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Phaidon’s Interiors is a celebration of decorators, designers and architects. An exploration of how artists, fashion designers and film stars contribute to the world of interior design. This book covers interiors from the twentieth century to today and covers every type of house you can think of and how they can appear when viewed through the gaze of an artist. Hardback, 448 Pages, Publisher: Phaidon Editors, 400 Illustrations. Phaidon Interiors: The Greatest Rooms of the Century in Phaidon Editors

Internationally renowned South African artist William Kentridge creates animated movies from #147;drawings for projection,#148; charcoal renderings he alters during filming. Paralleling the political upheaval in his homeland, his works reflect the tenuous nature of memory, both personal andhistorical.Published to accompany Kentridge's first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist's animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished #147;artist's pages#148; for the book. A wealth of colorplates, essays, and an interview exploring various facets of Kentridge's creative process, and a chronology outlining both his and his country's milestones make this book the most comprehensive examination of Kentridge's work to date.

Recognize that tight little backdoor? It's molded from adult star & model William Seed himself for the most realistic experience possible. The UltraSkyn sleeve brings your wildest fantasies to life, while the adjustable suction, a squeeze plate, and ribbed interior make you explode. Discreet case. Open-ended removable sleeve. Measures 9 by 3.5 inches with an 8.75 inch sleeve. The sleeve is made from realistic UltraSkyn, a TPE-based material, and the case from ABS plastic case.

The French-Canadian jackhammering star of Men.com joins the Man Squeeze lineup with a variable pressure hard-case stroker molded directly from his body. Handcrafted in lifelike ULTRASKYN, William's Man Squeeze features a tight, textured interior that warms to the touch and feels just like the real thing. Play your favorite William Seed scene and become his costar!

The William 4-Light Linear Pendant by AFX offers a modern, versatile look that blends seamlessly into the interior of your home. Featuring a medium base in satin nickel and 3 hanging Lights with clear glass shades, this pendant brings sleek style to the area above the kitchen island or above the dining table. From the AFX product line.

The William 4-Light Linear Pendant by AFX offers a modern, versatile look that blends seamlessly into the interior of your home. Featuring a medium base in satin brass and 3 hanging Lights with clear glass shades, this pendant brings sleek style to the area above the kitchen island or above the dining table. From the AFX product line.

The William 3-Light Linear Pendant by AFX offers a modern, versatile look that blends seamlessly into the interior of your home. Featuring a medium base in satin brass and 3 hanging Lights with clear glass shades, this pendant brings sleek style to the area above the kitchen island or above the dining table. From the AFX product line.

This transitional collection will be the perfect addition to any home looking to revamp their interior decor. This mirror features plank style panels, creating a unifying visual with the matching bed and dresser. This is framed with wooden tones to ensures its safety when hang or place in a particular area. It has also wide and clear glass layout which allows you to do a make over of yourself overlook aesthetic on it. This is county feels themed that impaired with your home decor. Size: medium.

A versatile and elegant addition to any living space, crafted with impeccable attention to detail and timeless design. With its transitional style, this side table seamlessly blends classic charm with modern sophistication, making it the perfect complement to a variety of interior decor styles. Imagine the DEERING Side Table standing gracefully beside your sofa or favorite armchair, its refined silhouette adding a touch of understated elegance to your room. The spacious tabletop provides ample room for your essentials, whether it's a cup of coffee, a book, or your favorite decorative items. Crafted with high-quality materials, the DEERING Side Table boasts durability and stability, ensuring years of reliable use. Its sleek design and neutral finish make it suitable for all ages and tastes, adding a touch of refinement to any room it graces. Color: White.

For their tenth anniversary, the design studio Roman and Williams Buildings and Interiors presents projects that blend the spirit of our collective history with a modernist edge. Roman and Williams’s style honors craftsmanship, the use of natural materials, and the overlooked in unexpected ways. Their understated, glamorous sensibility is imparted in Manhattan’s Ace Hotel interiors and restaurant The Breslin, The Standard Hotel, with its iconic Boom Boom Room, and the Royalton lobby. For such popular restaurants as The Dutch, the duo created environments with textured backdrops that reference a rich past with a contemporary sensibility. Their innovative work has captured the attention of firms such as Facebook—they recently completed its campus food hall—and their residences for celebrities such as Ben Stiller and Gwyneth Paltrow are equally imaginative. This book surveys the firm’s prestige projects, presented with Alesch’s architectural hand drawings and sketches and detailed views. Also included is their loft and Montauk home, which serve as design laboratories, and a collection of furnishings and fixtures.

William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, good humoured competition, and the jovial campaign of decorating; furnishing the house and designing the garden. Drawing on a wealth of new physical evidence, this book argues that Red House constitutes an ambitious and critical chapter in his design history. It will re-consider the inspiration it provided for the founding of ‘the Firm’ of Morris, Marshall, Faulkner & Co. (later Morris & Co.), in 1861, and the vital collaboration of Webb, Burne-Jones, Rossetti and their intimate circle in realising Morris’s dream for his house.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 4.2

For their tenth anniversary, the design studio Roman and Williams Buildings and Interiors presents projects that blend the spirit of our collective history with a modernist edge. Roman and Williams’s style honors craftsmanship, the use of natural materials, and the overlooked in unexpected ways. Their understated, glamorous sensibility is imparted in Manhattan’s Ace Hotel interiors and restaurant The Breslin, The Standard Hotel, with its iconic Boom Boom Room, and the Royalton lobby. For such popular restaurants as The Dutch, the duo created environments with textured backdrops that reference a rich past with a contemporary sensibility. Their innovative work has captured the attention of firms such as Facebook—they recently completed its campus food hall—and their residences for celebrities such as Ben Stiller and Gwyneth Paltrow are equally imaginative. This book surveys the firm’s prestige projects, presented with Alesch’s architectural hand drawings and sketches and detailed views. Also included is their loft and Montauk home, which serve as design laboratories, and a collection of furnishings and fixtures.

This transitional style bedroom mirror takes the best of all interior designs by blending the classics with rugged rustic flair. This is framed with wooden tones to ensures its safety when hang or place in a particular area. It has also wide and clear glass layout which allows you to do a make over of yourself overlook aesthetic on it. This is county feels themed that impaired with your home decor. Size: medium.

overall near fine, catalog has a stamp for the Michener Art Museum store on the lower right title page, and one interior page has a 1/2" tear from side edge connected to a 3.25" crease, otherwise interior is free of writing and highlighting with colors bright and vibrant, 8.5 X 11 inches. * Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. If actual shipping cost is less than the AbeBooks estimate, it is our practice to REFUND the difference to the buyer. *

Born in Dublin in 1881, William John Leech considered himself an Irish painter although most of his career was spent abroad. He completed his training at the Academie Julian in Paris and painted in Brittany from 1903. While his early interior views and portraits reflect the tonal influence of Whistler, about 1910 he began to use a brighter, Post-impressionist palette. The later Brittany canvases are flooded with light and colour. During this period, his first wife Elizabeth Kerlin was the model in a number of exciting and experimental works such as Convent Garden, Brittany (National Gallery of Ireland). After the First World War, Leech divided his time between London and the South of France, travelling with his companion and later wife May Botterell. In the tradition of the 'Irish Impressionists' he was fascinated by the treatment of light in French painting, though he continued to explore different styles through his career. Leech painted portraits, landscapes and still lifes, including remarkable self-portraits, interiors and luxuriant aloes. Throughout his life he regularly exhibited in Ireland and England. The majority of his paintings are still in private hands and little known. This retrospective catalogue documents his reclusive life and confirms his place as a major Irish artist.

This is the definitive source book for anyone interested in living with Arts and Crafts style. In it, Pamela Todd celebrates William Morris's genius, presenting a thorough overview of his life and career, and showing how he envisaged and implemented schemes for interiors in his own homes and those of others. A series of 'Case Studies' explores six contemporary houses - from a modern London townhouse to a traditional Arts and Crafts home in Massachusetts - that have followed and adapted Morris's dicta, brilliantly demonstrating how the style can be applied to our environment today. The book concludes with a comprehensive style-sourcing section, as well as a gazetteer of places to visit for inspiration.

Born in Dublin in 1881, William John Leech considered himself an Irish painter although most of his career was spent abroad. He completed his training at the Academie Julian in Paris and painted in Brittany from 1903. While his early interior views and portraits reflect the tonal influence of Whistler, about 1910 he began to use a brighter, Post-impressionist palette. The later Brittany canvases are flooded with light and colour. During this period, his first wife Elizabeth Kerlin was the model in a number of exciting and experimental works such as Convent Garden, Brittany (National Gallery of Ireland). After the First World War, Leech divided his time between London and the South of France, travelling with his companion and later wife May Botterell. In the tradition of the 'Irish Impressionists' he was fascinated by the treatment of light in French painting, though he continued to explore different styles through his career. Leech painted portraits, landscapes and still lifes, including remarkable self-portraits, interiors and luxuriant aloes. Throughout his life he regularly exhibited in Ireland and England. The majority of his paintings are still in private hands and little known. This retrospective catalogue documents his reclusive life and confirms his place as a major Irish artist.

Silky black cloth boards, photo mounted top center of front cover. Minute amount of light scratches, shelf wear. Tight, unmarked interior. Sewn in green satin page marker. Vibrant color reproductions on thick matte paper. All text in both French and English. Stated: This book was published on the occasion of the exhibition William Eggleston, Paris, presented at the Foundation Cartier pour l'art contemporain in Paris from April 4 to June 21, 2009.

London, 1990; black cloth covered boards; corners and spine edges scuffed; no dust jacket; 8vo - over 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; 172 pages.