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A portrait of the artist by the artist himself (TASCHEN's 25th anniversary special edition) Friedensreich Hundertwasser: born as Friedrich Stowasser, he lived and died as Friedensreich (meaning ""realm of peace"") Hundertwasser?a name he chose for himself. Architect, ecologist, painter, designer, writer, innovator? his list of talents goes on and on. Hundertwasser reinvented the art of living as an artist 24 hours a day. This book comprises Volume I from the limited-edition Hunderstwasser book set, with selected paintings, architecture works, projects, and manifestos. The text by Wieland Schmied, a longtime personal friend of Hundertwasser, traces the life and work of one of the century's most fascinating artistic personalities. Produced in collaboration with Hundertwasser (who supervised the project and designed the layout himself) just before his untimely death, this book is not only a testament to his unparallelled career but a living legacy.

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  Friedrich Stowasser (1928, Vienna - 2000, New Zealand), better known by the name of Friedrich Hundertwasser, was a painter, thinker, and architect, or rather an “architecture doctor,” as he declared in his manifesto of January 24, 1990. With his tremendous love of nature, he is one of the pioneers of humanist and environmentalist architecture, which attempted to reconcile creativity and ecology. His creations are organic and full of imagination. Yet, Hundertwasser was more radical in his philosophy. As expressed in his remarkable eco-artistic manifestos, and works of art (paintings, posters, stamps and flags), his message remains profoundly and viscerally ecological. His pictorial work, characterised by an organic abundance of forms and by the brilliance of its colours remains unique and full of hope. Reuniting for the first time the analysis of Hundertwasser’s work by Pierre Restany with numerous texts written by Hundertwasser himself, this books offers a global vision of the work and art of this prolific artist.

“A house must be a living, organic entity that develops and constantly changes,” stated Friedensreich Hundertwasser in one of his arguments for his nature- and human-oriented architecture. Success vindicated his vision: roof afforestation, organic forms, colorful façades, uneven floors, irregularly positioned windows, gilded onion domes―Hundertwasser’s architecture is unmistakable.From the beginning of his artistic career in the ’50s, Hundertwasser was preoccupied with architecture in his painting. Then began his engagement with manifestos, essays, and demonstrations; later followed architectural models in which he illustrated, for example, his ideas on roof afforestation and an individual’s right to his very own window. As an “architectural doctor” he created unregimented irregularities and realized exemplary architectural projects.This comprehensive directory of Hundertwasser’s architectural works presents all his buildings and projects, whether realized or not, tracing them from the first sketches through to models and completion. Dr. Andrea Christa Fürst, a longtime employee of the Hundertwasser Archive, made a major contribution to this publication.

"Painting is to dream," said Hundertwasser. "When the dream is over, I don"t remember anything I dreamed about. The painting, however, remains. It is the harvest of my dream." This statement is at the heart of this engaging introduction to the work of the eccentric artist, humanitarian, environmentalist, and architect who dedicated his life to the beautification of the world we live in. Dozens of activities in this book will captivate children of all ages and take them on a journey through a magical world of creativity and self-fulfillment. The projects here help young readers discover nature"s gifts, encourage exploration of what lies outside one"s doorstep, and emphasize the importance of ecological harmony as vital to living a happier life. Children and their parents will return again and again to this colorful and entertaining tribute to an artist whose legacy offers hope and inspiration for all of us.

"The straight line is godless": A vivid portrait of the artist and his art   "If you and your neighbour are creative, we need not travel far. We need not walk far, because paradise is right around the corner." —Hundertwasser Friedrich Stowasser, born in Vienna in 1928, called himself Friedensreich Hundertwasser Regentag Dunkelbunt. True to the colorful variety of his names, he has pursued many activities as a painter, architect, and ecologist, and as "one who awakens identities." This presentation of Hundertwasser’s work in all of its different facets is guided by the artist’s own view of himself and his purpose. And, because his work is, by nature, virtually inseparable from his biography, his artistic and political actions, and equally so from the "stories" of his (ostensibly) private life, a vivid portrait of the artist takes shape before the reader’s eyes. Excerpts from conversations between the author and the artist lend a sense of immediacy and authenticity to the narration.

This sticker book, filled with Hundertwasser’s spirit and love of art, is the perfect way to inspire creativity in children as they learn the joys of architecture.Who wouldn’t want to try and design a building in harmony with nature like Hundertwasser? The artist and architect’s love of vibrant hues, organic forms, natural elements, and individuality make his houses, schools, factories, museums, and churches some of the most recognizable and popular structures in the world. This delightful sticker book opens a window and guides children through their own adventures in architecture, while letting them realize their own architectural dreams. Filled with examples of existing, realized architectural works and numerous opportunities for designing, sketching, and even building one’s own architectural structures, this unique playful and highly engaging book includes six pages of brightly colored stickers and promises hours of fun and fulfillment.

“A house must be a living, organic entity that develops and constantly changes,” stated Friedensreich Hundertwasser in one of his arguments for his nature- and human-oriented architecture. Success vindicated his vision: roof afforestation, organic forms, colorful façades, uneven floors, irregularly positioned windows, gilded onion domes―Hundertwasser’s architecture is unmistakable.From the beginning of his artistic career in the ’50s, Hundertwasser was preoccupied with architecture in his painting. Then began his engagement with manifestos, essays, and demonstrations; later followed architectural models in which he illustrated, for example, his ideas on roof afforestation and an individual’s right to his very own window. As an “architectural doctor” he created unregimented irregularities and realized exemplary architectural projects.This comprehensive directory of Hundertwasser’s architectural works presents all his buildings and projects, whether realized or not, tracing them from the first sketches through to models and completion. Dr. Andrea Christa Fürst, a longtime employee of the Hundertwasser Archive, made a major contribution to this publication.

This presentation of Hundertwasser's work in all of its different facets is guided by the artist's own view of himself and his purpose. Excerpts from conversations between the author and the artist lend a sense of immediacy and authenticity to the narration.

Friedrich Stowasser, born in Vienna in 1928, called himself Friedensreich Hundertwasser Regentag Dunkelbunt. True to the variety of his names, his practice spanned innumerable forms―from painting and designing buildings to creating stamps and coins―and his titles were many: environmental activist, philosopher, individualist, architect, ecologist, and visual artist. He was, in his own words, “one who awakens identities.”Across his work, Hundertwasser embraced the biomorphic, the irregular, and the irrational. Drawing inspiration from masters as varied as Gaudí and Gustav Klimt, his categorical rejection of the “godless and immoral” straight line, as well as his boycott of “monotonous architecture,” infused his bold, colorful works with a vitality that set him aside from most. Born of this fervent activism and unique universe was his own belief system, called “transautomatism,” which privileged the viewer’s experience above all. Whether he was planting trees in urban settings or proclaiming the “right to a window,” Hundertwasser’s visions of a harmonious future between humans and nature continue to resonate with increasing urgency.Once out of print, this re-edition of a TASCHEN classic works in close collaboration with the Hundertwasser Foundation to present the Viennese master’s oeuvre in all its different facets. Because his work is, by nature, virtually inseparable from his biography, private life, and political actions, a vivid portrait of Hundertwasser takes shape through his own lens. Excerpts from conversations between the author and the artist add immediacy and authenticity to this intimate monograph.

27 cm Schuber und Bücher weisen leichte Lager und Gebrauchsspuren auf / Leinen stellenweise etwas verschmutzt / Teile des Schubers kleben nicht mehr / ohne Farbradierung / Nr. 01355/10000 Sprache: Deutsch Gewicht in Gramm: 5801

Friedrich Stowasser, born in Vienna in 1928, called himself Friedensreich Hundertwasser Regentag Dunkelbunt. True to the variety of his names, his practice spanned innumerable forms―from painting and designing buildings to creating stamps and coins―and his titles were many: environmental activist, philosopher, individualist, architect, ecologist, and visual artist. He was, in his own words, “one who awakens identities.”Across his work, Hundertwasser embraced the biomorphic, the irregular, and the irrational. Drawing inspiration from masters as varied as Gaudí and Gustav Klimt, his categorical rejection of the “godless and immoral” straight line, as well as his boycott of “monotonous architecture,” infused his bold, colorful works with a vitality that set him aside from most. Born of this fervent activism and unique universe was his own belief system, called “transautomatism,” which privileged the viewer’s experience above all. Whether he was planting trees in urban settings or proclaiming the “right to a window,” Hundertwasser’s visions of a harmonious future between humans and nature continue to resonate with increasing urgency.Once out of print, this re-edition of a TASCHEN classic works in close collaboration with the Hundertwasser Foundation to present the Viennese master’s oeuvre in all its different facets. Because his work is, by nature, virtually inseparable from his biography, private life, and political actions, a vivid portrait of Hundertwasser takes shape through his own lens. Excerpts from conversations between the author and the artist add immediacy and authenticity to this intimate monograph.

""The rigid, straight line is fundamentally alien to humanity, life and the whole of creation"". Hundertwasser applies this philosophy not only to the famous Viennese buildings for which he is renowned, but all the media and art-forms he has experimented with during his wild and crazy career. Whether it be painting, sculpture, performance art or designing a kindergarten, Hundertwasser's works are multi-coloured, organic, and shot through with a sense of the magical or fantastic. However, there are principles operating behind these joyful bursts of gold and silver. Hundertwasser's art has always contained a political shade. He has consistently rebelled against rationalist or determinist ideas, promoted ecological awareness, and mantained a passionate belief in the anarchy of the imagination. In this awesome retrospective, Pierre Restany covers all the bases of Hundertwasser's eclectic development as an artist, from the tenant revolt and nude lecture of the early Seventies, through the housing projects in Vienna, right up to his recent designs for an alternative society. Restless with inspiration, the grand old man of nonconformist art keeps on breaking the rules.

Collection published under the direction of: Madeleine Ledivelec-Gloeckner. In this book J.F. Mathe shows the almost metaphysical necessity for Hundertwasser's odyssey, how his painting is a quest for the Holy Grail.

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Spiraling Ideas Friedensreich hundertwasser, hero of fluid forms and ecology Friedrich Stowasser, born in Vienna in 1928, called himself Friedensreich Hundertwasser Regentag Dunkelbunt. True to the colorful variety of his names, he has pursued many activities as a painter, architect, and ecologist, and as “one who awakens identities.” This presentation of Hundertwasser’s work in all of its different facets is guided by the artist’s own view of himself and his purpose. And, because his work is, by nature, virtually inseparable from his biography, his artistic and political actions, and equally so from the “stories” of his (ostensibly) private life, a vivid portrait of the artist takes shape before the reader’s eyes. Excerpts from conversations between the author and the artist lend a sense of immediacy and authenticity to the narration.

Text: English (translation) Original Language: German

Text: English (translation) Original Language: German

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.