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This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor―artist or interpreter―and the objective structures of literature, music, and the aesthetic domain in general.  The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts. 

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor―artist or interpreter―and the objective structures of literature, music, and the aesthetic domain in general.  The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts. 

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"The Germanic Languages" may easily be read by scholars with limited knowledge of Germanic philology. It provides a solid introduction to the debate generated by attempts at classification. In addition, it contains an extensive bibliography of related works and pays considerable attention to necessary background information."--Language

The Value of Critique casts its gaze on the two dominant modes of passing judgment in art—critique and value (or evaluation). The act of critique has long held sway in the world of art theory but has recently been increasingly abandoned in favor of evaluation, which advocates alternate modes of judgment aimed at finding the intrinsic “value” of a given work rather than picking apart its intentions and relative success. This book’s contributors explore the relationship between these two practices, finding that one cannot exist with the other. As soon as a critic decides an object is worthy enough of their interest and time to critique it, they have imbued that object with a certain value. Similarly, theories of value are typically marked by a critical impetus: as much as critique takes part in the construction of evaluations, bestowing something with value can then trigger critiques. Assembling essays from an international array of authors, this book is the first to put value, critique, and artistic labor in conversation with one another, making clear just how closely all three are related.

X, 391 Seiten. Ex-library copy with usual marks (signature on spine, stamps / inventory marks on edges / a few pages). - Cover a bit creased and a bit dusted. Spine creased. With less pencil marks. - Still good copy. ISBN: 9789061862130 mu Gewicht in Gramm: 800 Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].

The essays which make up this volume arise out of the author's sustained engagement with the tension between Christian theology and the general frame of thought that has dominated European culture for several hundred years.

Temporal Interrelations For Flute, Oboe, Violin, Cello (set Of 4 Temporal Interrelations For Flute, Oboe, Violin, Cello (set Of 4 Playing Scores) ...

This book advances a new perspective in world history, arguing that institutions and culture--and not just the global economy--serve as important elements of international order. Focusing on colonial legal politics and the interrelation of local cultural contests and institutional change, it uses case studies to trace a shift in plural legal orders--from the multicentric law of early empires to the state-centered law of the colonial and postcolonial world. Benton shows how Indigenous subjects across time were active in making, changing, and interpreting the law--and, by extension, in shaping the international order.

This handbook on Mediatization of Communication uncovers the interrelation between media changes and changes in culture and society. This is essential to understand contemporary trends and transformations. "Mediatization" characterizes changes in practices, cultures and institutions in media-saturated societies, thus denoting transformations of these societies themselves. This volume offers 31 contributions by leading media and communication scholars from the humanities and social sciences, with different approaches to mediatization of communication. The chapters span from how mediatization meets climate change and contribute to globalization to questions on life and death in mediatized settings.The book deals with mass media as well as communication with networked, digital media. The topic of this volume makes a valuable contribution to the understanding of contemporary processes of social, cultural and political changes.The handbook provides the reader with the most currentstate of mediatization research.

This book advances a new perspective in world history, arguing that institutions and culture--and not just the global economy--serve as important elements of international order. Focusing on colonial legal politics and the interrelation of local cultural contests and institutional change, it uses case studies to trace a shift in plural legal orders--from the multicentric law of early empires to the state-centered law of the colonial and postcolonial world. Benton shows how Indigenous subjects across time were active in making, changing, and interpreting the law--and, by extension, in shaping the international order.

Most persons put law and religion in separate compartments but one is dependent upon the other. This is an in-depth look at the interrelation of law and religion in the history of Western man.

This integration of text and illustrations amply expresses the interrelation of art, technology, and science

Classical Modern Philosophy introduces students to the key philosophers of the seventeenth and eighteenth centuries, and explores their most important works. Jeffrey Tlumak takes the reader on a chronological journey from Descartes to Kant, tracing the themes that run through the period and their interrelations. The main texts covered are: Descartes' Meditations on First Philosophy Spinoza's Ethics Locke's Essay Concerning Human Understanding Leibniz's Discourse on Metaphysics and Monadology Berkeley's A Treatise Concerning the Principles of Human Knowledge and Three Dialogues between Hylas and Philonous Hume's An Enquiry Concerning Human Understanding and Dialogues Concerning Natural Religion Kant's Critique of Pure Reason Classical Modern Philosophy is the ideal textbook to accompany a course in the history of modern philosophy, but each chapter can also be studied alone as an introduction to the featured philosopher or work. Jeffrey Tlumak outlines and assesses prominent interpretations of the texts, and surveys the legacy of each great thinker.

This book explores the interrelations between communal memory and the sense of history in George Eliot's novels by focusing on issues such as memory and narrative, memory and oblivion, memory and time, and the interactions between personal, communal and national memories. Hao Li offers a fresh critical reading informed by major nineteenth-century theories and argues for a reappraisal of George Eliot's complex understanding of the dialects of memory and history, an understanding that both integrates and transcends the positivist and the romantic-historical approaches of her time.

Hardcover. The debate that has arisen around the concept of the Anthropocene forms the basis of this book. It investigates certain forms of environmental interrelation and 'ecological' sensitivity in the Graeco-Roman world. The notions of environmental depletion, exploitation and loss of plant species, and the ancients' knowledge of species diversity are the main cores of the research. The aim is to interrogate historical sources and diverse evidence and to analyse political and socioeconomic structures, according to a reading focused on possible antecedents, cultural prodromes, alignments of thought or divergencies, with respect to major modern environmental problems and current ecological conceptualisations. As a result, 'sustainable' behaviour, 'biodiversity' and its practical uses can also be identified in ancient societies. In the context of environmental studies, this contribution is placed from the perspective of a historian of antiquity, with the aim of outlining the forma mentis and praxis of the ancients with respect to specific environmental issues. Ancient civilizations always provided ad hoc solutions for specific emergencies, but never developed a comprehensive ecological culture of environmental protection as in modernity. The book investigates forms of environmental interaction and the 'ecological' sensitivity within the Graeco-Roman world. It also highlights 'sustainable' practices, knowledge about 'species diversity' and their practical relevance in those social cu Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

A sweeping overview of Charlotte Perriand's career, exploring the interrelation of art, architecture, and design in the work of this legendary 20th century modernistIncludes essays by her daughter, Pernette Perriand, and by Jacques Barsac, author of the Charlotte Perriand Catalogue RaisonnéAccompanies a landmark exhibition at the Louis Vuitton Foundation from 2 October, 2019 to 24 February, 2020 on the 20th anniversary of Perriand's deathCharlotte Perriand (1903-1999) was a pioneer of modern design in France during the twentieth century. Her avant-garde vision was expressed in color, organic forms, and streamlined functionality, elements which are still at the heart of contemporary design today. Her furnishings were created from aluminum, rubber, chrome, leather, bamboo, and above all, wood; their appeal is timeless. This lavishly illustrated book, accompanying a major retrospective at the Louis Vuitton Foundation in Paris, explores how much in the vanguard she was in her use of materials, in her social and political awareness, and in her collaborations with artists, architects, and other designers. The show presents a global vision of her creativity, talent, and inventiveness, exploring her commitment to women and to a humanist design ethos that took into account the middle and working classes with an emphasis on rationalizing costs and space. This book, with essays by an international roster of art, architecture, and design historians, offers a plurality of perspectives and explores Perriand's creative legacy through the 20th century and beyond.

Dance has always been an important aspect of all human cultures, and the study of human movement and action has become a topic of increasing relevance over the last decade, bringing dance into the focus of the cognitive sciences. This book discusses the wide range of interrelations between body postures and body movements as conceptualised in dance with perception, mental processing and action planning. The volume brings together cognitive scientists, psychologists, neuroscientists, choreographers, and ballet teachers, to discuss important issues regarding dance and cognition. First, scientists introduce ideas that offer different perspectives on human movement. Professionals from the world of dance then go on to report how their creative and pedagogical work relates to cognition and learning. Finally, researchers with personal links to the dance world demonstrate how neurocognitive methods are applied to studying different aspects related to dance. This book is suitable for students and professionals from the fields of neuropsychology, cognitive psychology, sport psychology and sport science, movement science, motor control and development, kinesiology, cognitive robotics, dance, choreography, dance education and therapy.

This volume, first published in 1987, is devoted to a discussion of interrelations of the economic base with the cultural, social and political structures, and of its impact on the state. The ‘rentier states’ of the Middle East, which derive a substantial part of their revenue from foreign sources in the form of rent, largely oil revenues, face the same basic problem, the challenge of transforming their economies to give increased strength to productive activity and rely on its progress to increase state revenue from domestic sources. This book, Volume Two in the Nation, State and Integration in the Arab World research project carried out by the Istituto Affari Internazionali, examine the issue of the modernization of rentier states’ public finance, which may well entail important modifications in their domestic politics.

This is the first part of a three-volume work on the nature of power in human societies. In it, Michael Mann identifies the four principal 'sources' of power as being control over economic, ideological, military, and political resources. He examines the interrelations between these in a narrative history of power from Neolithic times, through ancient Near Eastern civilisations, the classical Mediterranean age, and medieval Europe, up to just before the Industrial Revolution in England. Rejecting the conventional monolithic concept of a 'society', Dr. Mann's model is instead one of a series of overlapping, intersecting power networks. He makes this model operational by focusing on the logistics of power - how the flow of information, manpower, and goods is controlled over social and geographical space-thereby clarifying many of the 'great debates' in sociological theory. The present volume offers explanations of the emergence of the state and social stratification.