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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.53

1st edition. Hardbound in dust jacket. [ Heavy. Contact for overseas shipping quote.]

Joyce Chen (1917 - 1994) was a Chinese chef, restaurateur, author, television personality, and entrepreneur. Joyce Chen was credited with popularizing northern-style Chinese cuisine in the United States, coining the name "Peking Raviolis" for potstickers, inventing and holding the patent to the flat bottom wok with handle (also known as a stir fry pan), and developing the first line of bottled Chinese stir fry sauces for the US market. Starting in 1958, she operated several popular Chinese restaurants in Cambridge, MA. Joyce Chen died of Alzheimer's disease in 1994; since then, her accomplishments and influence on American cuisine have been honored by the US Postal Service and the City of Cambridge. In this book, exquisite, subtle, different recipes are included, but it provides much more than that. It explains how to select meats and vegetables; how to buy and how to prepare. Here you will discover the correct way to make Chinese tea, prepare rice, use chopsticks, and learn about the three great regional schools of cooking within China: Cantonese, Mandarin, Szechuan. All of the hows and whys and whereas are in this book. Mrs. Chen carefully explains and demonstrates with illustrations when necessary, all the process of food preparation the Chinese way. Her recipes are simple, clear and flexible enough so that the cook can find substitutes for ingredients that may be hard to procure. All the recipes in this book can be prepared successfully anywhere in the country by a reasonably adequate cook in a reasonably adequate kitchen. Mrs. Chen believes you will discover that there is less effort and greater reward cooking the Chinese way. As the world-famous heart specialist, Dr. Paul Dudley White, points out in his foreword; "Joyce Chen's recipes are commendable for several reasons. In the first place, they are a delight to the gourmet; secondly, they represent real Chinese cooking at its best; and thirdly, they are good for the health>"

Joyce's fictionalized autobiographical love story is presented together with textual and documentary notes.

Provides a developmental history of the 20th-century novel by focusing on characterization.

"Derrida's opening lecture to the Ninth International James Joyce Symposium in Frankfurt, West Germany, served to set the tone for the overall conference. This collection brings together some of the best work done at the symposium and, following the "wake" set by Derrida, is marked by vibrant new critical approaches to Joyce's texts." (From the front flap text)

James Joyce: Poems and Shorter Writing Including Epiphanies, Giacomo Joyce and A Portrait of the Artist

Detailed notes accompany fifteen short stories that evoke the character, atmosphere, and people of Dublin at the turn of the century

"Finnegan's Wake" is perhaps the most difficult and willfully obscure piece in all of modern literature, a book written in polyglottal puns that continues to baffle not only lay readers but, in large part, Joyceans as well. Here in twelve chapters, John Bishop aims to unravel Joyce's obscurities and aims to reveal the "Wake" more clearly than anyone has done before. The greatest obstacle to the comprehension of "Finnegan's Wake", says Bishop, is the failure to believe that Joyce really meant what he said when he spoke of the book as being a reconstruction of the nocturnal life. As a consequence, readers have scrutinized the text with an unyielding literalism bent on finding a kind of meaning in every way antithetical to the kind of meaning embodied in dreams. Had Joyce made the "Wake" less obscure, says Bishop, he would have annihilated everything about the book that is most essential, most engaging, funny, and most profound. In taking seriously Joyce's stated intention of writing a book about the night, Bishop shows how the determination to represent nocturnal experience accounts for the form, shape, direction, and language of "Finnegan's Wake". Although Bishop is not the first to appreciate the problems Joyce faced in his reconstruction of the night, no one has demonstrated more clearly and persuasively how Joyce's creative imagination solved those problems, nor made a more convincing case for the profound significance of Joyce's effort. Bishop relates the "Wake" to Freud, to Vico, and to the Egyptian Book of the Dead, shedding light throughout on such fundamental and complex subjects as dream theory and interpretation; thanatology; optics and phonetics; infancy, embryology, and gender; and sexuality and power.

In James Joyce's early work, as in Ulysses and Finnegans Wake, meanings are often concealed in obscure allusions and details of veiled suggestive power. Consistent recognition of these hidden signififances in Dubliners and A Portrait of the Artist as a Young Man would require an encyclopedic knowledge of life in nineteenth- and twentieth-century Dublin such as few readers possess. Now this substantially revised and expanded edition of Don Gifford's Notes to Joyce: "Dubliners" and "A Portrait of the Artist as a Young Man" puts the requisite knowledge at the disposal of scholars, students, and general readers.An ample introductory essay supplies the historical, biographical, and geographical background for Dubliners and Portrait. The annotations that follow gloss place names, define slang terms, recount relevant gossip, give capsule histories of institutions and political and cultural movements and figures, supply bits of local and Irish legend and lore, explain religious nomenclature and practices, and illuminate cryptic allusions to literature, theology, philosophy, science and the arts.Professor Gifford's labors in gathering these data into a single volume have resulted in an invaluable source-book for all students of Joyce's art.

Format Hardcover Subject Literary Criticism Publisher Greenwood Press

Joyce's fictionalized autobiographical love story is presented together with textual and documentary notes.

1st printing; grey printed wraps; 50 clean, unmarked pages

Literary Studies, Classic Literature

Joyce Wieland is one of Canada’s greatest artists of the last half of the twentieth century.” Pierre Theberge, director of the National Gallery of Canada. Joyce Wieland triumphed over what she called obscene poverty” to achieve international celebrity as a painter, collagist, quiltmaker, and filmmaker, celebrated as Canada’s most important woman artist next to Emily Carr. Joyce Wieland’s art stands alone. Her strikingly Canadian themes of environmental issues, historical passages, and aboriginal rights appear in buoyant, satirical images. Her powerful erotic themes linger in the mind. Just as her dark, troubling renderings of catastrophes and grotesque happenings will not vanish. To make her distinctive, highly personal art, Wieland uses toys, paper cut-outs, wood, glass, and pieces of her panties and dresses just as boldly and felicitously as she uses oils, watercolours, and pencils. Some of her most famous works are quilts, such as Reason Over Passion and Confedspread. She made underground films long before Andy Warhol did, producing a total of sixteen. Joyce Wieland achieved her deserved acclaim through unstinting courage, vivacity, and her off-the-wall humour. She was known for tucking away her secrets in her work. Author Iris Nowell has uncovered some of these secrets through primary sources, such as Joyce’s friends and family, and through her own perspective of having known Joyce for many years. This intimate, rollicking, poignant biography uncovers Joyce Wieland’s life as she lived it, intimately and fully through the 1950s Dark Ages of Art” in Toronto, for much of the 1960s in New York’s grungy artist’s loft community and the underground film scene, and back to Toronto for the most productive, stunning years of her life.

William Butler Yeats has been long considered the standard by which all Irish poetry is judged. Even the best of his immediate successors could not be liberated from Yeats's influence. In a new edition of his groundbreaking work, Dillon Johnston elaborates on the premise that many of Ireland's newvoices do not follow the Yeatsian model―the singular lyric or odic voice; rather, they rely on Joyce for an interplay of dramatic voices.Johnston describes the world that contemporary poets have inherited: the legacies of Yeats and Joyce, the conflict of Unionism and Nationalism, the Irish language itself, and the politics of literature after World War II. He then explores the poetry of successors to both Yeats and Joyce. Austin Clarke is paired with Thomas Kinsella, Patrick Kavanagh with Seamus Heaney, Denis Devlin with John Montague, and Louis MacNeice with Derek Mahon. This edition, encompassing major poets of the last fifty-five years, includes the work of Paul Muldoon, Richard Murphy, Eavan Boland,Medbh McGuckian, and Eilean Ni Chuilleanain.

"Joyce was a realist, but his reality was not ours," writes John Gordon in his new book. Here, he maintains that the shifting styles and techniques of Joyce's works is a function of two interacting realities the external reality of a particular time and place and the internal reality of a character's mental state. In making this case Gordon offers up a number of new readings: how Stephen Dedalus conceives and composes his villanelle; why the Dubliners story about Little Chandler is titled "A Little Cloud"; why Gerty MacDowell suddenly appears and disappears; what is happening when Leopold Bloom stares for two minutes on end at a beer bottle's label; why the triangle etched at the center of Finnegans Wake doubles itself and grows a pair of circles; why the next to last chapter of Ulysses has, by far, the book's highest incidence of the letter C; and who is the man in the macintosh. Gordon, whose authoritative "Finnegans Wake": A Plot Summary received critical acclaim and is considered one of the standard references, revisesand challengesthe received version of that reality. For instance, Joyce features ghost visitations, telepathy, and other paranormal phenomena not as "flights into fantasy" but because he believed in the real possibility of such occurrences.

Much attention has been given to Joyce's life in Dublin and Paris, but his productive years in Trieste have not received the same attention. In a thoroughly documented account, Hartshorn presents a clear, accessible study of Joyce's love/hate relationship with the city, the work he produced there, and the influence of Trieste on his writing.The book begins with a brief overview of Trieste's history prior to Joyce's arrival in 1904, and follows Joyce's life there until World War I, a period in which he completed ^IDubliners^R and ^IA Portrait of the Artist as a Young Man^R, and began ^IUlysses^R. Joyce then departed for the safety of Zurich and the book concludes with his brief return of eight months to Trieste in 1919. Hartshorn has drawn from many previously untapped sources, providing a fascinating look at Joyce's Trieste years that no other Joyce biographer has yet to reveal.

Here substantially revised and expanded, Don Gifford's annotations to Joyce's great modern classic comprise a specialized encyclopedia that will inform any reading of Ulysses. Annotations in this edition are keyed both to the reading text of the new critical edition of Ulysses published in 1984 and to the standard 1961 Random House edition and the current Modern Library and Vintage texts.Gifford has incorporated over 1,000 additions and corrections to the first edition. The introduction and headnotes to sections provide general geographical, biographical and historical background. The annotations gloss place names, define slang terms, give capsule histories of institutions and political and cultural movements and figures, supply bits of local and Irish legend and lore, explain religious nomenclature and practices, trace literary allusions and references to other cultures.The suggestive potential of minor details was enormously fascinating to Joyce, and the precision of his use of detail is a most important aspect of his literary method. The annotations in this volume illuminate details which are not in the public realm for most of us.

Publicado en 1914, DUBLINESES es uno de los libros de relatos mas unitarios y perfectos alumbrados por un autor. Pese a gravitar en su totalidad en torno a Dublin y sus personajes enmarcados en un periodo historico muy concreto (el que habria de anteceder en breve a la independencia de la catolica Irlanda respecto al protestante Reino Unido, y sobre todo Inglaterra), James Joyce (1882-1941) muestra en los quince cuentos que integran la obra una sensibilidad y penetracion dificilmente igualables a la hora de captar la naturaleza humana en sus distintas edades y condiciones, asi como en el laberinto de las relaciones personales y sociales. La impecable estructura del libro, que parte de las primeras experiencias infantiles para ir recorriendo el arco de la existencia humana, culmina en esa obra maestra que es el relato titulado Los muertos, sin duda alguna una de las cumbres del genero.