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Complex and paradoxical links between translation and censorship are explored in this wide-ranging collection of essays, written by fifteen scholars from eight countries. Contents include: Maria Tymoczko (U Mass., Amherst), Censorship and self-censorship in translation * Piotr Kuhiwczak (U Warwick), Censorship as a collaborative project * Elisabeth Gibbels (Humboldt U, Berlin), Translators: the tacit censors? * Carol O'Sullivan (U Portsmouth), Censoring the classics * Eilean NiChuilleanin with Deirdre Serjeantson (TCD), The Petrarch they tried to ban * Jane Dunnett (U Wales Swansea), Censorship of foreign literature in Fascist Italy * Aoife Gallagher (TCD), Pasternak's Hamlet * Cristina Gomez Castro (U Leon), Lawrence Durrell's Justine and Spanish censorship under Franco * Filipe Machado (U Vigo), 100 years of Portuguese translations * Gerri Kimber (Queen Mary, U London), The French perception of Katherine Mansfield * Angelika Nikolowski-Bogomoloff (U Helsinki), Translations of children's literature * Cormac O Cuilleanin (TCD), Remedies for political incorrectness * Sarah Smyth (TCD), Remixes of the Orange revolution anthem.

Complex and paradoxical links between translation and censorship are explored in this wide-ranging collection of essays, written by fifteen scholars from eight countries. Contents include: Maria Tymoczko (U Mass., Amherst), Censorship and self-censorship in translation * Piotr Kuhiwczak (U Warwick), Censorship as a collaborative project * Elisabeth Gibbels (Humboldt U, Berlin), Translators: the tacit censors? * Carol O'Sullivan (U Portsmouth), Censoring the classics * Eilean NiChuilleanin with Deirdre Serjeantson (TCD), The Petrarch they tried to ban * Jane Dunnett (U Wales Swansea), Censorship of foreign literature in Fascist Italy * Aoife Gallagher (TCD), Pasternak's Hamlet * Cristina Gomez Castro (U Leon), Lawrence Durrell's Justine and Spanish censorship under Franco * Filipe Machado (U Vigo), 100 years of Portuguese translations * Gerri Kimber (Queen Mary, U London), The French perception of Katherine Mansfield * Angelika Nikolowski-Bogomoloff (U Helsinki), Translations of children's literature * Cormac O Cuilleanin (TCD), Remedies for political incorrectness * Sarah Smyth (TCD), Remixes of the Orange revolution anthem.

For this second book in an ongoing exploratory series, multifaceted artist Michael Stipe has collaborated with the writer and artist Douglas Coupland on an investigation of how analog imagery is crashing on the shores of our digital future. For Stipe the signature mark of this phenomenon is the moiré pattern. Culled from Stipe’s vast archive of personal images, the book is a contemplation on the tug-of-war between pixels and halftone, between past memory and new memory and their vagaries of representation.As an undergraduate studio art major at the University of Georgia, Michael Stipe (born 1960) studied photography and painting before leaving school upon the formation of R.E.M., the band for which he served as frontman and singer/songwriter until its dissolution in 2011. The sensibility that he began to develop during his time as an art student transferred to his spectrum of work for R.E.M., from art directing all graphic, video and stage design, to writing, composing and performance, and his iconoclastic personal style. Stipe’s visibility as a media figure in the popular culture of the 1980s and ’90s left an indelible mark on the aesthetic trends of the time, many of which have trickled down to contemporary culture.

For this second book in an ongoing exploratory series, multifaceted artist Michael Stipe has collaborated with the writer and artist Douglas Coupland on an investigation of how analog imagery is crashing on the shores of our digital future. For Stipe the signature mark of this phenomenon is the moiré pattern. Culled from Stipe’s vast archive of personal images, the book is a contemplation on the tug-of-war between pixels and halftone, between past memory and new memory and their vagaries of representation.As an undergraduate studio art major at the University of Georgia, Michael Stipe (born 1960) studied photography and painting before leaving school upon the formation of R.E.M., the band for which he served as frontman and singer/songwriter until its dissolution in 2011. The sensibility that he began to develop during his time as an art student transferred to his spectrum of work for R.E.M., from art directing all graphic, video and stage design, to writing, composing and performance, and his iconoclastic personal style. Stipe’s visibility as a media figure in the popular culture of the 1980s and ’90s left an indelible mark on the aesthetic trends of the time, many of which have trickled down to contemporary culture.

Harmonic Interference Theory represents a major breakthrough in our understanding of music and perception. Triggered by a moment of insight thirty years earlier, this theory explains how harmonics combine to form coherent geometrical patterns that our auditory system recognizes as simple shapes. Based on a personal journey through 2,500 years of occluded music history, the author finds new evidence to suggest that ancient civilizations once possessed an advanced harmonic science that integrated perception, physiology and acoustics. Banned for hundreds of years by anti-pagan religious doctrine, only remnants of this ancient knowledge have survived in mythological allegory, esoteric symbolisms and the secret fraternaties. It is from these clues that the mystery of music perception begins to unravel. Using a spectral analysis of harmonic interference over an octave, the author shows how reflective patterns on vibrated surfaces can be found in the growth patterns of the human anatomy, particularly our ears and brain. From this simple correspondence, perception of music is then explained as the natural process of anticipating and matching harmonic interference patterns against identical structures in our auditory system. When represented visually, music becomes organic geometries floating inside a harmonically structured space - exactly as our ears and brain understand it. But this is only the beginning. The author goes much further to show how everything in nature can be described as crystallized harmonics. Drawing on the latest scientific research and cutting-edge theories in the fields of genetics, quantum physics and cosmology, a unified harmonic matrix is proposed for the study of coherence on both a micro and macro scale. Out of this emerges a grand scientific musical theory that reintegrates ancient knowledge systems with quantum physics to tackle the deeper mysteries neither can answer alone.

Amazing Kick Stage MicThe supercardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency re...

The MKH 8070 long shotgun microphone is ideal for broadcast and sporting applications requiring natural sound and high directivity to take viewers inside the action. The MKH 8070 captures true and natural sound at great distances with a pronounced lobar pattern and a long interference tube that suppresses off-axis sound without coloration. With its symmetrical RF condenser design, the MKH 8070 performs even under the toughest sonic and environmental conditions. The MKH 8070 is Sennheiser's first long shotgun to interface directly into digital systems with the MZD 8000 digital module.

Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides exce...

Sennheiser MKH 416-P48U3 Tube Condenser Microphone, Pressure Gradient Receiver w/ Short Interference Tube, Hypercardioid at Low & Medium Frequency, Above 2kHz Approaches Lobar Pattern

How can you elevate your audio experience? With the Nady HM-20U Headmic Headworn Uni-Directional Cardioid Condenser Microphone. This high-quality, durable microphone is designed with a cardioid polar pattern, expertly engineered to capture sound directly from the front while minimizing noise interference from the sides and rear. This makes it an ideal choice for professional applications where the focus is on a specific sound source, such as a presenter's voice or a solo vocalist.This versatile microphone is equipped with a 3-Pin Mini XLR Connector, a standard in the professional audio industry, ensuring seamless compatibility with a broad range of audio equipment. From mixers and amplifiers to digital audio workstations (DAWs), this microphone integrates effortlessly, making it a reliable choice for professionals.The Nady HM-20U Headmic is not just functional, but also designed with user comfort in mind. Its lightweight, compact design ensures minimal visibility, making it perfect for hands-free use. Whether you're a singer-musician performing while playing instruments, a vocal/dance performer captivating the audience with your moves, a DJ mixing tracks, a television announcer delivering the news, a public speaker engaging an audience, or an aerobics instructor leading a high-energy class, this microphone is designed to meet your needs.Experience the professional, reliable, and versatile performance of the Nady HM-20U Headmic Headworn Uni-Directional Cardioid Condenser Microphone, and take your audio delivery to the next level.

USB Condenser microphone engineered for podcasts, live streams, chat applications, and studio / DAW recording, Built-in 1/8-inch headphone output with monitoring controls, Cardioid polar pattern reduces interference from unwanted ambient noise

The bidirectional figure eight polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound han...

Spilling over with good, clean fun: watch simple liquids heap, roll, creep, and soak as you investigate cohesion, adhesion, surface tension and capillary action. Model the hydrogen bonds that hold water together. Separate ink with chromatography, study oil slick rainbows and interference patterns.

Finally! Here is the twelfth, and final, book in Arthur Ransome's acclaimed Swallows and Amazons series. People familiar with his earlier work will recognize the pattern: children set out on an adventure (this one off the coast of Scotland) with a minimum of parental advice and interference. Here, the story centers on a desperate race to thwart the efforts of pernicious egg collectors threatening the survival of a pair of rare birds not previously known to nest in British waters (actually, the bird is the handsome North American "Great Northern Diver," more commonly called a loon).

A quintessential tool for professional audio capture, the Sennheiser MKH-416 Short Interference Tube Microphone stands out with its innovative combination of pressure gradient and interference tube technology. This high-quality microphone boasts an exceptional supercardioid polar pattern, ensuring precise sound pickup with superior feedback rejection and a minimal proximity effect. Capable of handling sound pressure levels up to 130 dB/SPL, it is exceptionally reliable in even the most demanding recording scenarios.Crafted to excel in durability, the MKH-416 is ruggedly built and resilient to adverse climate conditions, making it an ideal choice for on-location shoots. Its compact design and excellent directivity are perfect for mounting on booms, fishpoles, or directly onto cameras, ensuring versatility across various recording setups. With its high consonant articulation, the MKH-416 ensures clear and intelligible audio capture, which is paramount for film, radio, television, and especially outside broadcast applications.Complementing this microphone, the M50x Pro Monitor Headphones are a testament to professional monitoring and listening precision. These headphones feature a closed-back design that effectively isolates ambient noise, allowing for an immersive audio monitoring experience. The combination of the MKH-416 microphone and M50x headphones creates a professional audio recording and monitoring solution that is both innovative and reliable.Whether used in recording studios, live performances, or field reporting, this bundle caters to professionals who require high-quality, durable, and reliable audio equipment. The Sennheiser MKH-416 Short Interference Tube Microphone paired with M50x Pro Monitor Headphones is a top-tier choice for those seeking to capture and monitor sound with unparalleled clarity and precision.