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This volume provides a guide to what we know about the interplay between prosody-stress, phrasing, and melody-and interpretation-felicity in discourse, inferences, and emphasis. Speakers can modulate the meaning and effects of their utterances by changing the location of stress or of pauses, and by choosing the melody of their sentences. Although these factors often do not change the literal meaning of what is said, linguists have in recent years found tools and models to describe these more elusive aspects of linguistic meaning. This volume provides a guide to what we know about the interplay between prosody-stress, phrasing, and melody-and interpretation-felicity in discourse, inferences, and emphasis. Daniel Buring presents the main phenomena involved, and introduces the details of current formal analyses of prosodic structure, relevant aspects of discourse structure, intonational meaning, and, most importantly, the relations between them. He explains and compares the most influential theories in these areas, and outlines the questions that remain open for future research.This wide-ranging book involves aspects of phonetics, phonology, syntax, semantics, and pragmatics, and will be of interest to researchers and students in all of these fields, from advanced undergraduate level upwards.

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This book provides a state-of-the-art survey of intonation and prosodic structure. Taking a phonological perspective, it shows how morpho-syntactic constituents are mapped to prosodic constituents according to well-formedness conditions. Using a tone-sequence model of intonation, it explores individual tones and how they combine, and discusses how information structure affects intonation in several ways, showing tones and melodies to be 'meaningful' in that they add a pragmatic component to what is being said. The author also shows how, despite a superficial similarity, languages differ in how their tonal patterns arise from tone concatenation. Lexical tones, stress, phrase tones, and boundary tones are assigned differently in different languages, resulting in great variation in intonational grammar, both at the lexical and sentential level. The last chapter is dedicated to experimental studies of how we process prosody. The book will be of interest to advanced students and researchers in linguistics, and particularly in phonological theory.

Intonation in Context is for upper-intermediate and advanced learners of English who want to improve their intonation. It aims to make learners aware of the main features of intonation and provides enjoyable activities for both controlled and freer practice in a range of conversational situations. Intonation is presented as a system which has an important communicative function in any interaction between speaker and listener. Learners first explore the meaning conveyed by the parts of this system before going on to a variety of production exercises. The book is intended to be used alongside any general coursebook to provide a systematic and accessible introduction to this often neglected area of pronunciation. The easy-to-follow explanations assume no specialist knowledge of the subject and the accompanying CD provides clear models, making this an excellent choice for both classroom use and self-study.

"It's not what she said, it's the way that she said it," is a complaint we have all heard (or made) some time or another. What does it refer to? It obviously relates to the various forms of wordless communication, but especially to the speaker's use of intonation―the rise and fall of the pitch of the voice―to convey sarcasm or resignation, anger or apprehension, or any of scores of other moods. In this summation of over forty years of investigation and reflection, the author analyzes the nature, variety and utility of intonation, using some 700 examples from everyday English speech. The work looks at both accent (pitch shift that points up individual words) and overall configurations (melodies that shape the meaning of whole sentences). It shows that most easily understood utterances employ one or another of a surprisingly small stock of basic melodies, and it shows both intonation and visible gesture to be parts of a larger complex that conveys grammatical as well as emotional information. Though it is one of the major divisions of the science of linguistics, intonation is of great interest to others outside of linguistics―to actors and lawyers who must use the voice to assert, to downplay, or to emote; to English teachers as an essential ingredient of idiomatic speech; to musicians for its many common elements in music theory; and to psychologists and anthropologists as a gauge of emotional tension and a clue to behavior.

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation.The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format.Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation.The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.

When published in 1986, this book was the first to survey intonation in all its aspects, both in English and universally. In this updated edition, while the basic descriptive facts of the form and use of intonation are presented in the British nuclear tone tradition, there is nevertheless extensive comparison with other theoretical frameworks, in particular with the ToBI framework, which has become widespread in the United States. The author has expanded the sections on historical background, different theoretical approaches and sociolinguistic variation. Intonation remains a basic reference book for linguists, phoneticians, speech therapists and all those concerned with speech in any way.

This volume provides a guide to what we know about the interplay between prosody-stress, phrasing, and melody-and interpretation-felicity in discourse, inferences, and emphasis. Speakers can modulate the meaning and effects of their utterances by changing the location of stress or of pauses, and by choosing the melody of their sentences. Although these factors often do not change the literal meaning of what is said, linguists have in recent years found tools and models to describe these more elusive aspects of linguistic meaning. This volume provides a guide to what we know about the interplay between prosody-stress, phrasing, and melody-and interpretation-felicity in discourse, inferences, and emphasis. Daniel Buring presents the main phenomena involved, and introduces the details of current formal analyses of prosodic structure, relevant aspects of discourse structure, intonational meaning, and, most importantly, the relations between them. He explains and compares the most influential theories in these areas, and outlines the questions that remain open for future research.This wide-ranging book involves aspects of phonetics, phonology, syntax, semantics, and pragmatics, and will be of interest to researchers and students in all of these fields, from advanced undergraduate level upwards.

Trent Kynaston's Saxophone Intonation Workbook is a thorough, organized approach to approaching saxophone intonation. Basic concepts of embouchure and breathing, understanding the role of your equipment, and developing voicing techniques are all explored. Included is a tuning CD with numerous exercises along with additional scale and arpeggio studies. This is a must for all developing saxophonists. Topics: The Embouchure * Mouthpiece Placement * The Tongue * Breathing * Proper and Effective Use of Air * Playing with the Mouthpiece Alone * Intonation * Mouthpieces * Ligatures * The Anatomy of a Reed * Reed Preparation * Developing Your Sound * Overtone Exercises * Scale Articulation Chart * Scales and Arpeggios.

Trent Kynaston's Saxophone Intonation Workbook is a thorough, organized approach to approaching saxophone intonation. Basic concepts of embouchure and breathing, understanding the role of your equipment, and developing voicing techniques are all explored. Included is a tuning CD with numerous exercises along with additional scale and arpeggio studies. This is a must for all developing saxophonists. Topics: The Embouchure * Mouthpiece Placement * The Tongue * Breathing * Proper and Effective Use of Air * Playing with the Mouthpiece Alone * Intonation * Mouthpieces * Ligatures * The Anatomy of a Reed * Reed Preparation * Developing Your Sound * Overtone Exercises * Scale Articulation Chart * Scales and Arpeggios.

This book was first published in 1969. Its author, David Crystal OBE, has since written some of the most important books on language and linguistics, including the Cambridge Encyclopedia of Language (1987) and the Cambridge Encyclopedia of the English Language (1995, 2003). Here, he provides the reader with a thorough and fascinating analysis of the patterns of intonation and prosody found within the English language. Crystal begins by contextualising his work on prosody within existing studies, before going on to discuss voice quality and sound attributes in prosodic systems. There are also comprehensive studies of the grammar, semantics and intonation of the spoken English language. This book provides a useful theoretical base for the study of language, prosody and intonation, and will be enjoyed by all with an interest in linguistics and speech patterns in general, and in the academic works of David Crystal more specifically.

Napoli, Donna Jo, Ed., Elements Of Tone, Stress, And Intonation

Napoli, Donna Jo, Ed., Elements Of Tone, Stress, And Intonation

DJ has small tear, edge wear, minor creases, minor scratches, rubbed corners/spine. Boards have edge wear, rubbed corners/spine. No writing.

This book illustrates an approach to prosodic typology through the intonational phonology of thirteen typologically different languages and the transcription system of prosody known as Tones and Break Indices (ToBI). This is the first book introducing the history and principles of this system, and it covers European languages, Asian languages, an Australian aboriginal language, and an American Indian language. A companion website hosts dozens of sound files to accompany the text.

(Meredith Music Resource). The most complete intonation resource for band directors! This book contains everything a music educator requires to approach fine-tuning intonation with their ensemble: learn the origin of our pitch tuning standard * understand when to apply equal tempered vs. just tempered tuning * calculate the proper harmonic ratios for fine-tuning chords * identify the best tuning notes for each instrument * 14 steps for tuning chords * properly tune brass slides * improve your knowledge with over 70 tuning truths and myths. In addition to the above content, this resource includes intonation charts for tracking personal progress, along with extensively researched color-coded fingering charts for every instrument providing pitch tendencies and suggestions for alternate fingerings. Click here to access fingering charts as digital downloads for iPhone, Android, iPad, Kindle or computer use.