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Paperback. Imagery rescripting (IR) is a therapeutic technique that allows problematic events to be retrieved from memory and modified in positive directions. This complete manual for practitioners offers a clear and well-organized introduction to how IR can be applied in the treatment of personality disorders and other problems. It explores the various ways in which the technique can be utilised - how imagery exercises can provide insight into present problems via events of the past, how the therapist can rescript images in the early stages of treatment, and how clients can learn to rescript images themselves as the therapy progresses. The use of IR to prepare clients for future trigger situations is also discussed. Each step is illustrated with examples from practice, and a number of clinical pitfalls are considered - including clients who cannot create images, clients with a critical attitude, and clients who struggle with feelings of guilt during the rescripting process. A complete practitioner's guide to helping clients overcome intrusive mental images and traumatic memories through imagery rescripting (IR) - an important technique within CBT and schema therapy, and a standalone evidence-based treatment in its own right. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

KISS Rock N' Roll 5' High Illuminated Color-Changing Floor Lamp Adorned With Colorful Concert Imagery On All 4 Sides And Comes With A Remote Control - KISS first stormed the stage in 1973, leaving the rock world reeling with seismic shock waves. And now, with this KISS lamp you can bring their audaciousness home as never before! Introducing the KISS Rock N' Roll Floor Lamp, a limited edition available exclusively from The Bradford Exchange. Featuring officially licensed concert photography and band logos, this lamp is sure to light up the party in your home and make an unforgettable gift for any KISS fan.This KISS collectible lamp is an impressive five-foot-high column of outrageous antics showcasing all the originals from the Destroyer Tour era: The Demon, The Starchild, The Catman and The Spaceman. The artwork wraps around all four sides of the wrinkle-resistant fabric shade, so no two sides are alike. Plus, two FREE color-changing light bulbs create waves of blue, green and violet for a sense of on-stage over-the-top pyrotechnics. A wood-tone base keeps it standing tall, and a convenient remote puts you in charge. Strong demand is anticipated, so don't delay. Order now!

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General Description: 996VP-LZ True Balanced I/O Dual Unbalanced Discrete Amplifier Datasheets and Application Notes available online/dow...

Book by Isamu Noguchi Garden Museum

Le immagini dell'amore nel vangelo di Giovanni. Dissertazione di p. Johns Varghese. La tesi, che unisce il punto di vista sincronico e diacronico, analizza tre principali campi semantici: quello della sposa-sposo, quello dell'amicizia, e quello dell'alleanza, che possono essere fatti risalire alla cultura dell'Antico Testamento e della tradizione ebraica, e a quella del mondo greco-romano. The dissertation of Fr. Johns Varghese published in revised form in this volume recommends itself for multiple reasons. There have been various monographs about as¡pects of the theme of love in the Gospel of John, but no exhaustive study of this theme from the synchronic and diachronic point of view. The dissertation published here combines both aspects and arrives at new conclusions. In choosing the term imagery, our author uses a concept becoming more important in recent times. The term allows the interpreter to start from the existing text instead of asking immediately for its literary roots. [à] Three main semantic fields emerge - bride-bridegroom, friendship, covenant - which can be attributed to two cultural backgrounds - Old Testament and Jewish tradition, Greco-Roman world. [à] The courage of our author to ask hermeneutic questions at the end of his investigations merits praise. (Johannes Beutler, S.J.) The plurality of methods employed adds value to this thesis. The approach is mainly synchronic but the author has taken care to include historical analysis when it could shed light on his interpretation. Hermeneutical analysis is present; personal concern on the religious situation in India and the role of the Christian community in this milieu. All of this flows easily from the accurate exegetical work performed. (Javier Lopez, S.J.)

Book by Isamu Noguchi Garden Museum

The topic of mental imagery has reached a stage of considerable maturity with a large published literature and a wide range of experimental paradigms now available. In recent years there has been a growing interest in uses for imagery in mental discovery and in the link between imagery and visuo-spatial working memory. Mental discovery offers insights into creative thinking, while the study of mental imagery in working memory offers a scientific understanding of important aspects of on-line cognition both in the laboratory and in everyday life. These cognate topics have been the subject of numerous scientific meetings, and there is now a well established network of imagery researchers across Europe. The idea for this special issue arose from a meeting of European imagery researchers that took place in Oslo, Norway in the summer of 1997. The topics for the special issue were chosen to reflect predominant themes represented at the meeting, but submission of papers was open to all readers of the European Journal of Cognitive Psychology whether or not they attended the conference. All the papers were subject to the normal strict reviewing process for the journal. The result is a sample of the exciting developments that are benefiting from significant growth in European based cognitive psychology.

Imagery and GIS, working together, expand our perspective so that we can better perceive and understand The Science of Where™. Today, most maps include imagery in the form of aerial photos, satellite images, thermal images, digital elevation models, and scanned maps. Imagery and GIS: Best Practices for Extracting Information from Imagery shows how imagery can be integrated successfully into GIS maps and analysis. In this essential reference, discover how imagery brings value to GIS and how GIS can be used to derive value from imagery. Learn from case studies and in-depth explanations about selecting the ‘right’ imagery, image analysis, how to efficiently manage and serve imagery datasets, and how to accurately extract information from imagery. The authors’ experience working together on numerous research, teaching, and operational remote sensing and GIS applications bestow the book with both the newest innovations, as well as proven advice. Apply the best practices found in Imagery and GIS to obtain the most value from imagery in your own GIS projects.

Paperback: 176 pages Publisher: C & T Pub (May 1993) Language: English

This advanced undergraduate textbook structures and integrates research on imagery under four headings: imagery as a personal or phenomenal experience; imagery as a mental representation; imagery as a property or attribute of materials; and imagery as a cognitive process that is under strategic control. A major part of the discussion under each of these headings concerns the ways in which the structures, mechanisms, and processes in the brain mediate our subjective experience of imagery and our observable behaviour when we make use of it in cognitive tasks.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.33

Images as means of expression have fascinated and spoken to me for a long time. Yet it has been a far-reaching and circuitous journey to syn­ thesize imagery and visual expression in the present form. Early in my life my interest in images expressed itself in art, first as a young child drawing, then responding to works of art and enjoying the life conveyed through colors, forms, and lines that created recognizable images and suggested different moods. The centering, transformative, and spir­ itual aspects of art emerged as I sought out art in times of personal turmoil. I returned to the expressive aspects of art through my training as a painter. Later I discovered in my own art, as well as in others' expressions, as a teacher and an art therapist, that many times we ex­ press more through visual means than we are consciously aware of doing. The writings of art therapy pioneers Naumburg (1950, 1953, 1966) and Ulman (1961, 1965) and Rhyne's (1973) gestalt art therapy provided a framework for my own observations. Workshops and literature on guided imagery opened another door to the inner experience through images. The discovery of Jung's concept of archetypes helped me to integrate images into a mind/body frame bridging from the biological roots of the archetypal images to the spiritual aspects of our existence.

The joint ideas of imagery and ingenuity are meant to represent the variety of topics and questions explored by Jeffrey Chipps Smith throughout his career. The term ingenuity, in particular, encompasses the creative genius of the artist and the resourcefulness of acquirers in the use and display of art objects. This collection of essays brings together new scholarship on European art from the fifteenth to the seventeenth centuries by a range of artists such as Albrecht Altdorfer, Hans Backoffen, Hans Baldung Grien, Sebald Beham, Gerard David, Albrecht Durer, Juan de Flandes, Hans Holbein the Elder, Hans Schwarz, Joos van Cleve, Lucas van Leyden, Rembrandt van Rijn, Benedetto da Rovezzano, Jacob Cornelisz. van Oostzanen, and Nicolaus Gerhaert von Leyden. Topics include the training of artists and the practices of making; the communicative importance of particular subjects, iconographies, and artistic processes; the shifting meanings of objects due to re-use; and the importance of location and tradition in the creation and reception of artworks. Imagery and Ingenuity is an innovative and instructional collection for students and scholars of Early Modern art.

This influential book shows how the systematic use of mental imagery can have a positive influence on the course of disease and can help patients to cope with pain. In Imagery in Healing, Jeanne Achterberg brings together modern scientific research and the practices of the earliest healers to support her claim that imagery is the world's oldest and most powerful healing resource. The book has become a classic in the field of alternative medicine and continues to be read by new generations of health care professionals and lay people. In Imagery in Healing, Achterberg explores in detail the role of the imagination in the healing process. She begins with an exploration of the tradition of shamanism, "the medicine of the imagination," surveying this time-honored way of touching the nexus of the mind, body, and soul. She then traces the history of the use of imagery within Western medicine, including a look at contemporary examples of how health care professionals have drawn on the power of the imagination through such methods as hypnosis, biofeedback, and the placebo effect. Ultimately, Achterberg looks to the science of immunology to uncover the most effective ground for visualization, and she presents data demonstrating how imagery can have a direct and profound impact on the workings of the immune system. Drawing on art, science, history, anthropology, and medicine, Imagery in Healing offers a highly readable overview of the profound and complex relationship between the imagination and the body.

Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.1

Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity.In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance. Through a careful and compelling analysis of over one hundred representations of lynching, she shows how the visual documentation of such crimes can be a central vehicle for both constructing and challenging racial hierarchies. She examines how lynching was often orchestrated explicitly for the camera and how these images circulated on postcards, but also how they eventually were appropriated by antilynching forces and artists from the 1930s to the present. She further investigates how photographs were used to construct ideologies of "whiteness" and "blackness," the role that gender played in these visual representations, and how interracial desire became part of the imagery.Offering the fullest and most systematic discussion of the depiction of lynching in diverse visual forms, this book addresses questions about race, class, gender, and dissent in the shaping of American society. Although we may want to avert our gaze, Apel holds it with her sophisticated interpretations of traumatic images and the uses to which they have been put.

The Imagery of Chess Revisited recovers a celebrated and extraordinary moment in art history: the 1944-45 exhibition The Imagery of Chess, held at the Julien Levy Gallery in New York City. The exhibit was a legend in its own time and has been considered a singular event in the history of art exhibitions ever since. The show's organizersthe influential art dealer Julien Levy, the Surrealist painter Max Ernst, and Dada leader Marcel Duchamp, himself a serious chess playerinvited a virtual "who's who" of artists and members of the cultural avant-garde to redesign the standard chess set or otherwise explore chess imagery and its symbolism in bold new ways. Participants included famous European expatriates and soon-to-be famous American modernists: Andre Breton, Duchamp, Alexander Calder, Ernst, Man Ray, Isamu Noguchi, and Yves Tanguy are among those who contributed chess sets; John Cage and Vittorio Rieti created original musical scores; and Dorothea Tanning, Arshile Gorky, David Hare, Man Ray, Matta, Robert Motherwell, and others produced pivotal chess-related paintings, sculptures, and photographic works. Featuring new color photographs as well as rarely seen archival images, recollections by participants and their descendants, and period reviews, The Imagery of Chess Revisited includes previously unpublished works. Among them are Andre Breton and Nicolas Calas's wine-glass chess set and Alexander Calder's chess set made of found materials, in addition to thirty-five of Calder's chess-related drawings. An essay by Larry List explores the chess designs as visual objects and pivotal creations in the context of participating artists' lives and work. Lowell Cross and Paul B. Franklin examine the two musical scores included in the show; and Ingrid Schaffner provides an introduction to the art-world milieu in which The Imagery of Chess took place. 50 illustrations in color, 80 in black and white.

Imagery and GIS, working together, expand our perspective so that we can better perceive and understand The Science of Where™. Today, most maps include imagery in the form of aerial photos, satellite images, thermal images, digital elevation models, and scanned maps. Imagery and GIS: Best Practices for Extracting Information from Imagery shows how imagery can be integrated successfully into GIS maps and analysis. In this essential reference, discover how imagery brings value to GIS and how GIS can be used to derive value from imagery. Learn from case studies and in-depth explanations about selecting the ‘right’ imagery, image analysis, how to efficiently manage and serve imagery datasets, and how to accurately extract information from imagery. The authors’ experience working together on numerous research, teaching, and operational remote sensing and GIS applications bestow the book with both the newest innovations, as well as proven advice. Apply the best practices found in Imagery and GIS to obtain the most value from imagery in your own GIS projects.

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