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Sensual fantasy scenarios to spice things up in the bedroom. In 1974, the author of the controversial and popular Gor novels revealed his vision for an exciting, fulfilling sex life for all.  Imaginative Sex outlines John Norman’s philosophy on relations between the sexes. In the first nine chapters, from “Imaginative Sex: The New Sexual Revolution,” through “Love, Hunters and Evolution,” “Marriage, Sex and Normality,” “Sex and the Brain,” “Marriage and the Ventilation of Emotions,” “Privacy,” “Disease,” “Requirements for Imaginative Sex,” to “Imaginative Techniques,” Norman details and develops his theories and ideas about sex in the modern age. In the tenth chapter, “Sensuous Fantasies: Recipes for Pleasure,” he presents fifty-three scenarios designed to reintroduce fantasy and intimacy to the bedroom. Examples include: the Aphrodisiac Fantasy, the Rites-of-Submission Fantasy, the Lady Fantasy, the I-Am-His-Slave-Girl Fantasy, the Safari Fantasy, and the Blindfolded-Lovers Fantasy, as well as many other sensuous suggestions, detailed for the enjoyment of all truly adult readers.  Find out what really lies behind the philosophy of Gor and the ways in which role-playing can spice up any love life. The book ends with an epilogue and a set of appendices that cover these important topics: Garments, Ties, Apparel in Fantasy, Notes on How to Buy a Slave Girl, and Notes on Investments, Documents, and Conception. 

Willow Tree hand-carved figures reveal their expression through body gestures only a tilt of the head, placement of the hands, a turn of the body. Child figures work well together in groupings that reflect your family relationships. Create a Family Grouping by positioning two (or three or more) figures so that they appear to be interacting, turned toward one another, touching. Like families do. Almost as if youve captured a moment in time. A gift of Willow Tree communicates beyond words

Willow Tree hand-carved figures reveal their expression through body gestures only a tilt of the head, placement of the hands, a turn of the body. Child figures work well together in groupings that reflect your family relationships. Create a Family Grouping by positioning two (or three or more) figures so that they appear to be interacting, turned toward one another, touching. Like families do. Almost as if youve captured a moment in time. A gift of Willow Tree communicates beyond words

By Gene Baer - 7x10" 224pages profusely illustrated with drawings. Copyright 1982 thus a First Edition, by Parker Publishing Co.

ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.   Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.   Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.   Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.   -- For courses in Introduction to  Creative Writing or Creative Writing in English or Creative Writing Departments.     Written by bestselling author Janet Burroway, Imaginative Writing, covers all four genres: creative nonfiction, fiction, poetry, and drama. This textbook discusses elements of craft common to all creative writing before delving into the individual genres. After an introduction, the next five chapters each investigate a specific element of craft—Image, Voice, Character, Setting, and Story—from a perspective that crosses all genres. Nearly half of the selections in all four genres are new. New "Try This" exercises give students plenty of practice. Imaginative Writing is a very popular book for courses on teaching the craft of creative writing.

Decorative examples of well-designed spaces. Penthouses, lofts, working areas, bathrooms, rustic & country spaces, kitchens, bedrooms.

A wonderful collection of stories from the beloved novelist and poet.

Written by best-selling author Janet Burroway, Imaginative Writing is an introductory creative writing book that covers the four genres: essay, fiction, poetry, and drama,. Part I addresses the elements of craft (Image, Voice, Character, Setting, Story, and Development and Revision) while Part II explores the genres (Essay, Fiction, Poetry, and Drama). "Try This" Exercises appear throughout each chapter. Provocative and fun, the exercises help readers develop the specific writing skills discussed within the chapters. The book also includes an anthology of 90 complete readings in the four genres. Photographs and graphics, with accompanying warm-up activities, open each chapter. Appendices include collaborative exercises to emphasize the sensory foundations of imaginative writing, a description of standard formats for submitting finished work in each of the four genres, and an outline of the basic elements of prosody. For those interested in developing their creative writing skills.

A traveller on an InterCity train returning to London smells the burn of brakes as it hisses to a stop in the middle of the countryside. He sees a white-faced woman leap from the train and race to the aid of a sheep stranded on its back in a field, unable to rise. Righting it, the woman turns, and he sees her face is full of tragedy.Considering tragedies of his own, he does not intrude, but the image lodges in his mind: a strange but familiar despair, unable, despite itself, to ignore the desperation it recognizes in others. From these seeds Mary Wesley draws out a plot of an unforgettable impact: of loss, of release, of a necessarily comic acceptance of fate, of love — “the imaginative experience.” Rich in character and wit, and powerfully moving, this is a novel of the heart’s pain and deliverance.

Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting his relationship with the confessional teaching of the late medieval church provided the crucial impelling force behind his entire enterprise. As Flint follows Columbus to the New World and back, she constantly relates his reports both to modern reconstructions of what he really saw and to the visual and literary sources he knew. She argues that he declined passively to accept authoritative pronouncements, but took an active part in debate, seeking to prove and disprove theses that he knew to be controversial among his contemporaries. Flint's efforts to take Columbus seriously are so convincing that his belief that he had approached the site of the earthly Paradise seems not quaint but eminently sensible on his own terms.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.   Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.   Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.   Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.   -- For courses in Introduction to  Creative Writing or Creative Writing in English or Creative Writing Departments.     Written by bestselling author Janet Burroway, Imaginative Writing, covers all four genres: creative nonfiction, fiction, poetry, and drama. This textbook discusses elements of craft common to all creative writing before delving into the individual genres. After an introduction, the next five chapters each investigate a specific element of craft—Image, Voice, Character, Setting, and Story—from a perspective that crosses all genres. Nearly half of the selections in all four genres are new. New "Try This" exercises give students plenty of practice. Imaginative Writing is a very popular book for courses on teaching the craft of creative writing.

Written by best-selling author Janet Burroway, Imaginative Writing — an introduction to creative writing — covers all four genres: creative nonfiction, fiction, poetry, and drama. Imaginative Writing discusses elements of craft common to all creative writing before delving into the individual genres. Each of the first five chapters investigates a specific element of craft–Image, Voice, Character, Setting, and Story–from a perspective that crosses all genres. Chapter 6 explores development and revision and serves as a bridge between the craft chapters and genre chapters. The last four chapters examine individual genres: Creative Nonfiction, Fiction, Poetry, and Drama. This unique organization allows students to experiment with creative techniques shared by all genres before deciding which form best suits their imagination. Unique "Try-This" exercises help students develop writing skills, while new “Working Toward a Draft” exercises encourage students to think ahead about the direction and possibilities of their work

Apologetics, the rational defense of the Christian faith in a public context, using the language of philosophy, is traditionally associated with either Roman Catholic theology or Evangelicalism. The contributors to this book seek to (re-)claim Christian apologetics in an Anglican Catholic context. The book originated in a number of successful Apologetics summer schools at St Stephen's College Oxford which generated interest in the rediscovery of apologetics in the context of today's Church. A star cast of authors from a variety of backgrounds offer constructive reflections on subjects such as what is Apologetics?; common objections to the Christian Faith; atheism; apologetics and contemporary culture and apologetics in the parish. Contributors include: Graham Ward (Manchester, Alister McGrath (King's College London), Alison Milbank (Nottingham) and Robin Ward (Oxford).

Wildly comic and bitterly satiric, Imaginative Qualities of Actual Things is Gilbert Sorrentino's ruthless, and timeless, attack on the New York art world of the 1950s and '60s. Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

In this book, award-winning educator Kieran Egan shows how we can transform the experience of K-12 students and help them become more knowledgeable and more creative in their thinking. At the core of this transformative process is imagination which can become the heart of effective learning if it is tied to education's central tasks. An Imaginative Approach to Teaching is a groundbreaking book that offers an understanding of how students' imaginations work in learning and shows how the acquisition of cognitive tools drives students' educational development. This approach is unique in that it engages both the imagination and emotions. The author clearly demonstrates how knowledge comes to life in students' minds if it is introduced in the context of human hopes, fears, and passions. To facilitate this new educational approach, the book includes a wide variety of effective teaching tools - such as story, rhythm, play, opposition, agency, and meta-narrative understanding - that value and build upon the way children understand their experiences. Most important, Egan provides frameworks for lesson planning and more than a dozen sample lessons to show how teachers can use these tools to awaken intelligence and imagination in the classroom.

In this book, award-winning educator Kieran Egan shows how we can transform the experience of K-12 students and help them become more knowledgeable and more creative in their thinking. At the core of this transformative process is imagination which can become the heart of effective learning if it is tied to education's central tasks. An Imaginative Approach to Teaching is a groundbreaking book that offers an understanding of how students' imaginations work in learning and shows how the acquisition of cognitive tools drives students' educational development. This approach is unique in that it engages both the imagination and emotions. The author clearly demonstrates how knowledge comes to life in students' minds if it is introduced in the context of human hopes, fears, and passions. To facilitate this new educational approach, the book includes a wide variety of effective teaching tools - such as story, rhythm, play, opposition, agency, and meta-narrative understanding - that value and build upon the way children understand their experiences. Most important, Egan provides frameworks for lesson planning and more than a dozen sample lessons to show how teachers can use these tools to awaken intelligence and imagination in the classroom.

Apologetics, the rational defense of the Christian faith in a public context, using the language of philosophy, is traditionally associated with either Roman Catholic theology or Evangelicalism. The contributors to this book seek to (re-)claim Christian apologetics in an Anglican Catholic context. The book originated in a number of successful Apologetics summer schools at St Stephen's College Oxford which generated interest in the rediscovery of apologetics in the context of today's Church. A star cast of authors from a variety of backgrounds offer constructive reflections on subjects such as what is Apologetics?; common objections to the Christian Faith; atheism; apologetics and contemporary culture and apologetics in the parish. Contributors include: Graham Ward (Manchester, Alister McGrath (King's College London), Alison Milbank (Nottingham) and Robin Ward (Oxford).

This timely and accessible book offers a fresh, contemporary introduction to Christian apologetics, arguing for a version that is theological, philosophical, and "catholic" and embracing the whole of human reason. It emphasizes a foundation in theology that is both confident and open and makes reference to philosophy in an accessible way. It includes contributions from authors such as Alister McGrath and Graham Ward and a foreword by John Milbank.

Russell Kirk (1918–1994) is renowned worldwide as one of the founders of postwar American conservatism. His 1953 masterpiece, The Conservative Mind, became the intellectual touchstone for a reinvigorated movement and began a sea change in the nation's attitudes toward traditionalism. A prolific author and wise cultural critic, Kirk kept up a steady stream of correspondence with friends and colleagues around the globe, yet none of his substantial body of personal letters has ever been published―letters as colorful and intelligent as the man himself.In Imaginative Conservatism, James E. Person Jr. presents one hundred and ninety of Kirk's most provocative and insightful missives. Covering a period from 1940 to 1994, these letters trace Kirk's development from a shy, precocious young man to a public intellectual firm in his beliefs and generous with his time and resources when called upon to provide for refugees, the homeless, and other outcasts. This carefully annotated and edited collection includes correspondence between Kirk and figures such as T.S. Eliot, William F. Buckley Jr., Ray Bradbury, Arthur Schlesinger Jr., Charlton Heston, Nikolai Tolstoy, Wendell Berry, Richard Nixon, and Herbert Hoover, among many others. Kirk's conservatism was not primarily political but moral and imaginative, focusing always on the relationship of the human soul in community with others and with the transcendent. Beyond the wealth of autobiographical information that this collection affords, it offers thought-provoking wisdom from one of the twentieth century's most influential interpreters of American politics and culture.

Sensual fantasy scenarios to spice things up in the bedroom. In 1974, the author of the controversial and popular Gor novels revealed his vision for an exciting, fulfilling sex life for all.  Imaginative Sex outlines John Norman’s philosophy on relations between the sexes. In the first nine chapters, from “Imaginative Sex: The New Sexual Revolution,” through “Love, Hunters and Evolution,” “Marriage, Sex and Normality,” “Sex and the Brain,” “Marriage and the Ventilation of Emotions,” “Privacy,” “Disease,” “Requirements for Imaginative Sex,” to “Imaginative Techniques,” Norman details and develops his theories and ideas about sex in the modern age. In the tenth chapter, “Sensuous Fantasies: Recipes for Pleasure,” he presents fifty-three scenarios designed to reintroduce fantasy and intimacy to the bedroom. Examples include: the Aphrodisiac Fantasy, the Rites-of-Submission Fantasy, the Lady Fantasy, the I-Am-His-Slave-Girl Fantasy, the Safari Fantasy, and the Blindfolded-Lovers Fantasy, as well as many other sensuous suggestions, detailed for the enjoyment of all truly adult readers.  Find out what really lies behind the philosophy of Gor and the ways in which role-playing can spice up any love life. The book ends with an epilogue and a set of appendices that cover these important topics: Garments, Ties, Apparel in Fantasy, Notes on How to Buy a Slave Girl, and Notes on Investments, Documents, and Conception.