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96 Seiten; Sauber mit Gebrauchsspuren, Seiten und Bindung etwas abgenutzt. Knicke, Markierungen oder persönliche Notizen sind minimal (max. 5%). Arbeitsbuchantworten sind nicht ausgefüllt, Zusatzmaterialien (CDs, Zugangscodes) verwendbar. Möglicherweise Mängel- oder ausgebuchte Bibliotheksexemplare. Keine Post-Its. 9783938187869.3 Sprache: Deutsch Gewicht in Gramm: 500

Neuware -Weltweite Bekanntheit erlangten Janet Cardiff und George Bures Miller mit ihren raumgreifenden Klangarbeiten. Dem kanadischen Künstlerpaar ist es gelungen, die Welt der Klänge, der Stimmen und der Musik in die Skulptur zu überführen und damit ein neues Genre zu prägen. Für ihr innovatives Lebenswerk, in dem sich die Grenzen zwischen Klangkunst, Hörspiel, Konzert, Kino und Theater auflösen, wurden sie 2020 mit dem renommierten Wilhelm-Lehmbruck-Preis ausgezeichnet.Mit Texten von Söke Dinkla, Stefan Trinks und Ronja Friedrichs, persönlichen Statements von Weggefährt:innen des Künstlerpaares und einer reichen Bebilderung gibt der Katalog einen tiefen Einblick in ihre Arbeit. Ergänzt durch Skizzen, Videostills und QR-Codes wird das multimediale Werk erlebbar gemacht. 167 pp. Englisch, Deutsch

Lucas Cranach the Younger (1515 - 1586) was long overshadowed by his famous father Lucas Cranach the Elder. The most recent research, presented in the catalogue and conference proceedings, reveals the son to have been an artistically innovative painter, graphic artist, businessman and politician who reflected the extensive transformations of the age of Reformation and confessionalization.

The innovative technique of clair-obscur woodcuts revolutionized printing in the sixteenth century. From this point onwards the composition was no longer limited to purely black lines, but executed in a wide variety of colors. The artistic development of this new technique is traced through masterworks by Cranach, Burgkmair, Beccafumi and Hendrick Goltzius.

In the late 1920s the pioneering firm of Kandem (Krting & Mathiesen AG, Leipzig) led the field in creating innovative lighting. Widespread in both private and public buildings, Kandem lighting fixtures also shaped nocturnal cityscapes throughout Europe. Drawing on intensive research and development, Kandem set the standards for modern lighting. As a school of art and design, the Bauhaus in Dessau was famous far beyond the borders of Germany. From the productive Bauhaus collaboration with Kandem emerged numerous types of lighting fixtures which were functional in design, form and construction. This pioneering achievement broke new ground in product development and design at a time when unlike the present collaboration between designers and industrialists was the exception. The results of their joint efforts were shown at important trade fairs such as the 1929 Werkbund exhibition 'Wohnung und Bauen' ('House and Building') in Breslau and the 'Exposition des Artistes D,corateurs Fran aise' in Paris

Die Fragmente der Alexandriner zur Ilias werden in dieser Ausgabe erstmals systematisch gesammelt, neu ediert und kommentiert, und zwar - abweichend von allen früheren Editionen - unter Berücksichtigung ihrer überlieferten Form. Die innovative Auffassung der antiken Ekdoseis als Arbeitsexemplare der Alexandriner und die systematische Berücksichtigung der Worterklärungen der D-Scholien machen van Thiels Ausgabe zum Meilenstein der homerischen Philologie und zum unerlässlichen Instrument für überlieferungsgeschichtliche Untersuchungen. Ein umfangreiches Register (ca. 700 Seiten) sammelt und erschließt die behandelten Gegenstände.

Neuware -Der Begriff 'Secession' steht Ende des 19. Jahrhunderts für den künstlerischen Aufbruch in die Moderne. Die Kunst drängt nach Freiheit. Avantgardistische Künstler:innen zeigen ihr neuartiges Schaffen auf Secessionsausstellungen. Damit präsentieren sie dem Publikum innovative Kunstströmungen und verhelfen etwa dem Impressionismus oder Symbolismus im deutschsprachigen Raum zum Durchbruch.Die neuartigen Zusammenschlüsse von Künstler:innen in Secessionen bedeuteten die Abkehr von althergebrachten Künstlervereinigungen und überkommenen Strukturen hin zu neuer künstlerischer Freiheit. Die bedeutendsten Secessionen im deutschsprachigen Raum entstanden 1892 in München, 1897 in Wien und 1899 in Berlin und sind bis heute mit ihren prägenden Figuren Franz von Stuck, Gustav Klimt und Max Liebermann verbunden. Der Band veranschaulicht die künstlerische Vielfalt in über 200 Werken von rund 80 Künstler:innen der Secessionen in Wien, München und Berlin sowie von internationalen Gästen wie Hodler, Munch, Rodin, Segantini oder Toorop.KÜNSTLER:INNENCharlotte Berend-Corinth Wilhelm Bernatzik Lovis Corinth Hugo von Habermann Emilie von Hallavanya Thomas Theodor Heine Dora Hitz Josef Hoffmann Gustav Klimt Max Klinger Käthe Kollwitz Max Kurzweil Walter Leistikow Sabine Lepsius Max Liebermann Carl Moll Koloman Moser Auguste Rodin Giovanni Segantini Franz Skarbina Maria Slavona Max Slevogt Franz von Stuck Jan Toorop Fritz von Uhde Lesser Ury Otto Wagner Julie Wolfthorn u. a. 328 pp. Deutsch

Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Roman law has been the most innovative of secular legal systems as well as the most influential on subsequent development. Both Roman and later law appear in this volume. The present collection of essays examines issues in the development of legal institutions, stressing methods of creation such as legislation and juristic writings, the earliest known Roman law and the origins of such central institutions as the contracts of sale and partnership, and the early history of trusts. Law exists at the level of idea and also has practical consequences for society. Some essays show how the law of the past has a concealed or misunderstood impact on subsequent legal approaches. Others focus more directly on law in society, to deal with issues such as the significance of the ease with which legal rules and institutions can be borrowed from a very different society, and the deformation of legal notions to come to grips with problems. - Verlagsneues Exemplar. ISBN 1852850485 Sprache: Deutsch Gewicht in Gramm: 550 321 S., gebundene Ausgabe mit Schutzumschlag.

August Macke (1887 - 1914) was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly innovative time for German art: he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth's studio. His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elisabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter. Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism. The exotic atmosphere of Tunisia, where Macke traveled in April 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. August Macke's oeuvre can be considered as Expressionism (in its original German flourishing between 1905 and 1925), and also as part of Fauvism. The paintings concentrate primarily on expressing feelings and moods rather than reproducing objective reality, usually distorting color and form.

Primarily celebrated for his dramatic works Minna von Barnhelm, Emilia Galotti and Nathan der Weise, Gotthold Ephraim Lessing's diverse pursuits extended far beyond the stage. From incisive journalism to innovative reflections on poetry, aesthetics and theology, his wide-ranging intellectual interests place him firmly alongside contemporary polymaths such as Diderot. In this extensive study an international team of experts explores Lessing's contribution to both the German and broader European Enlightenments to reveal: the energy and acuity of his critical writing, which made him an exemplar for subsequent German authors; the originality and lasting significance of Laocoon, his groundbreaking treatise on aesthetics, which distinguished the domains of poetry and the visual arts, and is still a major point of reference; how his reflections on theology and the Bible helped shape a view of Christianity as a historical phenomenon without absolute truth; how his Enlightenment curiosity and open-mindedness were nourished by an interest in natural science, particularly astronomy; how activities such as his adaptation of English domestic tragedy and his translations of Diderot's theatrical writings placed him at the heart of the pan- European Enlightenment.