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Paperback. In this sequel to "A Time Away from Time," an English fleet commanded by John and Mattea Cabot headed west across the Atlantic in hopes of sailing to China. They soon learned that another vast continent blocked their way. Not only that, but the Cabots encountered a brand-new civilization, one called "Quonambec" that was founded by former slaves from West Africa and natives of what was called, in what we call history, Brazil. What were the goals this new "Mali-Atlantic Federation?" Let's find out! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Full of devastating sonic violence and monstrous brutality the 5 song effort proves that in a short time BRAND OF SACRIFICE are set to be a force to be reckoned with in extreme metal. The group said of the effort, The Interstice offers the listener a journey through an abyssal sphere of sonic tyranny. Thematically, this extended play is brought to life with artwork illustrated by Mark Cooper (Rings of Saturn). Between several passages on this extended play, we are offered a glimpse of hope fr

Winner of the Japan Mystery Writers Award, Naoko is a black comedy of hidden minds and lives. Navigating the interstices between the real and the unreal with perfect plot twists, this page-turner is also a critique of gender relations by a male Japanese writer, one of their best-sellng. An everyman, Heisuke works hard at a factory job to provide for his wife, Naoko, and young daughter, Monami. He takes pleasure from the small things, like breakfast with both of them after a night shift. His placid life is rocked when, looking up from his microwave dinner one evening, he realizes the TV news that he wasn't paying attention to is reporting a catastrophic bus accident and the names of his loved ones. When Monami finally wakes from a coma, she seems to think she's Naoko, who has died protecting her daughter. More disturbingly, the girl knows things only Naoko could know. The family life that resumes between the modest man and a companion who looks like his daughter bu seems like his dead wife is ticklish-funny until it begins hurtling toward a soul-shattering end. In addition to winning Japan's top mystery prize, Naoko inspired a blockbuster movie. Read this work, a match for the later Bunuel, to find out why Higashino is considered the most ambitious and versatile mystery hand at work in Japan.

Michael Jackson’s Lifeworlds is a masterful collection of essays, the culmination of a career aimed at understanding the relationship between anthropology and philosophy. Seeking the truths that are found in the interstices between examiner and examined, world and word, and body and mind, and taking inspiration from James, Dewey, Arendt, Husserl, Sartre, Camus, and, especially, Merleau-Ponty, Jackson creates in these chapters a distinctive anthropological pursuit of existential inquiry. More important, he buttresses this philosophical approach with committed empirical research. Traveling from the Kuranko in Sierra Leone to the Maori in New Zealand to the Warlpiri in Australia, Jackson argues that anthropological subjects continually negotiate—imaginatively, practically, and politically—their relations with the forces surrounding them and the resources they find in themselves or in solidarity with significant others. At the same time that they mirror facets of the larger world, they also help shape it. Stitching the themes, peoples, and locales of these essays into a sustained argument for a philosophical anthropology that focuses on the places between, Jackson offers a pragmatic understanding of how people act to make their lives more viable, to grasp the elusive, to counteract external powers, and to turn abstract possibilities into embodied truths.

In his seminal work, The Development of Creole Society in Jamaica, Kamau Brathwaite attempted to expose the essential "Jamaican" nature of the identity that developed at the interstices between the cultures of Europe and Africa. He took the concept of Creole society beyond mere description by articulating s clear and poetically engaging intellectual model of the process of cultural change that defines, and distinguishes, Creole societies - a process which he termed "creolisation". The publication of this pathbreaking work has given rise to vigorous polemics among scholars who have expanded the debate beyond the Caribbean. Indeed, the creolisation discourse has been widely incorporated into scholarship on both sides of the Atlantic, and resonates in diverse fields of Atlantic World Studies, spreading beyond the confines of the discipline of history. This interdisciplinary trend is demonstrated in this volume, primarily a tribute to Brathwaite, with contributions from Carolyn Allen, Hilary McD. Beckles, O. Nigel Bolland, Carolyn Cooper, Lorna Goodison, Veronica Gregg, Percy C. Hintzen, Verene A. Shepherd, Paul Lovejoy, Patricia Mohammed, Mary Morgan, Lucie Pradel, Rhoda Reddock, Glen Richards, Jean Small, David Trotman, Maureen Warner-Lewis and Swithin Wilmot.

Michael Jackson’s Lifeworlds is a masterful collection of essays, the culmination of a career aimed at understanding the relationship between anthropology and philosophy. Seeking the truths that are found in the interstices between examiner and examined, world and word, and body and mind, and taking inspiration from James, Dewey, Arendt, Husserl, Sartre, Camus, and, especially, Merleau-Ponty, Jackson creates in these chapters a distinctive anthropological pursuit of existential inquiry. More important, he buttresses this philosophical approach with committed empirical research. Traveling from the Kuranko in Sierra Leone to the Maori in New Zealand to the Warlpiri in Australia, Jackson argues that anthropological subjects continually negotiate—imaginatively, practically, and politically—their relations with the forces surrounding them and the resources they find in themselves or in solidarity with significant others. At the same time that they mirror facets of the larger world, they also help shape it. Stitching the themes, peoples, and locales of these essays into a sustained argument for a philosophical anthropology that focuses on the places between, Jackson offers a pragmatic understanding of how people act to make their lives more viable, to grasp the elusive, to counteract external powers, and to turn abstract possibilities into embodied truths.

How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.

With their bareness, simplicity, dry sense of irony and keen perception of the absurd, the works of Pakistan-born, Berlin-based artist Ceal Floyer (1968) undermine our perception of what at first glance appears familiar. The artist's works explore the interstices between sight, reality and language, and from this point of view, the titles are key to understanding and appreciating her creations. The objects she picks out, like Duchamp's readymades, take on a life of their own thanks to the titles she gives them - as the artist observes: "There's no need to create other works when it's more interesting to make new exhibitions with the existing ones". Published to accompany Floyer's first solo museum show in Italy, this monograph reports the artist's exhibition at Museion, Bolzano, where she presented a number of new site-specific pieces, in addition to a selection of videos and installations from public and private collections, reflecting the minimalist tendencies of her modus operandi which open up new ways of perceiving everyday objects and situations

Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.

In his seminal work, The Development of Creole Society in Jamaica, Kamau Brathwaite attempted to expose the essential "Jamaican" nature of the identity that developed at the interstices between the cultures of Europe and Africa. He took the concept of Creole society beyond mere description by articulating s clear and poetically engaging intellectual model of the process of cultural change that defines, and distinguishes, Creole societies - a process which he termed "creolisation". The publication of this pathbreaking work has given rise to vigorous polemics among scholars who have expanded the debate beyond the Caribbean. Indeed, the creolisation discourse has been widely incorporated into scholarship on both sides of the Atlantic, and resonates in diverse fields of Atlantic World Studies, spreading beyond the confines of the discipline of history. This interdisciplinary trend is demonstrated in this volume, primarily a tribute to Brathwaite, with contributions from Carolyn Allen, Hilary McD. Beckles, O. Nigel Bolland, Carolyn Cooper, Lorna Goodison, Veronica Gregg, Percy C. Hintzen, Verene A. Shepherd, Paul Lovejoy, Patricia Mohammed, Mary Morgan, Lucie Pradel, Rhoda Reddock, Glen Richards, Jean Small, David Trotman, Maureen Warner-Lewis and Swithin Wilmot.

The sixteen essays assembled in this volume, four of them co-authored, chart the successive phases of a professional life lived in the interstices of Bible and theory. Engaging such texts as the Song of Songs, 4 Maccabees, Mark, Luke-Acts, John, and Romans, and such themes as the quest for the historical Jesus, the essays simultaneously traverse postmodernism, deconstruction, New Historicism, autobiographical criticism, cultural studies, postcolonial studies, masculinity studies, queer theory, and posttheory. Individual essay introductions and periodic annotated bibliographies make the volume an advanced introduction to biblical literary criticism.

Winner of the Japan Mystery Writers Award, Naoko is a black comedy of hidden minds and lives. Navigating the interstices between the real and the unreal with perfect plot twists, this page-turner is also a critique of gender relations by a male Japanese writer, one of their best-sellng. An everyman, Heisuke works hard at a factory job to provide for his wife, Naoko, and young daughter, Monami. He takes pleasure from the small things, like breakfast with both of them after a night shift. His placid life is rocked when, looking up from his microwave dinner one evening, he realizes the TV news that he wasn't paying attention to is reporting a catastrophic bus accident and the names of his loved ones. When Monami finally wakes from a coma, she seems to think she's Naoko, who has died protecting her daughter. More disturbingly, the girl knows things only Naoko could know. The family life that resumes between the modest man and a companion who looks like his daughter bu seems like his dead wife is ticklish-funny until it begins hurtling toward a soul-shattering end. In addition to winning Japan's top mystery prize, Naoko inspired a blockbuster movie. Read this work, a match for the later Bunuel, to find out why Higashino is considered the most ambitious and versatile mystery hand at work in Japan.

The sixteen essays assembled in this volume, four of them co-authored, chart the successive phases of a professional life lived in the interstices of Bible and theory. Engaging such texts as the Song of Songs, 4 Maccabees, Mark, Luke-Acts, John, and Romans, and such themes as the quest for the historical Jesus, the essays simultaneously traverse postmodernism, deconstruction, New Historicism, autobiographical criticism, cultural studies, postcolonial studies, masculinity studies, queer theory, and posttheory. Individual essay introductions and periodic annotated bibliographies make the volume an advanced introduction to biblical literary criticism.

A New York Times Book Review Editor's ChoiceBorn after Hiroshima, the writers in this dazzling collection of short stories represent the American debut of the best contemporary Japanese fiction. Inhabiting the exotic interstice between cultural traditionalism and high-tech futurism, the stories in this volume offer a rich portrait of the Japanese sensibility the zeitgeist that is transforming the way the rest of the world views itself. Sections include Kitchen” by Banana Yoshimoto, A Callow Fellow of Jewish Descent” by Masahiko Shimada, On Meeting My 100 Percent Woman One Fine April Morning” by Haruki Murakami, Swallowtails” by Shiina Mkoto, God Is Nowhere; God Is Now Here” by Itoh Seikoh, X-Rated Blanket” by Eimi Yamada, Yu-Hee” by Yang Ji Lee, On a Moonless Night by Sei Takekawa, Living in a Maze” by Kyoji Kobayashi, The Imitation of Leibniz” by Genichiro Takahashi, The Unsinkable Molly Brown” by Tamio Kageyama, and Wine” by Mariko Hayashi.

From the discovery of distant galaxies and black holes to the tiny interstices of the atom, here is the very best on physics and astronomy from the New York Times! The newspaper of record has always prided itself on its award-winning science coverage, and these 125 articles from its archives are the very best, covering more than a century of breakthroughs, setbacks, and mysteries. Selected by former science editor Cornelia Dean, they feature such esteemed and Pulitzer Prize-winning writers as Malcolm W. Browne on teleporting, antimatter atoms, and the physics of traffic jams; James Glanz on string theory; George Johnson on quantum physics; William L. Laurence on Bohr and Einstein; Dennis Overbye on the recent discovery of the Higgs Boson; Walter Sullivan on the colliding beam machine; and more.

Private Life holds up a mirror to the moral corruption in the interstices of the Barcelona high society Sagarra was born into. Boudoirs of demimonde tramps, card games dilapidating the fortunes of milquetoast aristocrats - and how they scheme to conceal them - fading manors of selfish scions, and back rooms provided by social-climbing seamstresses are portrayed in vivid, sordid, and literary detail. The novel, practically a roman-à-clef for its contemporaries, was a scandal in 1932. The 1960's edition was bowdlerized by Franco's censors. Part Lampedusa, part Genet, this translation will bring an essential piece of 20th-century European literature to the English-speaking public.

With their bareness, simplicity, dry sense of irony and keen perception of the absurd, the works of Pakistan-born, Berlin-based artist Ceal Floyer (1968) undermine our perception of what at first glance appears familiar. The artist's works explore the interstices between sight, reality and language, and from this point of view, the titles are key to understanding and appreciating her creations. The objects she picks out, like Duchamp's readymades, take on a life of their own thanks to the titles she gives them - as the artist observes: "There's no need to create other works when it's more interesting to make new exhibitions with the existing ones". Published to accompany Floyer's first solo museum show in Italy, this monograph reports the artist's exhibition at Museion, Bolzano, where she presented a number of new site-specific pieces, in addition to a selection of videos and installations from public and private collections, reflecting the minimalist tendencies of her modus operandi which open up new ways of perceiving everyday objects and situations

Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.