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Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.38

Le Vernis Longwear Nail Colour 13mL 163 Été Indien

Indien Himalaya & Sri Lanka - DVD 090204641536

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Etui Cuir Vert Indien By Atelier Cologne For Unisex Leather Case for 1oz bottle NEW

MICRO POUSSIERES SOUS VERNIS FIN DE BORD DE TOUCHE COTE JOUEUR -RELIEFS (micro Cette guitare classique haut de gamme pr sente des finitions exemp...

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

perce/voile sous vernis milieu bord de touche joueur Cette guitare classique haut de gamme pr sente des finitions exemplaires, un confort de jeu et...

Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paris, 1889. La tour Eiffel est achevée. Billy Powona n’a vécu que pour ça et pour l’amour de La Garenne, chanteuse de cabaret, pendant deux ans. Mais le cruel Nicéphore Palamas est de retour. Et il veut La Garenne.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

At the turn of the 20th century, the American photographer Edward Sheriff Curtis (1868–1952) started on his 30-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious, he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out.With tireless personal commitment Curtis visited 80 American Indian tribes from the Mexican border to the Bering Strait, gaining their confidence through his patience and sensitivity. His work was printed in 20 volumes between 1907 and 1930 as The North American Indian, but with only 272 copies, originals became extremely rare.This book gathers Curtis’s entire American Indian portfolio into one publication, offering renewed access to and appreciation of his extraordinary achievement, which is as much a precious historical document as a triumph of the photographic form.

R200058181: 2006. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Mouillures. 329 pages. . . . Classification Dewey : 299-Autres religions, théosophie

Snow-capped Himalayan mountains, palm-fringed sandy beaches, impenetrable tropical jungles and majestic tigers, wild elephants and brilliant birds are just some of the attractions India has to offer in over 400 photographs in this splendid volume. Besides the scenic beauty, the cultural aspects and the people make this country very special.

Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

This book discusses a subject to which little attention has been paid to date: Schinkel's interest in Indian architecture and culture. At the royal court of Prussia, Lalla Rookh, based on Thomas Moore's romance, was celebrated in 1821 as an oriental festival. In 1822 the Indian-themed pageant Nurmahal was performed at the opera. For both productions Schinkel created enchantingly beautiful stage sets. His unrealised project for the summer palace Orianda on the Crimea, at the geographical interface of eastern and western culture, was Schinkel's convincing and timeless memorial to his dream of the unity of world cultures. The style of the exterior is classical, while that of the interior is Indian and Islamic. The work is characterized by the hall of caryatids that lies in front of the building and the museum of Caucasian antiquities, its counterpart in the interior of the palace.

This book discusses a subject to which little attention has been paid to date: Schinkel's interest in Indian architecture and culture. At the royal court of Prussia, Lalla Rookh, based on Thomas Moore's romance, was celebrated in 1821 as an oriental festival. In 1822 the Indian-themed pageant Nurmahal was performed at the opera. For both productions Schinkel created enchantingly beautiful stage sets. His unrealised project for the summer palace Orianda on the Crimea, at the geographical interface of eastern and western culture, was Schinkel's convincing and timeless memorial to his dream of the unity of world cultures. The style of the exterior is classical, while that of the interior is Indian and Islamic. The work is characterized by the hall of caryatids that lies in front of the building and the museum of Caucasian antiquities, its counterpart in the interior of the palace.

Ancien livre de bibliothèque. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations.

Buy with confidence! Book is in new, never-used condition 0.9

At the turn of the 20th century, the American photographer Edward Sheriff Curtis (1868–1952) started on his 30-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious, he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out.With tireless personal commitment Curtis visited 80 American Indian tribes from the Mexican border to the Bering Strait, gaining their confidence through his patience and sensitivity. His work was printed in 20 volumes between 1907 and 1930 as The North American Indian, but with only 272 copies, originals became extremely rare.This book gathers Curtis’s entire American Indian portfolio into one publication, offering renewed access to and appreciation of his extraordinary achievement, which is as much a precious historical document as a triumph of the photographic form.