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Bringing together a team of leading scholars, this volume forms the first global history of African linguistics as an autonomous academic discipline, covering Africa, America, Asia, Australia, and Europe. Defining African linguistics, the volume describes its emergence from a 'colonial science' at the turn of the twentieth century in Europe, where it was first established mainly in academic institutions of former colonial powers. Its riddance from the 'colonial project' is traced, following its 'de-colonialisation' and subsequent spread from imperialist Europe across all inhabited continents, with particular reference to its academic establishment in the various regions of Africa. Providing inside views of African linguistic research and its ramifications over time, active researchers in its various subfields present highly informative accounts of current and past research priorities and achievements. The twenty-six authors are themselves representatives of the various regions of both the world and Africa, in which African linguistics has become entrenched in academic institutions.

Praise for Percival Everett: If Percival Everett isn’t already a household name, it’s because people are more interested in politics than truth.” Madison Smartt Bell, author of The Washington Square Ensemble Everett’s talent is multifaceted, sparked by a satiric brilliance that could place him alongside Richard Wright and Ralph Ellison . . .” Publishers Weekly I think Percival Everett is a genius. I’ve been a fan since his first novel. He continues to amaze me with each novel as if he likes making 90-degree turns to see what’s around the corner, and then over the edge . . . He’s a brilliant writer and so damn smart I envy him.” Terry McMillan, author of MamaA fictitious and satirical chronicle of South Carolina Senator Strom Thurmond’s desire to pen a history of African-Americans his and his aides’ belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, The History follows the letters of loose cannon Congressional office workers, insane interns at a large New York publishing house and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic. Strom Thurmond appears charming and open, mad and sure of his place in American history.Percival Everett is the author of 15 works of fiction, among them Glyph, Watershed and Frenzy. His most recent novel, Erasure, won the Hurston/Wright Legacy Award and did little to earn him friends.James Kincaid is an English professor at the University of Southern California and has written seven books in literary theory and cultural studies. These books and Kincaid himself have gradually lost their moorings in the academic world, so there was nothing left for him to do but to adopt the guise of fiction writer. Writing about madness comes easy to him.

First published in 1992, A History of African Americans in North Carolina traces the history of black North Carolinians from colonial times to the Civil Rights Movement of the 1960s. This new, revised edition brings the story up to 2001. Included is a detailed examination of the considerable electoral gains made by African American candidates for public office from the late 1960s through the 1990s, a period characterized by complex legal issues involving busing and political redistricting. An entirely new chapter surveys the expanding political influence of African Americans in North Carolina, the rise of effective black politicians, and the impact of important judicial decisions in the advancement of minorities.

This definitive history of African-American theatre embraces companies from across the U.S., as well as the anglophone Caribbean and African-American companies touring Europe, Australia and Africa. Representing a catholicity of styles, from African ritual to European forms, amateur to professional, and political nationalism to integration, the volume covers all aspects of performance. It includes minstrel, vaudeville, and cabaret acts, as well as shows written by whites that used black casts.

This is a detailed exploration of the African past, from prehistory to about 1870. Covering all facets of the continent's history with erudition, Professor Isichei displays immense learning and an exhaustive command of the literature. The study reflects several emphases in recent scholarship, focusing on "history seen from below", on changing modes of production, on gender relations and on ecology. A second volume, now in preparation, will cover the period from 1870 to 1995.

This is a detailed exploration of the African past, from prehistory to about 1870. Covering all facets of the continent's history with erudition, Professor Isichei displays immense learning and an exhaustive command of the literature. The study reflects several emphases in recent scholarship, focusing on "history seen from below", on changing modes of production, on gender relations and on ecology. A second volume, now in preparation, will cover the period from 1870 to 1995.

A landmark work of art history: lavishly illustrated and extraordinary for its thoroughness, A History of African-American Artists -- conceived, researched, and written by the great American artist Romare Bearden with journalist Harry Henderson, who completed the work after Bearden's death in 1988 -- gives a conspectus of African-American art from the late eighteenth century to the present. It examines the lives and careers of more than fifty signal African-American artists, and the relation of their work to prevailing artistic, social, and political trends both in America and throughout the world.Beginning with a radical reevaluation of the enigma of Joshua Johnston, a late eighteenth-century portrait painter widely assumed by historians to be one of the earliest known African-American artists, Bearden and Henderson go on to examine the careers of Robert S. Duncanson, Edward M. Bannister, Henry Ossawa Tanner, Aaron Douglas, Edmonia Lewis, Jacob Lawrence, Hale A. Woodruff, Augusta Savage, Charles H. Alston, Ellis Wilson, Archibald J. Motley, Jr., Horace Pippin, Alma W. Thomas, and many others.Illustrated with more than 420 black-and-white illustrations and 61 color reproductions -- including rediscovered classics, works no longer extant, and art never before seen in this country -- A History of African-American Artists is a stunning achievement.

The book, A History of the African-Olmecs and Black Civilizations of America From Prehistoric Times to the Present Era, is one of the most fascinating, well-researched and well-written books on the subject of the Black and Black African presence in prehistoric and ancient Americas. This book deals with the current and past findings on the ancient African-Americas nations (throughout the Americas). It also studies present-day descendants of these ancient Africans and places attention on the ancient transatlantic as well as the transpacific ocean route by boat. The book discusses the plight of the Black Washitaw Nation of Louisiana and the South, who lost much of their ancient kingdom during the Louisiana Purchase. The plight of California's Black Californians, the Black Jamassee of Georgia, and the Black Caribs (Garifuna) of the Caribbean is examined. The great black civilization of the Olmecs and their connection in terms of language, religion, race, and culture with the West Africans is discussed.

In their long history, African Americans have created a rich, complex, and highly diverse culture. A History of the African American People makes available more than a generation of scholarship written by some of the most distinguished historians in America. Their work examines the social and communal institutions that have sustained African Americans and strengthened their spiritual and cultural life. Specially commissioned photographs of artifacts reveal the richness of cultural traditions, and hundreds of historic photographs and paintings enhance the work still further, creating a magnificent illustrated history.

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This definitive history of African-American theatre embraces companies from across the U.S., as well as the anglophone Caribbean and African-American companies touring Europe, Australia and Africa. Representing a catholicity of styles, from African ritual to European forms, amateur to professional, and political nationalism to integration, the volume covers all aspects of performance. It includes minstrel, vaudeville, and cabaret acts, as well as shows written by whites that used black casts.

Bringing together a team of leading scholars, this volume forms the first global history of African linguistics as an autonomous academic discipline, covering Africa, America, Asia, Australia, and Europe. Defining African linguistics, the volume describes its emergence from a 'colonial science' at the turn of the twentieth century in Europe, where it was first established mainly in academic institutions of former colonial powers. Its riddance from the 'colonial project' is traced, following its 'de-colonialisation' and subsequent spread from imperialist Europe across all inhabited continents, with particular reference to its academic establishment in the various regions of Africa. Providing inside views of African linguistic research and its ramifications over time, active researchers in its various subfields present highly informative accounts of current and past research priorities and achievements. The twenty-six authors are themselves representatives of the various regions of both the world and Africa, in which African linguistics has become entrenched in academic institutions.

The churches in Africa probably constitute the most important growth area for Christianity in the second half of the twentieth century. From being a number of rather tightly controlled 'mission fields' zealously guarded by the great missionary societies, Catholic and Protestant, they have emerged across the last decades in bewildering variety to selfhood, a membership of close on a hundred million adherents and an influential role both within their own societies and in the world Church. This book surveys the history of Christianity throughout sub-Saharan Africa during the third quarter of this century. It begins in 1950 at a time when the churches were still for the most part emphatically part of the colonial order and it takes the story on from there across the coming of political independence and the transformations of the 1960s and early 1970s.

Praise for Percival Everett: If Percival Everett isn’t already a household name, it’s because people are more interested in politics than truth.” Madison Smartt Bell, author of The Washington Square Ensemble Everett’s talent is multifaceted, sparked by a satiric brilliance that could place him alongside Richard Wright and Ralph Ellison . . .” Publishers Weekly I think Percival Everett is a genius. I’ve been a fan since his first novel. He continues to amaze me with each novel as if he likes making 90-degree turns to see what’s around the corner, and then over the edge . . . He’s a brilliant writer and so damn smart I envy him.” Terry McMillan, author of MamaA fictitious and satirical chronicle of South Carolina Senator Strom Thurmond’s desire to pen a history of African-Americans his and his aides’ belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, The History follows the letters of loose cannon Congressional office workers, insane interns at a large New York publishing house and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic. Strom Thurmond appears charming and open, mad and sure of his place in American history.Percival Everett is the author of 15 works of fiction, among them Glyph, Watershed and Frenzy. His most recent novel, Erasure, won the Hurston/Wright Legacy Award and did little to earn him friends.James Kincaid is an English professor at the University of Southern California and has written seven books in literary theory and cultural studies. These books and Kincaid himself have gradually lost their moorings in the academic world, so there was nothing left for him to do but to adopt the guise of fiction writer. Writing about madness comes easy to him.

Book by Crow, Jeffrey J., Escott, Paul D., Hatley, Flora J.

Cities have existed in sub-Saharan Africa since antiquity. But only now are historians and archaeologists rediscovering their rich heritage: the ancient ruins of Great Zimbabwe and Congo, the harbor cities at the Indian Ocean, the capitals of the Bantu Kingdoms, the Atlantic cities from the 16th to the 18th centuries, and the urban revolutions in the 19th century. Mercantile cities opened Africa to the world, Islamic cities became centers of scholarship and the trans-Saharan trade, Creole cities appeared after the first contact with Europeans, and Bantu cities of the hinterland reacted against them. The author has gone through vast numbers of archival records and conducted independent field research to analyze and describe the rich history of African cities even long before imperial colonization began, and she continues her story until the time of urban reorganization during industrialization. The result is a colorful panorama of urban lifestyles including unique examples of architecture and lasting traditions of ethnic, cultural, religious, and commercial forms of co-existence. This edition is translated by Mary Baker.

This is a book for all readers concerned with the future of Africa. The first history of the poor of Sub-Saharan Africa, it begins in the monasteries of thirteenth-century Ethiopia and ends in the South African resettlement sites of the 1980s. It provides a historical context for poverty in Africa--both the permanent poverty of the dispossessed and the temporary poverty of famine victims. Its thesis, modelled on the histories of poverty in Europe, is that most very poor Africans have been incapacitated for labor, bereft of support, and unable to fend for themselves in a land-rich economy. Dr. Iliffe investigates what it is like to be poor, how the poor seek to help themselves, how their families help, and how charitable and governmental institutions provide for them.

In a vast and all-embracing study of Africa, from the origins of mankind to the AIDS epidemic, John Iliffe refocuses its history on the peopling of an environmentally hostile continent. Africans have been pioneers struggling against disease and nature, and their social, economic and political institutions have been designed to ensure their survival. In the context of medical progress and other twentieth-century innovations, however, the same institutions have bred the most rapid population growth the world has ever seen. The history of the continent is thus a single story binding living Africans to their earliest human ancestors. John Iliffe was Professor of African History at the University of Cambridge and is a Fellow of St. John's College. He is the author of several books on Africa, including A modern history of Tanganyika and The African poor: A history, which was awarded the Herskovits Prize of the African Studies Association of the United States. Both books were published by Cambridge University Press.

Surveys the art produced in each region of Africa, including pottery, textiles, sculpture, jewelry, ceremonial clothing, and body art, and discusses the major influences on African art