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Thirteen original essays by authors discussing aspects of Rawl's writings, with an emphasis on elucidation and explanation through non-technical language. Contributors include Holly Smith Goldman, Joseph DeMarco, Charles Beitz, David Hoekema, Gail Corrado, Allen Buchanan, John Schaar; others.

Janet Coleman brilliantly recreates the time, the place, the personalities, and the neurotic magic whereby the Compass made theater history in America. The Compass began in a storefront theater near the University of Chicago campus in the summer of 1955 and lasted only a few years before its players—including David Shepherd, Paul Sills, Elaine May, Mike Nichols, Barbara Harris, and Shelley Berman—moved on. Out of this group was born a new form: improvisational theater and a radically new kind of comedian. "They did not plan to be funny or to change the course of comedy," writes Coleman. "But that is what happened." "For anyone who is interested in theatre, underground theatre, improvisational theatre, and the sheer madness of trying something new with a repertory group, The Compass will prove a welcome history with fascinating details."—Norman Mailer "Janet Coleman has done a spectacular job of capturing the history, the almost alarmingly diverse cultural influences, and the extraordinary people who made up the Compass."—Neal Weaver, Los Angeles Village View "Engrossing. . . . An open window on a part of the theater that should be known."—Arthur Miller "A valuable chronicle of an important chapter in the history of comedy and theater."—William Wolf, New York Observer "The eruptive, disruptive talents who made the theater memorable are the same ones who make The Compass a good read."—Jay Cocks, Time "A moving, inspirational, anecdote-studded feast."—Publishers Weekly

"An ear for reproducing everyday language has long been David Mamet's hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins." (Michael Wise, Independent) In Oleanna "John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones." (Frank Rich, International Herald Tribune)

Rabbi David Small takes a break from the Barnard's Crossing's pulpit to teach a course on Jewish thought at a small community college. But he soon discovers all is not idyllic behind the ivy-colored walls. When a bomb goes off in the dean's office, the peaceful campus mood is shattered and everyone -- from professors and students to the indefatigable rabbi himself -- is suspected . . . of murder.

David McCallum (The Man from U.N.C.L.E.) stars in this horrifying tale of man's best friend turning into his worst enemy! On the quiet campus of the remotely located Southwestern University, something strange is happening. All of the dogs in the area, once loyal, gentle pets, are now banding together in wild packs and hunting done their former masters. Could the strange transformation have anything to do with the secret government experiments being conducted in the school's physics laboratory? M