinent. The book includes pictures from the first major project of the new Mughal studio, the epic adventures of the Muslim hero, Hamza; dramatic battles and episodes from the life of the emperor Akbar, the Akbarnama; and a remarkable series of portraits of the emperors, their sons, and leading members of the court from the early 17th century. Also included are portraits and studies of wild life by masters such as Mansur and Manohar. These were preserved in albums for Jahangir and Shah Jahan, Shah Jahan's artists adding exquisite floral borders, and both rulers vividly emphasising their ownership by writing occasional comments on the pages. A rich and sophisticated culture is mirrored in the paintings and explored in the accompanying text; the result is a book of both scholarship and beauty.

This book is the story of largely pageant Mughal emperors with their increasingly ineffectual ministers, and their gradualdecline into irrelevance while younger and more powerful forces, both Indian andforeign, grappled with each other for the mastery of Hindustan. The landmarkevents are all covered in detail and the strength of the book is the anecdotaldetails.

In 1632, the Emperor of Hindustan, Shah Jahan, overwhelmed with grief over the death of his beloved wife, Mumatz Mahal, commissioned the building of a grand mausoleum to symbolize the greatness of their love. The story surrounding the construction of the Taj Mahal occurs, however, against a scrim of fratricidal war, murderous rebellion, unimaginable wealth, and, not least of all, religious fundamentalism ruthlessly opposing tolerance and coexistence between the disparate peoples in the empire. At that time, Hindustan comprised all of modern Pakistan and Kashmir, most of eastern Afghanistan, and two-thirds of the Indian subcontinent (roughly north of Bombay to the Himalayas). Beneath a Marble Sky, narrated by Princess Jahanara, eldest daughter of Shah Jahan and Mumtaz Mahal, recounts their story, and her own as well, a parallel tale of forbidden love enduring censure and extreme deprivations. Beneath a Marble Sky brims with action and intrigue befitting an epic era when, alongside continuous war, architecture and its attendant arts reached a pinnacle of perfection. In a splendid debut, John Shors has crafted an immensely readable and well-researched historical novel of surprisingly contemporary relevance.