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"If only I do not die here." After falling ill during a visit to Bayreuth, Franz Liszt uttered this melancholy refrain throughout his final days, which were spent in rented rooms in a house opposite Wahnfried, the home of his daughter Cosima and his deceased son-in-law Richard Wagner. Attended by incompetent doctors and ignored and treated coldly by his daughter, the great composer endured needless pain and indignity, according to a knowledgeable eyewitness. Lina Schmalhausen, his student, caregiver, and close companion, recorded in her diary a graphic description of her teacher's illness and death. Alan Walker here presents this never-before-published account of Liszt's demise in the summer of 1886.Walker, whose three-volume biography of Liszt was praised as "without rival" by Time, states that "no one who is remotely interested in the life and work of Franz Liszt can remain unaffected by the diary." Schmalhausen's tale of neglect, family indifference, and medical malpractice was considered so explosive at the time of its writing that it was kept from public view. The twenty-two-year-old Schmalhausen was regarded with suspicion by many in the composer's inner circle, as well as by other confidants, and a sanitized and inaccurate depiction of Liszt's death made its way into the history books. For this volume, Walker has overseen the translation and thoroughly annotated the eighty-one-page handwritten diary, and added a selection of illustrations. A prologue contains important background information on Liszt himself and on Lina Schmalhausen's diary. An epilogue discusses the funeral and ensuing controversies over disposition of the composer's remains.

176 S. Gebrauchtes Exemplar in gutem Zustand. KEINE Eintragungen/Markierungen. Ob geschätzt und gepflegt, unerkannt und umgebaut oder ausgedient und deshalb niedergerissen die öffentliche Meinung steht den denkmalwerten Bauten der Fünfziger Jahre gleichgültig oder nur mit geringer Akzeptanz gegenüber, was sich im Umgang mit dieser Architektur widerspiegelt. Stefan Oláh porträtiert Gebäude dieser Dekade im Spannungsfeld zwischen Erhalten und Erneuern. Das allmähliche Verschwinden aus dem Stadtbild hat ihn dazu bewogen, genauer hinzuschauen und die eigene Wahrnehmung zu schärfen. Mit professionellem Blick, nicht nostalgieverliebt im Retrofieber, zeigt er ausgewählte Bauten aus Österreich. Die Fotografien werden von Essays und einem Interview ambitioniert begleitet. Das Buch ist eine Aufforderung, die Architektur der Fünfziger Jahre als symbolreichen Beitrag zu unserer Kulturgeschichte wertfrei anzuerkennen. Mit einem Vorwort von Bruno Maldoner. Mit Beiträgen von Andrea Bina/Lorenz Potocnik, Wojciech Czaja, Martina Griesser-Stermscheg, Sebastian Hackenschmidt, Gabriele Kaiser und Helmut Lackner. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 1120 Gebundene Ausgabe, Maße: 24.3 cm x 2.5 cm x 29 cm

Lina Aysgarth had lived with her husband for nearly eight years before she realized that she was married to a murderer...it did seem a pity that she had to die, when she would have liked so much to live....by Francis Iles.