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Kabbalah and Ecology is a groundbreaking book that resets the conversation about ecology and the Abrahamic traditions. David Mevorach Seidenberg challenges the anthropocentric reading of the Torah, showing that a radically different orientation to the more-than-human world of nature is not only possible, but that it also leads to a more accurate interpretation of scripture, rabbinic texts, Maimonides, and Kabbalah. Deeply grounded in traditional texts and fluent with the physical sciences, this book proposes not only a new understanding of God's image but also a new direction to restore religion to its senses and to a more alive relationship with the more than human, with nature and with divinity.

Kabbalah and Ecology is a groundbreaking book that resets the conversation about ecology and the Abrahamic traditions. David Mevorach Seidenberg challenges the anthropocentric reading of the Torah, showing that a radically different orientation to the more-than-human world of nature is not only possible, but that it also leads to a more accurate interpretation of scripture, rabbinic texts, Maimonides, and Kabbalah. Deeply grounded in traditional texts and fluent with the physical sciences, this book proposes not only a new understanding of God's image but also a new direction to restore religion to its senses and to a more alive relationship with the more than human, with nature and with divinity.

Basing much of Not in His Image on the Nag Hammadi and other Gnostic writings, John Lamb Lash explains how a little-known messianic sect propelled itself into a dominant world power, systematically wiping out the great Gnostic spiritual teachers, the Druid priests, and the shamanistic healers of Europe and North Africa. They burned libraries and destroyed temples in an attempt to silence the ancient truth-tellers and keep their own secrets. But as Lash reveals, when the truth is the planet Earth it cannot be hidden or destroyed. Not in His Image delves deeply into the shadows of ancient Gnostic writings to reconstruct the story early Christians tried to scrub from the pages of history, exploring the richness of the ancient European Pagan spirituality--the Pagan Mysteries, the Great Goddess, Gnosis, the myths of Sophia and Gaia--and chronicles the annihilation of this Pagan European culture at the hands of Christianity. Long before the birth of Christianity, monotheism was an anomaly; Europe and the Near East flourished under the divine guidance of Sophia, the ancient goddess of wisdom. The Earth was the embodiment of Sophia and thus sacred to the people who sought fulfillment in her presence. This ancient philosophy was threatening to the emerging salvation-based creed of Christianity that was based on patriarchal dominion over the Earth and lauded personal suffering as a path to the afterlife. As Derrick Jensen points out in the afterword, in Lash's hands Jesus Christ emerges as the agent provocateur of the ruling classes.

Basing much of Not in His Image on the Nag Hammadi and other Gnostic writings, John Lamb Lash explains how a little-known messianic sect propelled itself into a dominant world power, systematically wiping out the great Gnostic spiritual teachers, the Druid priests, and the shamanistic healers of Europe and North Africa. They burned libraries and destroyed temples in an attempt to silence the ancient truth-tellers and keep their own secrets. But as Lash reveals, when the truth is the planet Earth it cannot be hidden or destroyed.Not in His Image delves deeply into the shadows of ancient Gnostic writings to reconstruct the story early Christians tried to scrub from the pages of history, exploring the richness of the ancient European Pagan spirituality--the Pagan Mysteries, the Great Goddess, Gnosis, the myths of Sophia and Gaia--and chronicles the annihilation of this Pagan European culture at the hands of Christianity.Long before the birth of Christianity, monotheism was an anomaly; Europe and the Near East flourished under the divine guidance of Sophia, the ancient goddess of wisdom. The Earth was the embodiment of Sophia and thus sacred to the people who sought fulfillment in her presence. This ancient philosophy was threatening to the emerging salvation-based creed of Christianity that was based on patriarchal dominion over the Earth and lauded personal suffering as a path to the afterlife. As Derrick Jensen points out in the afterword, in Lash's hands Jesus Christ emerges as the agent provocateur of the ruling classes.

Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

For thousands of years, we have dreamed of going back to a time, to a place--Eden, Arcadia, the Golden Age--to a paradise that we ourselves have never known. The Ecology of Eden is at once an inquiry into this dream and a startling new vision of humankind's role in nature.Images of paradise arise from the down-to-earth facts of our lives--of our relationship with land, water, air, other creatures, and other people. In turn, these images of paradise reshape our lives. Tracing this interplay, Eisenberg recasts Western history as a tragicomedy whose heroes--Gilgamesh and Henry Ford, Virgil and Louis XIV, Lorenzo the Magnificent and Frank Lloyd Wright--struggle to regain a paradise lost. With elegance and refreshing wit, he shows how dreams of an earthly paradise both reflect and disguise our actual dealings with nature. He illustrates, too, the shifting nature of nature itself: how alliances of species--most recently, alliances led by humankind--have continually remade the planet. Ranging gracefully from myth to molecular biology, from the Bible to urban studies, from garden lore to evolution, Eisenberg explores the actual circumstances of our exile from Eden.The Ecology of Eden sheds a bold new light on present-day environmental problems, showing how we can make peace with our exile not by going back but by looking forward: by learning from nature itself--with, perhaps, some help from Louis Armstrong and Charlie Parker--how humans and nature can make tough, supple music together.The profundity of this book's vision is made vivid by the richness of its scholarship, the surprise of its associations, the authority of its engaging voice. Weaving humor with urgency, compassion with insight, Eisenberg succeeds in the rarest of achievements: allowing us to see the world with fresh eyes.

A natural history encyclopedia with a strong environmental awareness message reveals how the planet functions as a living, breathing organism; uses the latest satellite images and computer-generated projections to show its beauty and fragility; and provides examples of how individuals can take action to alter the negative effects of global warming. 50,000 first printing.

In Ecology without Nature, Timothy Morton argues that the chief stumbling block to environmental thinking is the image of nature itself. Ecological writers propose a new worldview, but their very zeal to preserve the natural world leads them away from the "nature" they revere. The problem is a symptom of the ecological catastrophe in which we are living. Morton sets out a seeming paradox: to have a properly ecological view, we must relinquish the idea of nature once and for all.Ecology without Nature investigates our ecological assumptions in a way that is provocative and deeply engaging. Ranging widely in eighteenth-century through contemporary philosophy, culture, and history, he explores the value of art in imagining environmental projects for the future. Morton develops a fresh vocabulary for reading "environmentality" in artistic form as well as content, and traces the contexts of ecological constructs through the history of capitalism. From John Clare to John Cage, from Kierkegaard to Kristeva, from The Lord of the Rings to electronic life forms, Ecology without Nature widens our view of ecological criticism, and deepens our understanding of ecology itself. Instead of trying to use an idea of nature to heal what society has damaged, Morton sets out a radical new form of ecological criticism: "dark ecology."

Volume 17. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9789231032998

Information overload, the shallows, weapons of mass distraction, the googlization of minds: countless commentators condemn the flood of images and information that dooms us to a pathological attention deficit. In this new book, cultural theorist Yves Citton goes against the tide of these standard laments to offer a new perspective on the problem of attention in the digital age. Phrases like 'paying attention' and 'investing one's attention' attest to our mistaken belief that attention can be conceptualized in narrow economic terms. We are constantly drawn towards attempts to quantify and commodify attention, even down to counting the number of 'likes' a picture receives on Facebook or a video on YouTube. By contrast, Citton argues that we should conceptualize attention as a kind of ecology and examine how the many different environments to which we are exposed – from advertising to literature, search engines to performance art – condition our attention in different ways. In a world where the demands on our attention are ever-increasing, this timely and original book will be of great interest to students and scholars in media and communications and in literary and cultural studies, and to anyone concerned about the long-term consequences of the profusion of images as well as digital content in the age of the internet.

The landscapes of the Middle East have captured our imaginations throughout history. Images of endless golden dunes, camel caravans, isolated desert oases, and rivers lined with palm trees have often framed written and visual representations of the region. Embedded in these portrayals is the common belief that the environment, in most places, has been deforested and desertified by centuries of misuse. It is precisely such orientalist environmental imaginaries, increasingly undermined by contemporary ecological data, that the eleven authors in this volume question. This is the first volume to critically examine culturally constructed views of the environmental history of the Middle East and suggest that they have often benefitted elites at the expense of the ecologies and the peoples of the region. The contributors expose many of the questionable policies and practices born of these environmental imaginaries and related histories that have been utilized in the region since the colonial period. They further reveal how power, in the form of development programs, notions of nationalism, and hydrological maps, for instance, relates to environmental knowledge production.Contributors: Samer Alatout, Edmund Burke III, Shaul Cohen, Diana K. Davis, Jennifer L. Derr, Leila M. Harris, Alan Mikhail, Timothy Mitchell, Priya Satia, Jeannie Sowers, and George R. Trumbull IV

This completely updated and revised second edition provides a unique and up-to-date treatment of all aspects of plant ecology, making it an ideal textbook and reference work for students, researchers and practitioners. More than 500 high-quality images and drawings, mostly in colour, aid readers’ understanding of various key topics, while the clear structure and straightforward style make it user friendly and particularly useful for students. Written by leading experts, it offers authoritative information, including relevant references. While Plant Ecology primarily addresses graduate students in biology and ecology, it is also a valuable resource for post-graduate students and researchers in botany, environmental sciences and landscape ecology, as well as all those whose study or work touches on agriculture, forestry, land use, and landscape management. Key Topics: - Molecular ecophysiology (molecular stress physiology: light, temperature, oxygen deficiency, water deficit (drought), unfavorable soil mineral conditions, biotic stress) - Physiological and biophysical plant ecology (ecophysiology of plants: thermal balance, water, nutrient, carbon relations) - Ecosystem ecology (characteristics of ecosystems, approaches how to study and how to model terrestrial ecosystems, biogeochemical fluxes in terrestrial ecosystems) - Community ecology and biological diversity (development of plant communities in time and space, interactions between plants and plant communities with the abiotic and the biotic environment, biodiversity and ecosystem functioning) - Global ecology (global biogeochemical cycles, Dynamic Global Vegetation Models, global change and terrestrial ecosystems)

Yellowstone Wildlife is a natural history of the wildlife species that call Yellowstone National Park and the Greater Yellowstone Ecosystem their home. Illustrated with stunning images by renowned wildlife photographer Thomas Mangelsen, Yellowstone Wildlife describes the lives of species in the park, exploring their habitats from the Grand Tetons to Jackson Hole.  From charismatic megafauna like elk, bison, wolves, bighorn sheep, and grizzly bears, to smaller mammals like bats, pikas, beavers, and otters, to some of the 279 species of birds, Johnsgard describes the behavior of animals throughout the seasons, with sections on what summer and autumn mean to the wildlife of the park, especially with the intrusion of millions of tourists each year. Enhanced by Mangelsen’s wildlife photography, Yellowstone Wildlife reveals the beauty and complexity of these species’ intertwined lives and that of Yellowstone’s greater ecosystem.

This first anthology of the literature on Eija-Liisa Ahtila (born 1959) includes scripts of all 14 of the artist’s moving-image installations; reprints of essays by Mieke Bal, Daniel Birnbaum, Elisabeth Bronfen, Alison Butler, Kaja Silverman and Cary Wolfe; and interviews with the artist.

Yellowstone Wildlife is a natural history of the wildlife species that call Yellowstone National Park and the Greater Yellowstone Ecosystem their home. Illustrated with stunning images by renowned wildlife photographer Thomas Mangelsen, Yellowstone Wildlife describes the lives of species in the park, exploring their habitats from the Grand Tetons to Jackson Hole.  From charismatic megafauna like elk, bison, wolves, bighorn sheep, and grizzly bears, to smaller mammals like bats, pikas, beavers, and otters, to some of the 279 species of birds, Johnsgard describes the behavior of animals throughout the seasons, with sections on what summer and autumn mean to the wildlife of the park, especially with the intrusion of millions of tourists each year. Enhanced by Mangelsen’s wildlife photography, Yellowstone Wildlife reveals the beauty and complexity of these species’ intertwined lives and that of Yellowstone’s greater ecosystem.

This completely updated and revised second edition provides a unique and up-to-date treatment of all aspects of plant ecology, making it an ideal textbook and reference work for students, researchers and practitioners. More than 500 high-quality images and drawings, mostly in colour, aid readers’ understanding of various key topics, while the clear structure and straightforward style make it user friendly and particularly useful for students. Written by leading experts, it offers authoritative information, including relevant references. While Plant Ecology primarily addresses graduate students in biology and ecology, it is also a valuable resource for post-graduate students and researchers in botany, environmental sciences and landscape ecology, as well as all those whose study or work touches on agriculture, forestry, land use, and landscape management. Key Topics: - Molecular ecophysiology (molecular stress physiology: light, temperature, oxygen deficiency, water deficit (drought), unfavorable soil mineral conditions, biotic stress) - Physiological and biophysical plant ecology (ecophysiology of plants: thermal balance, water, nutrient, carbon relations) - Ecosystem ecology (characteristics of ecosystems, approaches how to study and how to model terrestrial ecosystems, biogeochemical fluxes in terrestrial ecosystems) - Community ecology and biological diversity (development of plant communities in time and space, interactions between plants and plant communities with the abiotic and the biotic environment, biodiversity and ecosystem functioning) - Global ecology (global biogeochemical cycles, Dynamic Global Vegetation Models, global change and terrestrial ecosystems)

"I have always wondered what Gertrude Stein meant when she called a play a landscape. The marvel of her image revealed itself decade by decade as I discovered how essential landscape, field, and geography are in the conceptual vocabulary of American performance, and the extent to which the idea of nature (or the real) was transposed into a description of performance space by avant-garde artists. That this space would also be a spiritual space accounts for the emphasis on mind and perception in American performance whose subject has always been vision, or revelation."--from the IntroductionHow do geography and climate influence a work? How is narrative embedded in landscape? What is the ecology of an image? In Ecologies of Theater, Bonnie Marranca elaborates a new perspective on performance that links ecology and aesthetics. She writes of dramaturgy as an ecology in the work of Robert Wilson, and the mus/ecology of John Cage; the autobiology of Rachel Rosenthal and spiritual style of Maria Irene Fornes and Meredith Monk; and the landscape histories of Heiner Müller and Isak Dinesen. In more than two dozen essays, Marranca considers theater history and the modernist heritage in the context of landscape, culture, and art.

This volume reflects Professor Gombrich's lifelong interest in the social dynamics that help to determine the course art takes. It discusses the role of supply and demand, the 'ecology' of images, the idea of 'feedback' as developing skills in turn stimulate new demands, and the use (or misuse) of images as historical evidence.