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Unread book in perfect condition.

Mark Anthony Neal’s Looking for Leroy is an engaging and provocative analysis of the complex ways in which black masculinity has been read and misread through contemporary American popular culture. Neal argues that black men and boys are bound, in profound ways, to and by their legibility. The most “legible” black male bodies are often rendered as criminal, bodies in need of policing and containment. Ironically, Neal argues, this sort of legibility brings welcome relief to white America, providing easily identifiable images of black men in an era defined by shifts in racial, sexual, and gendered identities. Neal highlights the radical potential of rendering legible black male bodies—those bodies that are all too real for us—as illegible, while simultaneously rendering illegible black male bodies—those versions of black masculinity that we can’t believe are real—as legible. In examining figures such as hip-hop entrepreneur and artist Jay-Z, R&B Svengali R. Kelly, the late vocalist Luther Vandross, and characters from the hit HBO series The Wire, among others, Neal demonstrates how distinct representations of black masculinity can break the links in the public imagination that create antagonism toward black men. Looking for Leroy features close readings of contemporary black masculinity and popular culture, highlighting both the complexity and accessibility of black men and boys through visual and sonic cues within American culture, media, and public policy. By rendering legible the illegible, Neal maps the range of identifications and anxieties that have marked the performance and reception of post-Civil Rights era African American masculinity.

Mark Anthony Neal’s Looking for Leroy is an engaging and provocative analysis of the complex ways in which black masculinity has been read and misread through contemporary American popular culture. Neal argues that black men and boys are bound, in profound ways, to and by their legibility. The most “legible” black male bodies are often rendered as criminal, bodies in need of policing and containment. Ironically, Neal argues, this sort of legibility brings welcome relief to white America, providing easily identifiable images of black men in an era defined by shifts in racial, sexual, and gendered identities. Neal highlights the radical potential of rendering legible black male bodies—those bodies that are all too real for us—as illegible, while simultaneously rendering illegible black male bodies—those versions of black masculinity that we can’t believe are real—as legible. In examining figures such as hip-hop entrepreneur and artist Jay-Z, R&B Svengali R. Kelly, the late vocalist Luther Vandross, and characters from the hit HBO series The Wire, among others, Neal demonstrates how distinct representations of black masculinity can break the links in the public imagination that create antagonism toward black men. Looking for Leroy features close readings of contemporary black masculinity and popular culture, highlighting both the complexity and accessibility of black men and boys through visual and sonic cues within American culture, media, and public policy. By rendering legible the illegible, Neal maps the range of identifications and anxieties that have marked the performance and reception of post-Civil Rights era African American masculinity.

Unread book in perfect condition.

Date Code/Serialumber: Illegible Made In: France Measurements: Length: 8.5

Date Code/Serialumber: Illegible Made In: France Measurements: Length: 15

Date Code/Serial Number: illegible 3588 Made In: France Measurements: Length: 14

Date Code/Serial Number: Illegible Made In: Italy Measurements: Length: 14.25

Date Code/Serial Number: illegible Made In: France Measurements: Length: 9

• The use of this filter gives a surrealistic effect in landscape and architectural photography by producing a "storm-like" cloud effect, "moonlight" effect, and "wood" effect. • It is indispensable for tonal separation in still-life photography and for the reproduction of documents which have become illegible. • Filter factor is approx. 8

• The use of this filter gives a surrealistic effect in landscape and architectural photography by producing a "storm-like" cloud effect, "moonlight" effect, and "wood" effect. • It is indispensable for tonal separation in still-life photography and for the reproduction of documents which have become illegible. • Filter factor is approx. 8

Date Code/Serial Number: illegible Made In: France Measurements: Length: 5

An exploration of love and loss by the renowned Costa Award–winning poetYou lived at such speed that the ballpoint script running aslant and fadingacross the faded bluecan scarcely keep up. Many words are illegible. I missimportant steps. Your movements blur. I want to follow, but can’t.A Scattering is a book of lamentation and remembrance, its subject being Christopher Reid’s wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. First published in the UK in 2009 to wide acclaim, winning the Costa Book of the Year, this moving and fiercely self-reflective collection is divided into four poetic sequences. The first was written during a holiday a few months before Gane’s death with the knowledge that the end was approaching; the second recalls her last courageous weeks, spent in a hospice in London; the third continues the exploration of bereavement from a variety of perspectives; and the fourth addresses her directly, celebrating her life, personality, and achievements. Paired for the first time with Anniversary, which was written to commemorate the tenth anniversary of Gane’s death, A Scattering and Anniversary brings the poet into dialogue, again, with the wife he loved. A moving exploration of the stages of grief and how the “weighty emptinesses” that remain after bereavement change us, A Scattering and Anniversary shows us what it means to love, lose, and―forever changed―continue on.

Self-help for adults.Teachers, businessmen and women all agree that handwriting has deteriorated. Much money and time are wasted due to illegible handwriting. The formal way of teaching writing required too much time and repetition. So, there was a swing away from the formal teaching with nothing to replace it. The value of writing was denigrated, and in order to expedite the process, machines (typewriters, computers) were introduced. This removed the necessity for the thorough teaching of handwriting. Writing creates a basis on which students build skills for reading and communication. If Johnny writes, his reading improves. Many students have reverted to printing, expressing a dislike of their writing because it looks ugly.Book I is produced in order to help teachers, students, laymen to work towards beautiful, clear handwriting through form drawing. Book II will utilize these forms in the creation of letters that are pleasing to the eye. Your handwriting is you, improve it!

The Taxidermist’s Cut is a collection that centers the pressures of being a queer brown youth awakening sexually in a racist, anti-immigrant matrix. As an Indo-Caribbean, the queer-countried speaker is illegible as an “Indian” as well as an “American.” Haunted by his migration narrative, the speaker tries to make himself fit into his environment by sloughing off his skin and stretching new ones over his body. At stake here is surviving a palimpsest of violence: violences enacted upon the speaker and violences the speaker enacts upon himself through cutting. Mohabir engages with the body and the land as a series of incisions and overlays to cover the damage of memory of a South Asian brown body dealing with aggressions and joys. This is a collection of twisted love stories-as-slits that exposes the meat and bone of trauma and relief. Drawing from outside source texts such as animal tracking guides and taxidermy manuals, these poems attempt to show the process of how to survive being erased on all fronts.

Has a Brandeis University philosophy professor's (pretty much illegible) notes within, on about 30-40 of the 234 pages. No highlighting marks in text. Not a library book. Ships in a cardboard enclosure. One copy only of this title. Tim's Used Books, open shop in Provincetown, Massachusetts, known for good books at reasonable prices since 1991.

Since at least the early sixth century C.E., ink rubbings of stone, metal, clay tiles, and wood inscriptions and pictorial images have been used in China to make precise copies of culturally valued material. These paper copies sometimes are all that remain of original works that have become illegible through erosion, or that have been destroyed by war or development, or have been rendered inaccessible through events such as flooding resulting from dam construction. Chinese rubbing techniques are used throughout East Asia to create copies that often also are prized in themselves as works of art. Despite the primary importance of this technology to history, art, archaeology, printing, and many other fields of knowledge, Black Tigers is the first comprehensive study of rubbings in a Western language, and as such will be welcomed by both scholars and collectors.In Black Tigers, Kenneth Starr recounts what he has seen and learned in fifty years of fascination with rubbings and travels to China in search of the early inscriptions from which they came. The book is a history of rubbings, a guide to connoisseurship, and a technical handbook on the materials and techniques used to make rubbings. Now readers of English, with the author as their affable guide, can gain rich insight into a rigorous discipline of classical scholarship, the way in which traditional scholars viewed their world, and some of the exquisite subtleties of Chinese high culture and connoisseurship.Black Tigers will be an essential resource for students of Chinese art, history, calligraphy, archaeology, and the history of printing.

The manuscript of Alma Mahler's Diaries, a pile of old exercise books, lay unread and seemingly illegible in the library of an American university. In search of the truth about Alma and Alexander Zemlinsky, Antony Beaumont read them―and found what he was looking for. But he found far more: the authentic saga of one of the century's most charismatic personalities. The Diaries depict in intimate detail the four years during which Alma grew from adolescence into womanhood. Opening with her first, heady affair with Gustav Klimt, they break off shortly before her marriage to Gustav Mahler. "To me," writes Beaumont, "reading The Diaries is like raising a curtain, behind which stands the Vienna of 1900 in all its majesty, and so close that one can almost reach out and touch it. The vitality of everyday life, eye-witness accounts of significant artistic events, unique insights into the behavioral patterns and linguistic conventions of homo austriacus―all these serve to make the book unique."Having come to grips with Alma's handwriting, Beaumont and his coeditor for the German edition, Susanne Rode-Breymann, added meticulously researched commentaries and annotations. The German edition was published in the autumn of 1997.