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Les Ftes de l'Hymen et de l'Amour was Rameau's first exploration of the world of Egyptian mythology. It's libretto called for magic, gods and extraordinary natural effects to which he responded with one of his most comprehensively brilliant scores, blending a gallant and pastoral inspiration of extreme refinement with powerful vocal and orchestral writing. In his use of a fluid and continuous flow of music, in the theatrical deployment of choruses, and in the blurring of the distinction between

Re-live That First Time Virgin Feeling, And... Pop That Cherry! This extra-tight stroker comes with a realistic hymen for a virgin-like experience. For the guy who fantasizes about virgins, here's a foolproof way to enjoy that unique experience easily and discreetly. And this one grips you like a tight glove! Variable pressure TPE stroker with lifelike virgin hymen Ultra realistic TPE hymen breaks during first use Tight inside with multiple pleasure pulling textures Squeeze plate allows user to control pressure End cap creates intense feeling of suction Base twists to adjust suction strength Hard outer shell acts as discreet travel case Fully disassembles for cleaning 8.5 inches long, 3 inches wide Use with water based or silicone lube Instructions included From Doc Johnson, since 1976 Customize Your Experience! First of all, this revolutionary sex toy gives you the virgin love making experience. Throughout history and literature, much has been said about virgins, among different cultures. So pick a good time to pop this cherry, as it's a unique, one-time event with your Main Squeeze Virgin UltraSkyn Stroker. This Stroker was created specifically to recreate that life-changing event, realistically and pleasurably. After that, your Virgin UltraSkyn Stroker is sure to be one of the most pleasurable strokers you've ever owned! Once inside, you'll notice how sensual and tight the multiple chambers and textures feel. Have some lube ready! Press the built-in squeeze plate to apply pressure wherever and whenever you choose. As if that wasn't enough, the end cap of your Mainsqueeze Virgin UltraSkyn Stroker can be adjusted for a stronger or gentler suction effect -- so give yourself enough time to really enjoy this ride! The Main Squeeze Virgin UltraSkyn Stroker comes to you already inside its own storage/travel container. Just unscrew the base, lube up, and slide it right in! When your self-pleasuring session is over, follow the e

Tonikom started as tonik in 2002 releasing several now-deleted CD-rs & changed the name to tonikom in 2006 documented in the album title 'tonikom killed tonik'. after two self-released albums 'epoch' sees the light of day on hymen records-some kind of a logical conclusion; besides the aphex twin meat beat manifesto underworld the orb & leftfield she also names hymen records' artist beefcake as one of her influences. 'epoch' is an enthralling mixture: The melodic richness of idm meet.

Elisha Renne focuses on things associated with the human body -- such as houses, graves, hymens, blood, and bones -- as a concrete means for analyzing new ideas of fertility in an Ekiti Yoruba town in Southwestern Nigeria. By looking at how ideas about childbearing and family size are reassessed by individual and families, and underscoring their connection with local and national policies and programs, Renne argues that progress and fertility cannot be expected to follow a universal trajectory. She finds that local development projects have improved Yoruba life, but that political and economic uncertainty and federal programs have undermined some of those benefits.The book's exploration of the relationships among development, fertility, and politics will draw anthropologists, demographers, population program personnel, development planners, and African studies specialists.Elisha P. Renne is Associate Professor in the Department of Anthropology and Center for Afroamerican and African Studies, University of Michigan.

Following the Pulitzer prize-winning collection Stag’s Leap, Sharon Olds gives us a stunning book of odes. Opening with the powerful and tender “Ode to the Hymen,” Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience that will be familiar from earlier collections, each episode and memory burnished by the wisdom and grace and humor of looking back. In such poems as “Ode to My Sister,” “Ode of Broken Loyalty,” “Ode to My Whiteness,” “Blow Job Ode,” and “Ode to the Last Thirty-Eight Trees in New York City Visible from This Window,” Olds treats us to an intimate examination that, like all her work, is universal, by turns searing and charming in its honesty. From the bodily joys and sorrows of childhood to the deaths of those dearest to us, Olds shapes the world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

Following the Pulitzer prize-winning collection Stag’s Leap, Sharon Olds gives us a stunning book of odes. Opening with the powerful and tender “Ode to the Hymen,” Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience that will be familiar from earlier collections, each episode and memory burnished by the wisdom and grace and humor of looking back. In such poems as “Ode to My Sister,” “Ode of Broken Loyalty,” “Ode to My Whiteness,” “Blow Job Ode,” and “Ode to the Last Thirty-Eight Trees in New York City Visible from This Window,” Olds treats us to an intimate examination that, like all her work, is universal, by turns searing and charming in its honesty. From the bodily joys and sorrows of childhood to the deaths of those dearest to us, Olds shapes the world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.

Following the Pulitzer prize-winning collection Stag’s Leap, Sharon Olds gives us a stunning book of odes. Opening with the powerful and tender “Ode to the Hymen,” Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience that will be familiar from earlier collections, each episode and memory burnished by the wisdom and grace and humor of looking back. In such poems as “Ode to My Sister,” “Ode of Broken Loyalty,” “Ode to My Whiteness,” “Blow Job Ode,” and “Ode to the Last Thirty-Eight Trees in New York City Visible from This Window,” Olds treats us to an intimate examination that, like all her work, is universal, by turns searing and charming in its honesty. From the bodily joys and sorrows of childhood to the deaths of those dearest to us, Olds shapes the world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

‘Interspersed with acts of breathtaking linguistic daring.’Charlotte Mendelson, Observer Book of the YearOpening with a powerful and tender ‘Ode to the Hymen’, Sharon Olds uses this age-old poetic form to address many aspects of herself, in a collection that is centred around the female body and female pleasures, and touches along the way on parts of her own story which will be familiar from earlier works, each episode and memory now burnished by the wisdom and grace of looking back. In such poems as ‘Ode to My Sister’, ‘Ode of Broken Loyalty’, ‘Ode to My Whiteness’, ‘Blow Job Ode’, ‘Ode to the Last 38 Trees in New York City Visible from This Window’, Olds treats us to an intimate self-examination that, like all her work, is universal and by turns searing and charming in its honesty. From the early bodily joys and sorrows of her girlhood to the recent deaths of those dearest to her – the ‘Sheffield Mountain Ode’ for Galway Kinnell is one of the most stunning pieces here – Olds shapes her world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

Hymen Records' new member abs6 may be known to you from audioactivity, a collective of sound and visual artists founded in 2000 in Geneva.

Kattoo is the solo creativity of one of Volker Kahl's members from the project Beefcake which stopped its work earlier. His first work Places recently appeared on Hymen records, today it's his new concept - new turn in the Beefcase's creativity, almost total change of the sound, using of new instruments and creating of extraordinary sound spaces.

Hymen records is proud to present Cdatakill's fourth full length album.

This is the third strike of the welsh Healy brothers on hymen. They continue their electronic assaults on the open-minded IDM generation. Their sound mixes noisy rhythms broken drum'n'bass beats and complex-structured layers with melodic lines while touching the void between 'tech' & 'industrial'. it seems that john & Paul Healy's creative output is bigger than whales-you get 70+ minutes on the CD version & you will enjoy every second of it!