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The films of Michael Powell (1905-1990) and Emeric Pressburger (1902-1988), among them I Know Where I'm Going! (1945), A Matter of Life and Death(1947), and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with a highly stylized aesthetic and themes of romantic longing and spiritual crisis. Film lovers and filmmakers alike revere Powell and Pressburger; Martin Scorsese has called them "the most successful experimental filmmakers in the world." In this first-ever collection of essays on Michael Powell, an international group of critics and scholars map out his filmmaking skills, provide new readings of individual films, and analyze recurrent techniques and themes, relating the latter to contemporary debates about gender, sexuality, nationality, and cinematic spectacle.

Certified International is proud to introduce the debut ceramic tabletop collection "English Garden "of the talented designers of Madcap Cottage, John Loecke and Jason Oliver Nixon. Bring the beauty of an English Garden into your home with these delightfully unique yet functional items ranging from dinnerware to serveware. Featuring a fresh and inviting mix and match assortment of patterns, colors and shapes in beautiful harmony for your table and home. Unique serveware in the shape of green cabbage leaves complete this beautiful collection. Color: Multicolored. Material: Earthenware.

Despite his significant influence as a courtier, diplomat, playwright and theatre manager, Thomas Killigrew (1612-1683) remains a comparatively elusive and neglected figure. The original essays in this interdisciplinary volume shine new light on a singular, contradictory Englishman 400 years after his birth. They increase our knowledge and deepen our understanding not only of Killigrew himself, but of seventeenth-century dramaturgy, and its complex relationship to court culture and to evolving aesthetic tastes. The first book on Killigrew since 1930, this study re-examines the significant phases of his life and career: the little-known playwriting years of the 1630s; his long exile during the 1640s and 1650s, and its personal, political and literary repercussions; and the period following the Restoration, when, with Sir William Davenant, he enjoyed a monopoly of the London stage. These fresh accounts of Killigrew build on the recent resurgence of interest in royalists and the royalist exile, and underscore literary scholars' continued fascination with the Restoration stage. In the process, they question dominant assumptions about neatly demarcated seventeenth-century chronological, geographic and cultural boundaries. What emerges is a figure who confounds as often as he justifies traditional labels of dilettante, cavalier wit and swindler.

Alive to Language encourages teachers to question and extend their knowledge of how language works by examining the concepts of language-in-use and associated systems, language variety, change, and the interaction between language and power.

The prospect or bird's eye view is one of the oldest and, in its time, most popular ways of portraying the great country house and its setting. In the early 18th century almost every house of any size or importance became the subject for one of these views, depicting in fine detail the magnificence of house, garden and park--and by implication, of its owner.Not only can views of this sort capture the character of a place far better than photos, they can also show far more than the eye can ever see. As in a doll's house, roofs are lifted and facades are cut away to reveal the internal workings of houses that were more often then not part art gallery, part estate office, part political showplace, part home for the great families who lived in them.THE ENGLISH COUNTRY HOUSE IN PERSPECTIVE presents 12 of the richest houses in Great Britain, each an archetype of its age, and looks at them both as architectural masterpieces and as evidence of the life for which they were designed. The houses have scarcely been altered since they were first built, and together they give a unique overview of the development of British architecture and gardening through 600 years, from the medieval fortress of Bodiam Castle in Sussex to Lutyen's Castle Drogo in Devon, and from the Tudor half-timbering of Little Moreton Hall in Cheshire to the romantic Victorian of Norman Shaw's Cragside in Northumberland.Wholly different from anything published on the subject in the past, THE ENGLISH COUNTRY HOUSE IN PERSPECTIVE adds a new dimension to the treatment of visual history, examining the layers of social and intellectual progress that these buildings and their gardens represent, and taking full advantage of their immense historical value.

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This study situates the colonization of Virginia, the centrepiece of early English overseas settlement activity, in the social and political landscape of the early seventeenth century.

The development of an autonomous English public law has been accompanied by persistent problems - a lack of systematic principles, dissatisfaction with judicial procedures, and uncertainty about the judicial role. It has provoked an ongoing debate on the very desirability of the distinctionbetween public and private law. In this debate, a historical and comparative perspective has been lacking. A Continental Distinction in the Common Law introduces such a perspective. It compares the recent emergence of a significant English distinction with the entrenchment of the traditional Frenchdistinction. It explains how persistent problems of English public law are related to fundamental differences between the English and French legal and political traditions, differences in their conception of the state administration, their approach to law, their separation of powers, and theirjudicial procedures in public-law cases. The author argues that a satisfactory distinction between public and private law depends on a particular legal and political context, a context which was evident in late nineteenth-century France and is absent in twentieth-century England. He concludes byidentifying the far-reaching theoretical, institutional, and procedural changes required to accommodate English public law.

CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.

This volume brings together current research by international scholars on the varieties of English spoken in Ireland. The papers apply contemporary theoretical and methodological approaches and frameworks to a range of topics. A number of papers explore the distribution of linguistic features in Irish English, including the evolution of linguistic structures in Irish English and linguistic change in progress, employing broadly quantitative sociolinguistic approaches. Pragmatic features of Irish English are explored through corpus linguistics-based analysis. The construction of linguistic corpora using written and recorded material form the focus of other papers, extending and analyzing the growing range of corpus material available to researchers of varieties of English, including diaspora varieties. Issues of language and identity in contemporary Ireland are explored in several contributions using both qualitative and quantitative methods. The volume will be of interest to linguists generally, and to scholars with an interest in varieties of English.

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Excerpt from Parish Churches; Being Perspective Views of English Ecclesiastical Structures: Accompanied by Plans Drawn to an Uniform Scale, and Letter-Press DescriptionsThis Church appears to have been rebuilt in the Early English style: that one existed here previously is unquestionable, as the nave piers and arches are of Norman character.With the exception of the clear - story, which is Perpendicular, this Structure is a simple yet admirable model for a small Parish Church.The effect Of the west end with its belfry is much injured by the addition of the clear-story, but as originally designed, it must have formed a very beautiful specimen of the most appropriate arrangement for so small a Church.* In the south wall of the Chancel is a very good piscina of Decorated character; and immediately beneath it, on the floor, is another formed by a large four - leaved flower with holes in the centre for the drain.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Offers historical and present-day perspectives on what English departments do, and how and why they do it.These provocative essays explore the unwritten, often unacknowledged codes, conventions, and ideologies overseeing the evolution and current practice of English as a “discipline.” The first section of the book offers historical perspectives: how “composition” became distinguished from “literature,” how key intellectuals shaped the discipline, and how various specialties―Renaissance literature, American literature, “theory”―became subfields. The second section focuses on how certain aesthetic categories of art and universal experience persist today in the actual teaching and writing of “English.” While it is fashionable to say that we are living in the age of poststructuralism, or that literary theory has delivered us from idealized conceptions of authorship and inherent meaning, these essays examine how these conceptions nevertheless remain and are transmitted: in different types of classroom settings, in textbooks, and in the self-fashioning of academic careers. At a time when the role and function of English departments have become matters of both academic and public debate, this book will be a welcome resource for students, professionals, and anyone interested in the Culture Wars of the past two decades.

Brand new, never used. (Case 30, shelve 1)

Offers historical and present-day perspectives on what English departments do, and how and why they do it.These provocative essays explore the unwritten, often unacknowledged codes, conventions, and ideologies overseeing the evolution and current practice of English as a “discipline.” The first section of the book offers historical perspectives: how “composition” became distinguished from “literature,” how key intellectuals shaped the discipline, and how various specialties―Renaissance literature, American literature, “theory”―became subfields. The second section focuses on how certain aesthetic categories of art and universal experience persist today in the actual teaching and writing of “English.” While it is fashionable to say that we are living in the age of poststructuralism, or that literary theory has delivered us from idealized conceptions of authorship and inherent meaning, these essays examine how these conceptions nevertheless remain and are transmitted: in different types of classroom settings, in textbooks, and in the self-fashioning of academic careers. At a time when the role and function of English departments have become matters of both academic and public debate, this book will be a welcome resource for students, professionals, and anyone interested in the Culture Wars of the past two decades.

Examinations of Mary's life from Catholic, Protestant, and Jewish viewpoints are accompanied by paintings of her

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