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For fans of Gretchen Rubin's Four Tendencies, Tim Ferris's 4-Hour Work Week and the author and entrepreneur Gary Vaynerchuk 'It was a pleasure to read... the way we all work is going to change in the coming years' Richard Branson The world of work is changing - so how do you keep up? You have the ability to make money on our own terms, when and where you want - but where do you start? If you've been itching to convert your craft into a career, or your side-hustle into a start up, then The Multi-Hyphen Method is for you. In The Multi-Hyphen Method award-winning blogger / social media editor / podcast creator, Emma Gannon, teaches that it doesn't matter if you're a part-time PA with a blog, or a nurse who runs an online store in the evenings - whatever your ratio, whatever your mixture, we can all channel our own entrepreneurial spirit to live more fulfilled and financially healthy lives. The internet and our phones mean we can work wherever, whenever and allows us to design our own working lives. Forget the outdated stigma of being a jack of all trades, because having many strings to your bow is essential to get ahead in the modern working world. We all have the skills necessary to work less and create more, and The Multi-Hyphen Method is the source of inspiration you need to help you navigate your way towards your own definition of success.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.67

Elevate your style with the Gianni Chiarini Tote Bag from the Stylish Bags Collection. Crafted from high-quality Hyphen fabric, this bag is perfect for the fashion-forward woman.

The serial, silver screws, full-width hyphen, skeleton switch, and other features suggest that this is a circa 1979 unit. Due to ACA specifications...

Elevate your accessory game with the Gianni Chiarini Hyphen Wallets & Cardholders for women. This stylish collection of bags is a must-have for any fashion-forward individual.

Used BOSS OD-1 is now in stock! It is estimated to be circa 1980 based on the serial number, silver screws, base, black switches, double hyphens, a...

Vinyl LP pressing. Do you remember a time before the words "dance" and "rock" were linked by a hyphen and the synthesized sounds of the '80s were a regular part of the modern musical landscape? The members of The Faint do, because they were there when it started to happen. In fact, you could even say they're one of the main reasons it happened at all. The Faint's third full-length is filled with lyrics of death, betrayal, paralyzations, and murder. The 'macabre' subject matter is easily forgotte

Explains the correct usage of punctuation marks, including commas, hyphens, and parentheses.

The basic rules governing the use of periods, semicolons, hyphens, commas, and other punctuation marks are illustrated by humorous sentences

What do suicidal pandas, doped-up rock stars, and a naked Pamela Anderson have in common? They’re all a heck of a lot more interesting than reading about predicate nominatives and hyphens. June Casagrande knows this and has invented a whole new twist on the grammar book. Grammar Snobs Are Great Big Meanies is a laugh-out-loud funny collection of anecdotes and essays on grammar and punctuation, as well as hilarious critiques of the self-appointed language experts.Chapters include:I’m Writing This While Naked—The Oh-So Steamy Predicate NominativeSemicolonoscopy—Colons, Semicolons, Dashes, and Other Probing AnnoyancesI’ll Take "I Feel Like a Moron" for $200, Alex—When to Put Punctuation Inside Quotation MarksSnobbery Up with Which You Should Not Put Up—PrepositionsIs That a Dangler in Your Memo or Are You Just Glad to See Me?Hyphens—Life-Sucking, Mom-and-Apple-Pie-Hating, Mime-Loving, Nerd-Fight-Inciting Daggers of the DamnedCasagrande delivers practical and fun language lessons not found anywhere else, demystifying the subject and taking it back from the snobs. In short, it’s a grammar book people will actually want to read—just for the fun of it.

How do you spell "Mendelssohn"? Where do you place the hyphen in "Beethoven" if it breaks between two lines? Is it "premiere" or "première"? The answers and much more can be found in this completely revised and updated resource for authors, students, editors, concert producers—anyone who deals with classical music in print. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements for submitting manuscripts and electronic files. A new section outlines best practices for student writers. An appendix lists common problem words.

In Punctuation: Art, Politics, and Play, Jennifer DeVere Brody places punctuation at center stage. She illuminates the performative aspects of dots, ellipses, hyphens, quotation marks, semicolons, colons, and exclamation points by considering them in relation to aesthetics and experimental art. Through her readings of texts and symbols ranging from style guides to digital art, from emoticons to dance pieces, Brody suggests that instead of always clarifying meaning, punctuation can sometimes open up space for interpretation, enabling writers and visual artists to interrogate and reformulate notions of life, death, art, and identity politics.Brody provides a playful, erudite meditation on punctuation’s power to direct discourse and, consequently, to shape human subjectivity. Her analysis ranges from a consideration of typography as a mode for representing black subjectivity in Ralph Ellison’s Invisible Man to a reflection on hyphenation and identity politics in light of Strunk and White’s prediction that the hyphen would disappear from written English. Ultimately, Brody takes punctuation off the “stage of the page” to examine visual and performance artists’ experimentation with non-grammatical punctuation. She looks at different ways that punctuation performs as gesture in dances choreographed by Bill T. Jones, in the hybrid sculpture of Richard Artschwager, in the multimedia works of the Japanese artist Yayoi Kusama, and in Miranda July’s film Me and You and Everyone We Know. Brody concludes with a reflection on the future of punctuation in the digital era.

Where do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane’s album A Love Supreme? Is it "premiere" or "première"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers―anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music.

How do you spell Rachmaninov?Where do you place the hyphen in Hofmannsthal if it breaks across two lines? Is it premiere or première? The answers and much more can be found in a new, essential resource for authors, students, editors, concert producers—anyone who deals with music in print. An expanded version of the style sheet for the well-known journal 19th-Century Music, this small volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements of submitting manuscripts written on a word processor. An appendix lists common problem words.