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Book is in NEW condition. 0.32

The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century. She traces this tradition from its early "French connection" in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada, and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams, and Ezra Pound; to such postmodern "landscapes without depth" as the French/English language constructions of Samuel Beckett, the elusive dreamscapes of John Ashbery, and the performance works of David Antin and John Cage.

In Nabokov and Indeterminacy, Priscilla Meyer shows how Vladimir Nabokov’s early novel The Real Life of Sebastian Knight illuminates his later work. Meyer first focuses on Sebastian Knight, exploring how Nabokov associates his characters with systems of subtextual references to Russian, British, and American literary and philosophical works. She then turns to Lolita and Pale Fire, applying these insights to show that these later novels clearly differentiate the characters through subtextual references, and that Sebastian Knight’s construction models that of Pale Fire. Meyer argues that the dialogue Nabokov constructs among subtexts explores his central concern: the continued existence of the spirit beyond bodily death. She suggests that because Nabokov’s art was a quest for an unattainable knowledge of the otherworldly, knowledge which can never be conclusive, Nabokov’s novels are never closed in plot, theme, or resolution—they take as their hidden theme the unfinalizability that Bakhtin says characterizes all novels. The conclusions of Nabokov's novels demand a rereading, and each rereading yields a different novel. The reader can never get back to the same beginning, never attain a conclusion, and instead becomes an adept of Nabokov’s quest. Meyer emphasizes that, unlike much postmodern fiction, the contradictions created by Nabokov’s multiple paths do not imply that existence is constructed arbitrarily of pre-existing fragments, but rather that these fragments lead to an ever-deepening approach to the unknowable.

"I count Sandra McPherson as one of the dozen or so truly outstanding American poets who write brilliantly in the Romantic tradition. . . . The God of Indeterminacy brings together a group of exciting poems showing the vital influence of her interest in the blues tradition and in African-American quiltmaking. They are brilliant testimonials to this fruitful wedding of the musical, the visual, and the literary." -- Clarance Major

The description for this book, Poetics of Indeterminacy: Rimbaud to Cage, will be forthcoming.

In her seminal study, first published in 1981, Marjorie Perloff argues that the map of Modernist poetry needs to be redrawn to include a central tradition which cannot properly be situated within the Romantic-Symbolist tradition dominating the early twentieth century.

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Potential Images, the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.Dario Gamboni concentrates on the last decades of the nineteenth and first decades of the twentieth centuries, during which ambiguity and indeterminacy became defining characteristics of art. He examines how work by Redon, Gauguin, Rodin, Duchamp and numerous others sought to involve the beholder and reshaped artistic communication. Drawing on a vast range of sources, Gamboni finds striking parallels in other realms of contemporary culture and points to the intense exchanges that supported this process of cultural transformation. Potential Images also identifies the historical antecedents of this appeal to the viewer, finally proposing a conception of art in which artist and audience occupy symmetrical, equal and even interchangeable positions.

In this book the author takes an unusual multi-disciplinary approach to debates about contemporary art and poetry, ideas about the mind and its representations, and theories of knowledge and being. Arts practices are considered as enactments of mind and as transformative modes of consciousness. Ideas drawn from poetics, philosophy and consciousness studies are used to illuminate the conceptual and aesthetic frameworks of a diverse array of visual artists. Themes explored include: the interconnectedness of existence; art as a way of interrogating appearances; identity and otherness; art and the self as ‘open work’; Buddhist concepts of ‘emptiness’ and ‘suchness’; scepticism, mysticism and the arts; and mind in the landscape. The book contains an important and distinctive visual dimension with photographs and drawings by the author and texts employing unorthodox syntax and layouts that exemplify the themes under discussion. The author hints at a new aesthetics and! philosophy of indeterminacy, paradox, uncertainty and discontinuity - a contrarium - in which we negotiate our way through the instabilities and contradictions of contemporary life. Written in a lively and accessible style this volume is of interest to scholars, arts practitioners, teachers and to anyone with an interest in art, poetry, consciousness studies, philosophy and nature. Artists, poets and philosophers discussed, include: Cy Twombly, Helen Chadwick, John Ruskin, Ad Reinhardt, Richard Long, James Turrell, Anish Kapoor, Ian Hamilton Finlay, Agnes Martin, Land Art, Arte Povera, Minimalism, Charles Olson, Kenneth White, Robin Blaser, Fred Wah, Gary Snyder, RS Thomas, Alice Oswald, John Cage, Jorge Luis Borges, Guy Davenport, Kenneth Rexroth, Heidegger, Marjorie Perloff, Thomas McEvilley, Merleau-Ponty, Spinoza, Wittgenstein, Roland Barthes, Umberto Eco, David Abram, Thomas Merton, Pyrrho & Nagarjuna.

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Potential Images, the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.Dario Gamboni concentrates on the last decades of the nineteenth and first decades of the twentieth centuries, during which ambiguity and indeterminacy became defining characteristics of art. He examines how work by Redon, Gauguin, Rodin, Duchamp and numerous others sought to involve the beholder and reshaped artistic communication. Drawing on a vast range of sources, Gamboni finds striking parallels in other realms of contemporary culture and points to the intense exchanges that supported this process of cultural transformation. Potential Images also identifies the historical antecedents of this appeal to the viewer, finally proposing a conception of art in which artist and audience occupy symmetrical, equal and even interchangeable positions.

The concept of judgment has occupied a place of special importance in the tradition of Western thought. In antiquity and especially in the Enlightenment, judgment served as the rubric under which Western thinkers struggled to come to terms with how the world of human concerns is constituted in thought and, perhaps more important, how humans call for timely and appropriate actions. Recently, judgment has again emerged as a highly contestatory site for philosophical, rhetorical, and cultural reflection and inquiry.This book puts into contact a variety of responses to the question of judgment in a postmodern age, seeking out the question of how, once solid ground is pulled out from underneath the position of the judge, one continues to tread” judgment, to meet obligations while remaining afloat.The essays in this edited volume investigate judgment as a rhetorical problem to be discussed philosophically and examines the standards by which judgments are made and can be made in contemporary culture. The essays clarify the links between rhetoric and judgment as they are played out on public and meta-critical levels.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.86

The concept of judgment has occupied a place of special importance in the tradition of Western thought. In antiquity and especially in the Enlightenment, judgment served as the rubric under which Western thinkers struggled to come to terms with how the world of human concerns is constituted in thought and, perhaps more important, how humans call for timely and appropriate actions. Recently, judgment has again emerged as a highly contestatory site for philosophical, rhetorical, and cultural reflection and inquiry.This book puts into contact a variety of responses to the question of judgment in a postmodern age, seeking out the question of how, once solid ground is pulled out from underneath the position of the judge, one continues to tread” judgment, to meet obligations while remaining afloat.The essays in this edited volume investigate judgment as a rhetorical problem to be discussed philosophically and examines the standards by which judgments are made and can be made in contemporary culture. The essays clarify the links between rhetoric and judgment as they are played out on public and meta-critical levels.

This is the first exhaustive investigation of gradience in syntax, conceived of as grammatical indeterminacy. It looks at gradience in English word classes, phrases, clauses and constructions, and examines how it may be defined and differentiated. Professor Aarts addresses the tension between linguistic concepts and the continuous phenomena they describe by testing and categorizing grammatical vagueness and indeterminacy. He considers to what extent gradience is a grammatical phenomenon or a by-product of imperfect linguistic description, and makes a series of linked proposals for its theoretical formalization. Bas Aarts draws on, and reviews, work in psychology, philosophy and language from Aristotle to Chomsky., and writes clearly on a fascinating and important aspect of language and cognition. His book will appeal to scholars and graduate students of language and syntactic theory in departments of (English) linguistics, philosophy and cognitive science.

Ah, yes how to describe this album? Well, basically Indeterminacy is just that; 90 stories read by Cage that have nothing to do with each other, while David Tudor provides random sound as accompaniment. Utterly Cage-ian and, thus, utterly unique. "*" - Rolling Stone Record Guide.

Vinyl LP pressing. Designed to free sound and language from rational order and replace calculation with indeterminacy, Ben Chasny's Hexadic System is a catalyst to extinguish patterns and generate new means of chord progressions and choices. The album brews and boils with an ominously dark tone in a desolate space, dense with energy, guitar overdriven past the point of sanity, slamming drum accents, vocals cutting through in what seems to be comprised of another, as yet unheard, language. This i

Ignorance and Uncertainty overviews a variety of approaches to the problem of indeterminacies in human thought and behavior. This book examines, in depth, trends in the psychology of judgment and decision-making under uncertainty or ignorance. Research from the fields of cognitive psychology, social psychology, organizational studies, sociology, and social anthroplogy are reviewed here in anticipation of what Dr. Smithson characterizes as the beginning of a "creative dialogue between these researchers". Ignorance and Uncertainty offers the conceptual framework for understanding the paradigms associated with current research. It discusses the ways in which attitudes toward ignorance and uncertainty are changing, and addresses issues previously ignored.

This study approaches the Book of Job as a book, as a work of literary art. Drawing on deconstruction’s pleasure in indeterminacy, the author asks how the text of Job plays, how it discloses its patterns of words in all their multiple possibilities.Reviews The translation is fresh, engaging, and free-flowing. It is amazing how an unfamiliar sentence structure can open a well-known phrase to a new reading. . . . The commentary not only examines the dynamics of the narrative and significance of the speeches, but also contains Good’s own argument with literary points made by some of the other prominent commentators on Job. . . . The language Good uses to communicate his insights is inclusive and lively. All of this serves to make the book very readable, in fact, enjoyable.” Theological Studies Good fills his dazzling kaleidoscope of explication with strong and intelligent historical, rhetorical, and linguistic references, citations, and allusions.” Religion & Literature A brilliant, exhaustive study. . . . Insights into the meaning of the Hebrew of the Book of Job are abundant, and observations about irony, sarcasm, and wordplays abound. . . . One cannot help but be challenged and stimulated by these . . . richly endowed, carefully researched, and well-written pages.” Bibliotecha Sacra

How can we think about God's action in a quantum world of indeterminacy? in a world that began with a Big Bang? in a world in which life evolved and is continually evolving? in a world governed by entropy and heading toward its eventual heat death? These are some of the most perplexing questions that have arisen from the rapid scientific and technological advances of the twentieth century. Science and Theology: The New Consonance grapples with these seeming conundrums by asking both scientists and religious thinkers to reflect upon possible solutions. In this exciting, new edited volume, physicists think about the connection between physics and faith and biologists discuss evolution, ethics, and the future. Complementing these viewpoints, theologians address these same issues from a religious standpoint.Chapter authors include Nobel Prize–winning physicist and inventor of the laser, Charles Townes, along with Pope John Paul II. The resulting interplay between science and theology presses toward consonance, encouraging comparisons, crossovers, and complementarity.

This study approaches the Book of Job as a book, as a work of literary art. Drawing on deconstruction?s pleasure in indeterminacy, the author asks how the text of Job plays, how it discloses its patterns of words in all their multiple possibilities.Reviews“The translation is fresh, engaging, and free-flowing. It is amazing how an unfamiliar sentence structure can open a well-known phrase to a new reading. . . . The commentary not only examines the dynamics of the narrative and significance of the speeches, but also contains Good?s own argument with literary points made by some of the other prominent commentators on Job. . . . The language Good uses to communicate his insights is inclusive and lively. All of this serves to make the book very readable, in fact, enjoyable.? —Theological Studies“Good fills his dazzling kaleidoscope of explication with strong and intelligent historical, rhetorical, and linguistic references, c