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'Aloof, solitary, impassive, the crack goalie is followed in the streets by entranced small boys. He vies with the matador and the flying aces, an object of thrilled adulation. He is the lone eagle, the man of mystery, the last defender.' Nabokov (quoted here), Camus, Sir Arthur Conan Doyle, James Joyce, even Julian Barnes ...it's safe to say the goalkeeper hasn't always been a team player. In THE OUTSIDER, Jonathan Wilson traces the sometimes dangerous intellectual and literary preoccupations of the keeper, and looks at how the position has secured a certain existential cool, as well as taking a deep tactical and technical look at the history of goalkeeping. There has been the odd, minor work on goalkeeping in the past, but nothing like this in scope or depth.

Luca was heartache waiting to happen.On the surface, he appears well-dressed and professional, but behind those impassive black irises, I can sense something dark and ruthless. He’s unlike any man I’ve come across in my life. With my wealthy upbringing, I’ve been around any number of affluent, powerful men, but Luca is different. Enigmatic. Overwhelming. He wears an air of secrecy like the latest fashion trend. I’m not one of those girls who seeks out the bad boy—I have enough issues to deal with in my life without adding his brand of trouble. Problem is, a chance elevator malfunction put me straight in his crosshairs, and now, he won’t let me walk away. The most disturbing part—no matter how dangerous he may be, there’s a mutinous side of me that doesn’t want to run. As if I ever had a choice...

On a long stretch of green coast in the South Pacific, hundreds of enormous, impassive stone heads stand guard against the ravages of time, war, and disease that have attempted over the centuries to conquer Easter Island. Steven Roger Fischer offers the first English-language history of Easter Island in Island at the End of the World, a fascinating chronicle of adversity, triumph, and the enduring monumentality of the island's stone guards. A small canoe with Polynesians brought the first humans to Easter Island in 700 CE, and when boat travel in the South Pacific drastically decreased around 1500, the Easter Islanders were forced to adapt in order to survive their isolation. Adaptation, Fischer asserts, was a continuous thread in the life of Easter Island: the first European visitors, who viewed the awe-inspiring monolithic busts in 1722, set off hundreds of years of violent warfare, trade, and disease—from the smallpox, wars, and Great Death that decimated the island to the late nineteenth-century Catholic missionaries who tried to "save" it to a despotic Frenchman who declared sole claim of the island and was soon killed by the remaining 111 islanders. The rituals, leaders, and religions of the Easter Islanders evolved with all of these events, and Fischer is just as attentive to the island's cultural developments as he is to its foreign invasions. Bringing his history into the modern era, Fischer examines the colonization and annexation of Easter Island by Chile, including the Rapanui people's push for civil rights in 1964 and 1965, by which they gained full citizenship and freedom of movement on the island. As travel to and interest in the island rapidly expand, Island at the End of the World is an essential history of this mysterious site.

From the back cover: "These are the letters of a country matchmaker faithfully recorded by John B. Keane, whose knowledge of matchmaking is second to none. In these letters is revealed the unquenchable, insatiable longing that smolders unseen under the mute, impassive faces of our bachelor brethren".

An air of mystery surrounds Frank Williams. The most consistently successful Grand Prix team owner of the past twenty years, he remains impassive to success or failure. His gaunt expression - frequently caught on television as he sits, hunched in a wheelchair - conveys no emotion. Yet his actions have frequently caused a storm.

In this moving and compelling memoir about parent and child, father and daughter, Pulitzer Prize-winning writer Lucinda Franks discovers that the remote, nearly impassive man she grew up with had in fact been a daring spy behind enemy lines in World War II. Sworn to secrecy, he began revealing details of his wartime activities only in the last years of his life as he became afflicted with Alzheimer's. His exploits revealed a man of remarkable bravado -- posing as a Nazi guard, slipping behind enemy lines to blow up ammunition dumps, and being flown to one of the first concentration camps liberated by the Allies to report on the atrocities found there.My Father's Secret War is an intimate account of Franks coming to know her own father after years of estrangement. Looking back at letters he had written her mother in the early days of WWII, Franks glimpses a loving man full of warmth. But after the grimmest assignments of the war his tone shifts, settling into an all-too-familiar distance. Franks learns about him -- beyond the alcoholism and adultery -- and comes to know the man he once was.Her story is haunting, and beautifully told, even as the tragedy becomes clear: Franks finally comes to know her father, but only as he is slipping further into his illness. Lucinda Franks understands her father as the disease claims him. My Father's Secret War is a triumph of love over secrets, and a tribute to the power of the connection of family.

Henri Cartier-Bresson is perhaps the greatest photographer of the twentieth century. In a career spanning more than sixty years, he has used his camera as an impassive and neutral third eye to capture the vagaries of human behavior and to produce some of the most memorable and compelling photographs ever published.In this impressive biographical study, Jean-Pierre Montier traces Cartier-Bresson's artistic progression from his early training as a painter and draftsman right up to the present; he provides a detailed analysis of Cartier-Bresson's most famous images and discusses the various philosophies that inform his work, notably Zen and surrealism. Drawing together a remarkable selection of the paintings, sketches, and photographs, this book is the first to attempt a serious evaluation not just of his photojournalism but of his oeuvre as a whole.

By the end of his life Henry Cole was recognised as a national institution, "Old King Cole", though has was also treated with caution as a "playful monster". He was a lifelong Civil Servant, in a period when Civil Servants could be buccaneering reformers rather than impassive mandarins. Describedas "a clever agitator, and a public spirited fellow", he waged many campaigns, moving from the Public Records to the Penny Post, to railway expansion, to patent law revision, to art and design reform. With Prince Albert, he created the Great Exhibition of 1851, and kept on organising international exhibitions for the rest of his life. He was in charge of a nationwide system of art and science education, and, again with Prince Albert, developed the South Kensington area as the intellectual quarter of London. The Victoria and Albert Museum, of which he was founding Director, remains as his best-known memorial, andis a symbol of his mission to educate through exhibiting. This book gives a rounded picture of this extraordinary man. He is portrayed not only as exhibitor, museum director andeducationalist, but as a galvanic force administering salutary shocks over a wide areas of Victorian life: children's books, hackney cabs, public lavatories, choral singing, cookery, sewage disposal, to name only a few. In his own time he aroused admiration and antipathy in equal measure. For today's readers, his energy and creativity will mark him out as an inimitable Victorian phenomenon.

On a long stretch of green coast in the South Pacific, hundreds of enormous, impassive stone heads stand guard against the ravages of time, war, and disease that have attempted over the centuries to conquer Easter Island. Steven Roger Fischer offers the first English-language history of Easter Island in Island at the End of the World, a fascinating chronicle of adversity, triumph, and the enduring monumentality of the island's stone guards. A small canoe with Polynesians brought the first humans to Easter Island in 700 CE, and when boat travel in the South Pacific drastically decreased around 1500, the Easter Islanders were forced to adapt in order to survive their isolation. Adaptation, Fischer asserts, was a continuous thread in the life of Easter Island: the first European visitors, who viewed the awe-inspiring monolithic busts in 1722, set off hundreds of years of violent warfare, trade, and disease—from the smallpox, wars, and Great Death that decimated the island to the late nineteenth-century Catholic missionaries who tried to "save" it to a despotic Frenchman who declared sole claim of the island and was soon killed by the remaining 111 islanders. The rituals, leaders, and religions of the Easter Islanders evolved with all of these events, and Fischer is just as attentive to the island's cultural developments as he is to its foreign invasions. Bringing his history into the modern era, Fischer examines the colonization and annexation of Easter Island by Chile, including the Rapanui people's push for civil rights in 1964 and 1965, by which they gained full citizenship and freedom of movement on the island. As travel to and interest in the island rapidly expand, Island at the End of the World is an essential history of this mysterious site.

A true-life Catch-22 set in the deeply dysfunctional countries of Afghanistan and Pakistan, by one of the region’s longest-serving correspondents. Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job. When Barker arrives in Kabul, foreign aid is at a record low, electricity is a pipe dream, and of the few remaining foreign troops, some aren’t allowed out after dark. Meanwhile, in the vacuum left by the U.S. and NATO, the Taliban is regrouping as the Afghan and Pakistani governments floun­der. Barker watches Afghan police recruits make a travesty of practice drills and observes the disorienting turnover of diplomatic staff. She is pursued romantically by the former prime minister of Pakistan and sees adrenaline-fueled col­leagues disappear into the clutches of the Taliban. And as her love for these hapless countries grows, her hopes for their stability and security fade. Swift, funny, and wholly original, The Taliban Shuffle unforgettably captures the absurdities and tragedies of life in a war zone.

Henri Cartier-Bresson is perhaps the greatest photographer of the twentieth century. In a career spanning more than sixty years, he has used his camera as an impassive and neutral third eye to capture the vagaries of human behavior and to produce some of the most memorable and compelling photographs ever published.In this impressive biographical study, Jean-Pierre Montier traces Cartier-Bresson's artistic progression from his early training as a painter and draftsman right up to the present; he provides a detailed analysis of Cartier-Bresson's most famous images and discusses the various philosophies that inform his work, notably Zen and surrealism. Drawing together a remarkable selection of the paintings, sketches, and photographs, this book is the first to attempt a serious evaluation not just of his photojournalism but of his oeuvre as a whole.

On a long stretch of green coast in the South Pacific, hundreds of enormous, impassive stone heads stand guard against the ravages of time, war, and disease that have attempted over the centuries to conquer Easter Island. Steven Roger Fischer offers the first English-language history of Easter Island in Island at the End of the World, a fascinating chronicle of adversity, triumph, and the enduring monumentality of the island's stone guards. A small canoe with Polynesians brought the first humans to Easter Island in 700 CE, and when boat travel in the South Pacific drastically decreased around 1500, the Easter Islanders were forced to adapt in order to survive their isolation. Adaptation, Fischer asserts, was a continuous thread in the life of Easter Island: the first European visitors, who viewed the awe-inspiring monolithic busts in 1722, set off hundreds of years of violent warfare, trade, and disease—from the smallpox, wars, and Great Death that decimated the island to the late nineteenth-century Catholic missionaries who tried to "save" it to a despotic Frenchman who declared sole claim of the island and was soon killed by the remaining 111 islanders. The rituals, leaders, and religions of the Easter Islanders evolved with all of these events, and Fischer is just as attentive to the island's cultural developments as he is to its foreign invasions. Bringing his history into the modern era, Fischer examines the colonization and annexation of Easter Island by Chile, including the Rapanui people's push for civil rights in 1964 and 1965, by which they gained full citizenship and freedom of movement on the island. As travel to and interest in the island rapidly expand, Island at the End of the World is an essential history of this mysterious site.