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This study aims to assess Robert Musil's contribution to the praxis and poetics of drama by placing his dramatic efforts in the context of the development of modern drama. Musil's involvement in the dramatic genre coincides with a period marked by a profound reorientation of drama, delimited by the realism of Ibsen, Strindberg, and Hauptmann on the one hand, and the radical redefinition of the nature and function of drama in Brecht's 'epic theater' on the other. Close readings of Musil's published plays as well as a discussion of his numerous unfinished dramatic projects and his theoretical reflections on drama show how Musil participated in the intense quest for dramatic forms appropriate to the experience of modernity. offering responses to what Peter Szondi has described as the 'crisis of modern drama.'A central concern of Musil's 'implied dramaturgy' is the question of whether modern drama is capable of offering its audience a kind of collective aesthetic experience that could be a modern equivalent of the cathartic effect that Aristotle has ascribed to tragedy.

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Graphic marled t-shirt

Graphic marled t-shirt

Graphic t-shirt

Graphic t-shirt

Graphic t-shirt

Graphic t-shirt

Graphic marled t-shirt

Graphic t-shirt

Brighten up any room with this ready to hang art print. Your artwork is printed on North American Semi Gloss Artisan canvas, then stretched and mounted to a 2 in. thick - hand stained black wood frame. Arrives at your door complete with an easy to use self-levelling hanging kit. Color: Green.

Buy with confidence! Book is in new, never-used condition 0.84

Vinyl LP pressing. 2016 release. After popular releases with Ghostly International, (2010s Skulltaste and 2012s Planet High School), and a handful of EPs and singles, Mux released Implied Lines in 2016 independently on Bandcamp. Its popularity grew organically on that platform and has quickly become a fan favorite. Implied Lines is getting an overhaul and proper release with Detroit label Young Heavy Souls.

Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses.Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and form of this discovery is the calculated response of the reader -- the implied reader. In discovering the expectations and presuppositions that underlie all his perceptions, the reader learns to "read" himself as he does the text.

Wendy Doniger's foundational study is both modern in its engagement with a diverse range of religions and refreshingly classic in its transhistorical, cross-cultural approach. By responsibly analyzing patterns and themes across context, Doniger reinvigorates the comparative reading of religion, tapping into a wealth of narrative traditions, from the instructive tales of Judaism and Christianity to the moral lessons of the Bhagavad Gita. She extracts political meaning from a variety of texts while respecting the original ideas of each. A new preface confronts the difficulty of contextualizing the comparison of religions as well as controversies over choosing subjects and positioning arguments, and the text itself is expanded and updated throughout.

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Wendy Doniger's foundational study is both modern in its engagement with a diverse range of religions and refreshingly classic in its transhistorical, cross-cultural approach. By responsibly analyzing patterns and themes across context, Doniger reinvigorates the comparative reading of religion, tapping into a wealth of narrative traditions, from the instructive tales of Judaism and Christianity to the moral lessons of the Bhagavad Gita. She extracts political meaning from a variety of texts while respecting the original ideas of each. A new preface confronts the difficulty of contextualizing the comparison of religions as well as controversies over choosing subjects and positioning arguments, and the text itself is expanded and updated throughout.

Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses.Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and form of this discovery is the calculated response of the reader -- the implied reader. In discovering the expectations and presuppositions that underlie all his perceptions, the reader learns to "read" himself as he does the text.

Aristide, a semi-retired computer scientist turned swordsman, is a scholar of the implied spaces, seeking meaning amid the accidents of architecture in a universe where reality itself has been sculpted and designed by superhuman machine intelligence. While exploring the pre-technological world Midgarth, one of four dozen pocket universes created within a series of vast, orbital matrioshka computer arrays, Aristide uncovers a fiendish plot threatening to set off a nightmare scenario, perhaps even bringing about the ultimate Existential Crisis: the end of civilization itself. Traveling the pocket universes with his wormhole-edged sword Tecmesssa in hand and talking cat Bitsy, avatar of the planet-sized computer Endora, at his side, Aristide must find a way to save the multiverse from subversion, sabotage, and certain destruction.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

This monograph contains an analysis of the text-internal reader in Isaiah 6-12.For that purpose, two modern literary methods are incorporated in Old Testament Exegesis. First, the research makes use of text-linguistics, so it is explicitly based on the idiom of Biblical Hebrew. Next, the domain analysis provides a means of outlining communicative situations between characters, implied author and implied reader, in accordance with various diagrams.This research shows that the implied reader is involved in the communication evoked by the text. Not only is the implied reader manipulated by the composition of Isa 6-12 as a whole, but he or she is also directly addressed by the implied author. Moreover, he or she is related to the points in time, varying from standing at a certain distance to being involved in the now-moment.