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Comparing the experiences of the Cherokee with the Florida Seminoles and Southwestern tribes, this text brings into focus the fine line between promoting and selling Indian culture.

For more than a century, trading posts in the American Southwest tied the U.S. economy and culture to those of American Indian peoples—and in this capacity, Hubbell Trading Post, founded in 1878 in Ganado, Arizona, had no parallel. This book tells the story of the Hubbell family, its Navajo neighbors and clients, and what the changing relationship between them reveals about the history of Navajo trading. Drawing on extensive archival material and secondary literature, historian Erica Cottam begins with an account of John Lorenzo Hubbell, who was part Hispanic, part Anglo, and wholly brilliant and charismatic. She examines his trading practices and the strategies he used to meet the challenges of Navajo exchange customs and a seasonal trading cycle. Tracing the trading post’s affairs through the upheavals of the twentieth century, Cottam explores the growth of tourism, the development of Navajo weaving, the automobile’s advent, and the Hubbells’ relationship with the Fred Harvey Company. She also describes the Hubbell family’s role in providing Navajo and Hopi demonstrators for world’s fairs and other events and in supplying museums with Native artifacts. Acknowledging the criticism aimed at the Hubbell family for taking advantage of Navajo clients, Cottam shows the family’s strengths: their integrity as business operators and the warm friendships they developed with customers and with the artists, writers, archaeologists, politicians, and tourists attracted to Navajo country by its unparalleled landscapes and fascinating peoples. Cottam traces the preservation efforts of Hubbell’s daughter-in-law after the Great Depression and World War II fundamentally altered the trading post business, and concludes with the post’s transition to its present status as a National Park Service historic site.

You can see them cruising for Indian art in Santa Fe, waiting for Old Faithful at Yellowstone, or pausing for shrimp cocktails on San Francisco's Fisherman's Wharf. The American West attracts vacationers of every stripe, who comb its varied landscapes for the ultimate trip. And for better or worse, those who come to see this multifaceted region have changed what they have come to see.Seeing and Being Seen explores the history of tourism in the American West and examines its effects on both the tourists and the places and people they visit. Scholars from the humanities, social sciences, and business-Patricia Nelson Limerick, Hal Rothman, and others-join government and National Park Service professionals to investigate the dilemmas that tourism poses for western communities, from economic and environmental questions to cultural change.The selections are organized around three broad topics: scholarly perceptions of tourism, tourists, and those toured upon; tourism in its historical context, including an assessment of its cultural impact on communities and on tourists themselves; and the history and impact of tourism on the West's national parks, with particular emphasis on efforts to maintain the delicate balance between natural preservation and public enjoyment. These essays cover the span of tourism history, from early-twentieth-century "See America First" campaigns to the problematic place of automobiles in national parks today. They also pay special attention to policy choices that the growth of tourism sometimes forces on communities, as towns try to bounce back from failed economies by capitalizing on an "Old West" image—or even, in the case of Kellogg, Idaho, "Old Bavarian." In response, the authors offer suggestions by which communities can begin to make rational choices about the role and place of tourism in their lives. Seeing and Being Seen is enlightening—and necessary—reading for scholars, policy makers, residents of the West, and even tourists themselves.

Fascinating history of how the Fred Harvey Company, the Santa Fe Railway and various Native American tribes collaborated to promote tourism in the Southwest. Illustrated throughout with black and white photos. 327 pages.

The photography of Eliot Porter captures the majestic beauty of the Appalachian wilderness. In the contrast, the harsh human history--the blighting force of today's industrial tourism, the sad fate of the Cherokee Indians, and the mountaineers--is sensitively recorded by Abbey. 45 color illustrations. 128 pages. Size D.48 color illus. 10 x 13 3/4. $37.50 value.

The photography of Eliot Porter captures the majestic beauty of the Appalachian wilderness. In the contrast, the harsh human history--the blighting force of today's industrial tourism, the sad fate of the Cherokee Indians, and the mountaineers--is sensitively recorded by Abbey. 45 color illustrations. 128 pages. Size D.48 color illus. 10 x 13 3/4. $37.50 value.