4 products were found matching your search for Horvath Judit Wettbewerbsvorteile von in 1 shops:
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Von Horvath: Plays Two (Paperback or Softback)
Vendor: Abebooks.com Price: 28.61 $These two plays are set in the period of roaring inflation that caused so much suffering to the German people after the First World War. In Sladek, we see how social conditions can lead people to desperate action and violence, opening the road for dictators and fascists. Written just as the Nazis came to power, A Sexual Congress predicts with frightening accuracy the cycle of violence that was to spread throughout Europe.
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Österreichische Exilliteratur in den Niederlanden, 1934-1940.
Vendor: Abebooks.com Price: 24.24 $Amsterdam: Rodopi,1986. Paperback. 200 pp. (Amsterdamer Publikationen zur Sprache und Literatur 70) ISBN 9062039081 - On Austrian authors in the Netherlands between 1934 and 1940, like Karl Kautsky, Jean Améry, Ödön von Horváth, Uriel Birnbaum, Otto Neurath & Karl Mannheim. Condition : as new copy. ISBN 9789062039081. Keywords : , Exil-Literatur
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Vienna Acoustics Tales From the Vienna Woods & Other Plays (Paperback)
Vendor: Abebooks.com Price: 35.09 $Odon von Horvath (1901-1939) is one of the most important theater writers in the 1930s. His reputation rests largely on the four plays in this collection, which he called Volksstucke (popular plays), although he had no desire to embrace this tradition uncritically. Reflected in these plays is the sympathy for the situation of the exploited classes, as well as the concern for the way language is used for deception and self-deception. The hollow characters come across as potentially receptive to fascism. A latent brutality is unmasked, a lack of genuine feeling -- all lying hidden under a veneer of facile sentimentality.
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Vienna Acoustics Tales From the Vienna Woods an
Vendor: Abebooks.com Price: 35.07 $Odon von Horvath (1901-1939) is one of the most important theater writers in the 1930s. His reputation rests largely on the four plays in this collection, which he called Volksstucke (popular plays), although he had no desire to embrace this tradition uncritically. Reflected in these plays is the sympathy for the situation of the exploited classes, as well as the concern for the way language is used for deception and self-deception. The hollow characters come across as potentially receptive to fascism. A latent brutality is unmasked, a lack of genuine feeling -- all lying hidden under a veneer of facile sentimentality.
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